Coverart for item
The Resource American history/American film : interpreting the Hollywood image, edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr

American history/American film : interpreting the Hollywood image, edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr

Label
American history/American film : interpreting the Hollywood image
Title
American history/American film
Title remainder
interpreting the Hollywood image
Statement of responsibility
edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr
Contributor
Subject
Genre
Language
eng
Member of
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • O'Connor, John E
  • Jackson, Martin A
Series statement
Ungar film library
http://library.link/vocab/subjectName
  • Motion pictures
  • Motion pictures and history
Label
American history/American film : interpreting the Hollywood image, edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr
Instantiates
Publication
Note
Includes index
Bibliography note
Bibliography pages 279-282
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Will Rogers and the relevance of nostalgia: Steamboat 'round the bend (1935)
  • Peter C. Rollins
  • A reaffirmation of American ideals: Drums along the Mohawk (1939)
  • John E. O'Connor
  • Our awkward ally" Mission to Moscow (1943)
  • David Culbert
  • The uncertain peace: The best years of our lives 91946)
  • Martin A. Jackson
  • Empire to the West: Red River (1948)
  • Robert Sklar
  • The new woman and twenties America: Way down East (1920)
  • An American cold warrior: Viva Zapata! (1952)
  • Paul J. Vanderwood
  • The age of conspiracy and conformity: Invasion of the body snatchers (1956)
  • Stuart Samuels
  • The Pentagon and Hollywood: Dr. Strangelove or: How I learned to stop worrying and love the bomb (1964)
  • Lawrence Suid
  • The blue collar ethnic in bicentennial America: Rocky (1976)
  • Daniel J. Leab
  • June Sochen
  • The great war viewed for the twenties: The big parade (1925)
  • Michael T. Isenberg
  • "Race movies" as voices of the Black bourgeoisie: The scar of shame (1927)
  • Thomas Cripps
  • Bullets, beer and the Hays Office: Public enemy (1931)
  • Garth Jowett
Control code
4496159
Dimensions
22 cm
Extent
xxix, 290 pages
Lccn
78004295
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(WaOLN)76521
Label
American history/American film : interpreting the Hollywood image, edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr
Publication
Note
Includes index
Bibliography note
Bibliography pages 279-282
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Will Rogers and the relevance of nostalgia: Steamboat 'round the bend (1935)
  • Peter C. Rollins
  • A reaffirmation of American ideals: Drums along the Mohawk (1939)
  • John E. O'Connor
  • Our awkward ally" Mission to Moscow (1943)
  • David Culbert
  • The uncertain peace: The best years of our lives 91946)
  • Martin A. Jackson
  • Empire to the West: Red River (1948)
  • Robert Sklar
  • The new woman and twenties America: Way down East (1920)
  • An American cold warrior: Viva Zapata! (1952)
  • Paul J. Vanderwood
  • The age of conspiracy and conformity: Invasion of the body snatchers (1956)
  • Stuart Samuels
  • The Pentagon and Hollywood: Dr. Strangelove or: How I learned to stop worrying and love the bomb (1964)
  • Lawrence Suid
  • The blue collar ethnic in bicentennial America: Rocky (1976)
  • Daniel J. Leab
  • June Sochen
  • The great war viewed for the twenties: The big parade (1925)
  • Michael T. Isenberg
  • "Race movies" as voices of the Black bourgeoisie: The scar of shame (1927)
  • Thomas Cripps
  • Bullets, beer and the Hays Office: Public enemy (1931)
  • Garth Jowett
Control code
4496159
Dimensions
22 cm
Extent
xxix, 290 pages
Lccn
78004295
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(WaOLN)76521

Library Locations

    • Ellis LibraryBorrow it
      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
Processing Feedback ...