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The Resource A history of American poetry, 1900-1940, [by] Horace Gregory and Marya Zaturenska

A history of American poetry, 1900-1940, [by] Horace Gregory and Marya Zaturenska

Label
A history of American poetry, 1900-1940
Title
A history of American poetry, 1900-1940
Statement of responsibility
[by] Horace Gregory and Marya Zaturenska
Creator
Contributor
Subject
Language
eng
http://library.link/vocab/creatorDate
1898-1982
http://library.link/vocab/creatorName
Gregory, Horace
LC call number
PS324
LC item number
.G7
http://library.link/vocab/relatedWorkOrContributorDate
1902-1982
http://library.link/vocab/relatedWorkOrContributorName
Zaturenska, Marya
http://library.link/vocab/subjectName
American poetry
Label
A history of American poetry, 1900-1940, [by] Horace Gregory and Marya Zaturenska
Instantiates
Publication
Bibliography note
Bibliography: pages 497-503
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • A note on Stephen Crane
  • pt. II:
  • The "poetic Renaissance".
  • Harriet Monroe and the "poetic Renaissance"
  • The Horatian serenity of Robert Frost
  • Ezra Pound and the spirit of romance
  • Amy Lowell, literary statesman
  • The islands of H.D.
  • The postimpressionism of John Gould Fletcher
  • A formal "objectivist": William Carlos Williams
  • pt. I:
  • The heritage of "The yellow book" and Conrad Aiken
  • Three Middle Western poets: Masters, Lindsay, and Sandburg
  • pt. III:
  • The 1920s.
  • Donald Evans: preface to the 1920s
  • Edna St. Vincent Millay and the poetry of feminine revolt and self-expression
  • Elinor Wylie and Léonie Adams: the poetry of feminine sensibility
  • "The romantic traditionists": William Ellery Leonard, Louis Untermeyer, Robert Hillyer, and Mark Van Doren
  • Marianne Moore: the genius of "The dial"
  • The harmonium of Wallace Stevens
  • The "twilight interval".
  • Three poets of Brattle Street: E.E. Cummings, John Wheelwright, Dudley Fitts
  • John Crowe Ransom, Allen Tate, Robert Penn Warren, and a note on Laura Riding
  • The Negro poet in America
  • Robinson Jeffers and the birth of tragedy
  • T.S. Eliot. the twentieth-century "man of feeling" in American poetry
  • pt. IV:
  • The 1930s.
  • The national spirit of Stephen Vincent and William Rose Benét, with notes on Lola Ridge and Muriel Rukeyser
  • Archibald MacLeish and the "invocation to the social muse"
  • The lost generation of John Peale Bishop
  • William Vaughn Moody and his circle
  • The critical realism of Kenneth Fearing
  • Hart Crane: death and the sea -- Epilogue. Recent American poetry
  • Three poets of the Sierras: Joaquin Miller, Edwin Markham, George Sterling
  • The barefoot boy of Indiana: James Whitcomb Riley
  • A note on the poetry of George Santayana
  • Four women of the "twilight interval": Reese, Guiney, Crapsey, and Teasdale
  • "La comédie humaine" of E.A. Robinson
Control code
968375
Dimensions
21 cm
Edition
1st ed..
Extent
xi, 524 pages
Lccn
46011800
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(WaOLN)317408
Label
A history of American poetry, 1900-1940, [by] Horace Gregory and Marya Zaturenska
Publication
Bibliography note
Bibliography: pages 497-503
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • A note on Stephen Crane
  • pt. II:
  • The "poetic Renaissance".
  • Harriet Monroe and the "poetic Renaissance"
  • The Horatian serenity of Robert Frost
  • Ezra Pound and the spirit of romance
  • Amy Lowell, literary statesman
  • The islands of H.D.
  • The postimpressionism of John Gould Fletcher
  • A formal "objectivist": William Carlos Williams
  • pt. I:
  • The heritage of "The yellow book" and Conrad Aiken
  • Three Middle Western poets: Masters, Lindsay, and Sandburg
  • pt. III:
  • The 1920s.
  • Donald Evans: preface to the 1920s
  • Edna St. Vincent Millay and the poetry of feminine revolt and self-expression
  • Elinor Wylie and Léonie Adams: the poetry of feminine sensibility
  • "The romantic traditionists": William Ellery Leonard, Louis Untermeyer, Robert Hillyer, and Mark Van Doren
  • Marianne Moore: the genius of "The dial"
  • The harmonium of Wallace Stevens
  • The "twilight interval".
  • Three poets of Brattle Street: E.E. Cummings, John Wheelwright, Dudley Fitts
  • John Crowe Ransom, Allen Tate, Robert Penn Warren, and a note on Laura Riding
  • The Negro poet in America
  • Robinson Jeffers and the birth of tragedy
  • T.S. Eliot. the twentieth-century "man of feeling" in American poetry
  • pt. IV:
  • The 1930s.
  • The national spirit of Stephen Vincent and William Rose Benét, with notes on Lola Ridge and Muriel Rukeyser
  • Archibald MacLeish and the "invocation to the social muse"
  • The lost generation of John Peale Bishop
  • William Vaughn Moody and his circle
  • The critical realism of Kenneth Fearing
  • Hart Crane: death and the sea -- Epilogue. Recent American poetry
  • Three poets of the Sierras: Joaquin Miller, Edwin Markham, George Sterling
  • The barefoot boy of Indiana: James Whitcomb Riley
  • A note on the poetry of George Santayana
  • Four women of the "twilight interval": Reese, Guiney, Crapsey, and Teasdale
  • "La comédie humaine" of E.A. Robinson
Control code
968375
Dimensions
21 cm
Edition
1st ed..
Extent
xi, 524 pages
Lccn
46011800
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(WaOLN)317408

Library Locations

    • University of Missouri Libraries DepositoryBorrow it
      2908 Lemone Blvd, Columbia, MO, 65211, US
      38.919360 -92.291620
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