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The Resource American visual cultures, edited by David Holloway and John Beck

American visual cultures, edited by David Holloway and John Beck

Label
American visual cultures
Title
American visual cultures
Statement of responsibility
edited by David Holloway and John Beck
Contributor
Subject
Language
eng
Cataloging source
DLC
Dewey number
700/.973
Illustrations
illustrations
Index
index present
LC call number
NX180.S6
LC item number
A437 2005
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
  • 1967-
  • 1963-
http://library.link/vocab/relatedWorkOrContributorName
  • Holloway, David
  • Beck, John
http://library.link/vocab/subjectName
  • Arts and society
  • Arts, American
  • Arts, American
  • Beeldcultuur
  • Massamedia
  • 7.150
Label
American visual cultures, edited by David Holloway and John Beck
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 306-337) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Part 1: 1861-1929. Manifest destiny and visual culture ; Photographing American Indians: repression and revision / Mick Gidley -- Visualizing women in the Civil War ; Unsexed Amazons and Desperadoes: imaging public war women and imagining female warriors in the American Civil War / Cynthia Wiedmann Empen -- Renegotiating masculinity after the Civil War ; Absent fathers and women with beards: religion and gender in popular imagery of the nineteenth century / David Morgan -- Visualizing 'America' as ' Progress' at the end of the Western Frontier ; Painting the Nation: American art at the White City / Christopher Gair -- Alternating racial gazes in American silent cinema ; Visualizing racial politics in the films of D.W. Griffith and Oscar Micheaux / Charlene Regester -- Visualizing dissent in World War I ; Modernism, and the end of 'liberal' Progressivism, in art from the Masses (1911-1917) / David Holloway -- The Avant-Garde and the market ; Debating Modernism: Art and American advertising in the 1920s / Don McComb
  • Part 2: 1929-1963. The New Deal and film ; Debating the New Deal: gold diggers of 1933 and My man Godfrey / Michael Ryan -- Painting and the New Deal ; Art and work on the WPA / Joan Saab -- The New Deal and photography ; Liberal documentary goes to school: farm security administration photographs on students, teachers and schools / Eric Margolis -- Supporting dictatorship in World War 2 news ; 'Flash from Brazil' -- 1940s' newsreels present Latin America / Pennee Bender -- The emergence of TV as a new mass medium ; The birth of American televisual spectatorship / Cat Celebrezze -- Negotiating the Cold War in film ; The other side of Hollywood's Cold War: images of dissent in the 1950s / Tony Shaw -- Cold War 'containment culture" and photography ; Robert Frank's The Americans and the 1950s / Neil Campbell -- Reading abstract Expressionist art ; Aesthetics, politics and 'cultural theory': Barnet Newman's Utopian painting / David A. Wragg
  • Part 3: 1963-1980. Visualizing political struggle ; Civil rights-era photography / Deborah Willis -- Towards a Postmoderinism ; Post-World War 2 photography in America: from committed to Solipsistic art / Jean Kempf and Bruno Chalifour -- Visual violence in history and art ; Zapruder, Warhol, and the accident of images / John Beck -- New modes of dissent in art of the 1960s and 1970s ; Visual culture and strategies of resistance: from Semina to Heresies / Francis Frascina -- Photographing the Vietnam War ; Democratic accountability and liberal representation in American iconic photography: the image of 'accidental napalm' / Robert Hariman and John Louis Lucaites -- 'Commodity Feminism' in 1960s' visual culture ; Sex, style and single girls / Bill Osgerby -- New genre forms in 'New Hollywood' film ; Partly truth and partly fiction: The Western, the city movie and the American 1970s / Linnie Blake
  • Part 4: 1980-2001. Marketing 'Post-Fordism' ; Advertising the global economy / Katherine Johnson -- Commodifying Latin America in NAFTA-era film ; The world according to Miramax: Chocolate, poetry and Neoliberal aesthetics / Sophia A. McClennen -- Visualizing 'memory' in the Age of global capital ; A taste for black and white: visuality, digital culture and the anxieties of the global / Paul Grainge -- Remembering Vietnam in the 1980s ; White skin, white masks: Vietnam War films and the racialized gaze / LeiLani Nishime -- 'Queer' photography and the 'Culture wars' ; Robert Mapplethorpe's Queer aesthetic of the pair / Denis Flannery -- Transnationalism in contemporary African American photography ; Memory, history and 'universal' narrative in the work of Carrie Mae Weems / Maren Stange -- Anthropology at the movies ; Jerry Maguire as 'expeditionary discourse' / Jonathan Gayles and S. Elizabeth Bird -- Negotiating feminism in contemporary TV ; 'What's sex got to do with it?': signifying post-feminism in Sex and the city / Anna Gough-Yates -- Constructing history in TV news from Clinton to 9/11 ; Flashframes of history -- American visual memories / Andrew Hoskins
