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The Resource Archaism, modernism, and the art of Paul Manship, by Susan Rather

Archaism, modernism, and the art of Paul Manship, by Susan Rather

Label
Archaism, modernism, and the art of Paul Manship
Title
Archaism, modernism, and the art of Paul Manship
Statement of responsibility
by Susan Rather
Creator
Subject
Language
eng
Summary
Archaism, an international artistic phenomenon from early in the twentieth century through the 1930s, receives its first sustained analysis in this book. The distinctive formal and technical conventions of archaic art, especially Greek art, particularly affected sculptors - some frankly modernist, others staunchly conservative, and a few who, like American Paul Manship, negotiated the distance between tradition and modernity. Professor Susan Rather considers the theory, practice, and criticism of early twentieth-century sculpture in order to reveal the changing meaning and significance of the archaic in the modern world. To this end - and against the background of Manship's career - she explores such topics as the archaeological resources for archaism, the classification of the non-Western art of India as archaic, the interest of sculptors in modern dance (Isadora Duncan and Ruth St. Denis), and the changing critical perception of archaism. Rather rejects the prevailing conception of archaism as a sterile and superficial academic style to argue its initial importance as a modernist mode of expression. The early practitioners of archaism - including Aristide Maillol, Andre Derain, and Constantin Brancusi - renounced the rhetorical excess, overrefined naturalism, and indirect techniques of late nineteenth-century sculpture in favor of nonnarrative, stylized and directly carved works, for which archaic Greek art offered an important example. Their position found implicit support in the contemporaneous theoretical writings of Emmanuel Lowy, Wilhelm Worringer, and Adolf von Hildebrand. The perceived relationship between archaic art and tradition ultimately compromised the modernist authority of archaism and made possible its absorption by academic and reactionary forces during the 1910s. By the 1920s, Paul Manship was identified with archaism, which had become an important element in the aesthetic of public sculpture of both democratic and totalitarian societies. Sculptors often employed archaizing stylizations as ends in themselves and with the intent of evoking the foundations of a classical art diminished in potency by its ubiquity and obsolescence. Such stylistic archaism was not an empty formal exercise but an urgent affirmation of traditional values under siege. Concurrently, archaism entered the mainstream of fashionable modernity as an ingredient in the popular and commercial style known as Art Deco. Both developments fueled the condemnation of archaism - and of Manship, its most visible exemplar - by the avant-garde. Rather's exploration of the critical debate over archaism, finally, illuminates the uncertain relationship to modernism on the part of many critics and highlights the problematic positions of sculpture in the modernist discourse. The first book-length study of archaism and the first critical study of Paul Manship, this work will be important reading in several fields, including American studies and twentieth-century art history. Numerous black-and-white illustrations complement the text
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Rather, Susan
Dewey number
730/.92
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
NB237.M3
LC item number
R37 1993
Literary form
non fiction
Nature of contents
bibliography
Series statement
American studies series
http://library.link/vocab/subjectName
  • Manship, Paul
  • Modernism (Art)
  • Manship, Paul
  • Manship, Paul
  • Manship, Paul
Label
Archaism, modernism, and the art of Paul Manship, by Susan Rather
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages [237]-258) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Control code
25711168
Dimensions
24 cm
Edition
1st ed.
Extent
xiv, 268 pages
Isbn
9780292760356
Lccn
92014217
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(WaOLN)1506477
Label
Archaism, modernism, and the art of Paul Manship, by Susan Rather
Publication
Bibliography note
Includes bibliographical references (pages [237]-258) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Control code
25711168
Dimensions
24 cm
Edition
1st ed.
Extent
xiv, 268 pages
Isbn
9780292760356
Lccn
92014217
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(WaOLN)1506477

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