The Resource A world art history and its objects, David Carrier
A world art history and its objects, David Carrier
Resource Information
The item A world art history and its objects, David Carrier represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item A world art history and its objects, David Carrier represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "Explores the question of how an art history of all cultures could be written or if it is even possible to do so. Examines the political and moral issues raised by the consideration of a multicultural art history"--Provided by publisher
- Language
- eng
- Extent
- xxvi, 170 pages
- Contents
-
- Overture: Islamic carpets in European paintings
- Works of art and art-historical narratives
- Monocultural art-history narratives
- Why monoculturalism is not the whole story
- What happens when art-making traditions intersect
- Charts and works of art
- Importance of an aesthetic
- Exotic aesthetics
- How exotic can exotic art be?
- Our world art history is imperialism seen aesthetically
- Mutual respect as an ethical ideal
- Conclusion: the coming transformation of Western art history
- Isbn
- 9780271034140
- Label
- A world art history and its objects
- Title
- A world art history and its objects
- Statement of responsibility
- David Carrier
- Language
- eng
- Summary
- "Explores the question of how an art history of all cultures could be written or if it is even possible to do so. Examines the political and moral issues raised by the consideration of a multicultural art history"--Provided by publisher
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1944-
- http://library.link/vocab/creatorName
- Carrier, David
- Dewey number
- 707.2/2
- Government publication
- government publication of a state province territory dependency etc
- Illustrations
- illustrations
- Index
- index present
- LC call number
- N380
- LC item number
- .C38 2008
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Art
- Art
- Politics and culture
- Label
- A world art history and its objects, David Carrier
- Bibliography note
- Includes bibliographical references (pages [155]-165) and index
- Carrier category
- volume
- Carrier category code
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
- Overture: Islamic carpets in European paintings -- Works of art and art-historical narratives -- Monocultural art-history narratives -- Why monoculturalism is not the whole story -- What happens when art-making traditions intersect -- Charts and works of art -- Importance of an aesthetic -- Exotic aesthetics -- How exotic can exotic art be? -- Our world art history is imperialism seen aesthetically -- Mutual respect as an ethical ideal -- Conclusion: the coming transformation of Western art history
- Control code
- 223106738
- Dimensions
- 24 cm
- Extent
- xxvi, 170 pages
- Isbn
- 9780271034140
- Isbn Type
- (cloth : alk. paper)
- Lccn
- 2008015857
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)223106738
- Label
- A world art history and its objects, David Carrier
- Bibliography note
- Includes bibliographical references (pages [155]-165) and index
- Carrier category
- volume
- Carrier category code
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
- Overture: Islamic carpets in European paintings -- Works of art and art-historical narratives -- Monocultural art-history narratives -- Why monoculturalism is not the whole story -- What happens when art-making traditions intersect -- Charts and works of art -- Importance of an aesthetic -- Exotic aesthetics -- How exotic can exotic art be? -- Our world art history is imperialism seen aesthetically -- Mutual respect as an ethical ideal -- Conclusion: the coming transformation of Western art history
- Control code
- 223106738
- Dimensions
- 24 cm
- Extent
- xxvi, 170 pages
- Isbn
- 9780271034140
- Isbn Type
- (cloth : alk. paper)
- Lccn
- 2008015857
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)223106738
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/portal/A-world-art-history-and-its-objects-David/WqeliHudC0Y/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/portal/A-world-art-history-and-its-objects-David/WqeliHudC0Y/">A world art history and its objects, David Carrier</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>