Control code
56920519
Dimensions
26 cm
Extent
xvi, 348 pages
Isbn
9780826464842
Lccn
2004061827
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
Label
American visual cultures, edited by David Holloway and John Beck
Publication
Bibliography note
Includes bibliographical references (pages 306-337) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Part 1: 1861-1929. Manifest destiny and visual culture ; Photographing American Indians: repression and revision / Mick Gidley -- Visualizing women in the Civil War ; Unsexed Amazons and Desperadoes: imaging public war women and imagining female warriors in the American Civil War / Cynthia Wiedmann Empen -- Renegotiating masculinity after the Civil War ; Absent fathers and women with beards: religion and gender in popular imagery of the nineteenth century / David Morgan -- Visualizing 'America' as ' Progress' at the end of the Western Frontier ; Painting the Nation: American art at the White City / Christopher Gair -- Alternating racial gazes in American silent cinema ; Visualizing racial politics in the films of D.W. Griffith and Oscar Micheaux / Charlene Regester -- Visualizing dissent in World War I ; Modernism, and the end of 'liberal' Progressivism, in art from the Masses (1911-1917) / David Holloway -- The Avant-Garde and the market ; Debating Modernism: Art and American advertising in the 1920s / Don McComb
  • Part 2: 1929-1963. The New Deal and film ; Debating the New Deal: gold diggers of 1933 and My man Godfrey / Michael Ryan -- Painting and the New Deal ; Art and work on the WPA / Joan Saab -- The New Deal and photography ; Liberal documentary goes to school: farm security administration photographs on students, teachers and schools / Eric Margolis -- Supporting dictatorship in World War 2 news ; 'Flash from Brazil' -- 1940s' newsreels present Latin America / Pennee Bender -- The emergence of TV as a new mass medium ; The birth of American televisual spectatorship / Cat Celebrezze -- Negotiating the Cold War in film ; The other side of Hollywood's Cold War: images of dissent in the 1950s / Tony Shaw -- Cold War 'containment culture" and photography ; Robert Frank's The Americans and the 1950s / Neil Campbell -- Reading abstract Expressionist art ; Aesthetics, politics and 'cultural theory': Barnet Newman's Utopian painting / David A. Wragg
  • Part 3: 1963-1980. Visualizing political struggle ; Civil rights-era photography / Deborah Willis -- Towards a Postmoderinism ; Post-World War 2 photography in America: from committed to Solipsistic art / Jean Kempf and Bruno Chalifour -- Visual violence in history and art ; Zapruder, Warhol, and the accident of images / John Beck -- New modes of dissent in art of the 1960s and 1970s ; Visual culture and strategies of resistance: from Semina to Heresies / Francis Frascina -- Photographing the Vietnam War ; Democratic accountability and liberal representation in American iconic photography: the image of 'accidental napalm' / Robert Hariman and John Louis Lucaites -- 'Commodity Feminism' in 1960s' visual culture ; Sex, style and single girls / Bill Osgerby -- New genre forms in 'New Hollywood' film ; Partly truth and partly fiction: The Western, the city movie and the American 1970s / Linnie Blake
  • Part 4: 1980-2001. Marketing 'Post-Fordism' ; Advertising the global economy / Katherine Johnson -- Commodifying Latin America in NAFTA-era film ; The world according to Miramax: Chocolate, poetry and Neoliberal aesthetics / Sophia A. McClennen -- Visualizing 'memory' in the Age of global capital ; A taste for black and white: visuality, digital culture and the anxieties of the global / Paul Grainge -- Remembering Vietnam in the 1980s ; White skin, white masks: Vietnam War films and the racialized gaze / LeiLani Nishime -- 'Queer' photography and the 'Culture wars' ; Robert Mapplethorpe's Queer aesthetic of the pair / Denis Flannery -- Transnationalism in contemporary African American photography ; Memory, history and 'universal' narrative in the work of Carrie Mae Weems / Maren Stange -- Anthropology at the movies ; Jerry Maguire as 'expeditionary discourse' / Jonathan Gayles and S. Elizabeth Bird -- Negotiating feminism in contemporary TV ; 'What's sex got to do with it?': signifying post-feminism in Sex and the city / Anna Gough-Yates -- Constructing history in TV news from Clinton to 9/11 ; Flashframes of history -- American visual memories / Andrew Hoskins
Control code
56920519
Dimensions
26 cm
Extent
xvi, 348 pages
Isbn
9780826464842
Lccn
2004061827
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations

Library Locations

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      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
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