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The Resource Art, glitter, and glitz : mainstream playwrights and popular theatre in 1920s America, edited by Arthur Gewirtz and James J. Kolb

Art, glitter, and glitz : mainstream playwrights and popular theatre in 1920s America, edited by Arthur Gewirtz and James J. Kolb

Label
Art, glitter, and glitz : mainstream playwrights and popular theatre in 1920s America
Title
Art, glitter, and glitz
Title remainder
mainstream playwrights and popular theatre in 1920s America
Statement of responsibility
edited by Arthur Gewirtz and James J. Kolb
Contributor
Subject
Genre
Language
eng
Member of
Cataloging source
DLC
Dewey number
812/.509
Illustrations
illustrations
Index
index present
LC call number
PS351
LC item number
.A87 2003
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1944-
http://library.link/vocab/relatedWorkOrContributorName
  • Gewirtz, Arthur
  • Kolb, James J.
  • Hofstra University
Series statement
Contributions in drama and theatre studies,
Series volume
no. 100
http://library.link/vocab/subjectName
  • American drama
  • Popular culture
  • Theater
Label
Art, glitter, and glitz : mainstream playwrights and popular theatre in 1920s America, edited by Arthur Gewirtz and James J. Kolb
Instantiates
Publication
Note
"Prepared under the auspices of Hofstra University."
Bibliography note
Includes bibliographical references (pages [225]-228) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Julia A. Walker
  • Tempest in Black and White: The 1924 Staging of Eugene O'Neill's All God's Chillun Got Wings
  • Glenda Frank
  • "Not Enough"? The High Comedy of Philip Barry
  • Leonard R.N. Ashley
  • Philip Barry's Holiday: High Comedy as Morality Play
  • Harry B. Parker
  • The Subway: Sophie as Elmer Rice's Ms. Zero
  • Cynthia McCown
  • "Without Plot, Idea, Hero, or Heroine": The Unlucky Strategy of Sidney Howard's Lucky Sam McCarver
  • Introduction
  • Cynthia McCown
  • "Some Kind of Damned Religion": A Reading of What Price Glory? by Maxwell Anderson and Laurence Stallings
  • Stanley Brodwin
  • Baker's "Boys": The Legacy of George Pierce Baker
  • Lue Morgan Douthit
  • Broadway, the Elements of Success: Jed Harris's 1926 Production
  • E. James Zeiger
  • Playwrights and Power: The Dramatists Guild's Struggle for the 1926 Minimum Basic Agreement
  • T.J. Walsh
  • Popular Theatre
  • Arthur Gewirtz, James J. Kolb
  • John Barrymore and Company, 1920-1925: American Standard-Bearers of the Shakespeare Company
  • Michael A. Morrison
  • When Actors Were Still Players
  • Ronald H. Wainscott
  • Mainstream Playwrights
  • (Re)Claiming O'Neill's Strange Interlude as a Modernist Theatre Text
  • Thomas P. Adler
  • Stillborn Future: Dead and Dying Infants and Children as a Secondary Image in the Plays of Eugene O'Neill: An Analysis of the Image in Desire Under the Elms
  • Linda L. Herr
  • "De New Dat's Moiderin' de Old": Oedipal Struggle as Class Conflict in Eugene O'Neill's The Hairy Ape
Control code
50041345
Dimensions
24 cm
Extent
xvi, 243 pages
Isbn
9780313324673
Isbn Type
(alk. paper)
Lccn
2002073467
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
Label
Art, glitter, and glitz : mainstream playwrights and popular theatre in 1920s America, edited by Arthur Gewirtz and James J. Kolb
Publication
Note
"Prepared under the auspices of Hofstra University."
Bibliography note
Includes bibliographical references (pages [225]-228) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Julia A. Walker
  • Tempest in Black and White: The 1924 Staging of Eugene O'Neill's All God's Chillun Got Wings
  • Glenda Frank
  • "Not Enough"? The High Comedy of Philip Barry
  • Leonard R.N. Ashley
  • Philip Barry's Holiday: High Comedy as Morality Play
  • Harry B. Parker
  • The Subway: Sophie as Elmer Rice's Ms. Zero
  • Cynthia McCown
  • "Without Plot, Idea, Hero, or Heroine": The Unlucky Strategy of Sidney Howard's Lucky Sam McCarver
  • Introduction
  • Cynthia McCown
  • "Some Kind of Damned Religion": A Reading of What Price Glory? by Maxwell Anderson and Laurence Stallings
  • Stanley Brodwin
  • Baker's "Boys": The Legacy of George Pierce Baker
  • Lue Morgan Douthit
  • Broadway, the Elements of Success: Jed Harris's 1926 Production
  • E. James Zeiger
  • Playwrights and Power: The Dramatists Guild's Struggle for the 1926 Minimum Basic Agreement
  • T.J. Walsh
  • Popular Theatre
  • Arthur Gewirtz, James J. Kolb
  • John Barrymore and Company, 1920-1925: American Standard-Bearers of the Shakespeare Company
  • Michael A. Morrison
  • When Actors Were Still Players
  • Ronald H. Wainscott
  • Mainstream Playwrights
  • (Re)Claiming O'Neill's Strange Interlude as a Modernist Theatre Text
  • Thomas P. Adler
  • Stillborn Future: Dead and Dying Infants and Children as a Secondary Image in the Plays of Eugene O'Neill: An Analysis of the Image in Desire Under the Elms
  • Linda L. Herr
  • "De New Dat's Moiderin' de Old": Oedipal Struggle as Class Conflict in Eugene O'Neill's The Hairy Ape
Control code
50041345
Dimensions
24 cm
Extent
xvi, 243 pages
Isbn
9780313324673
Isbn Type
(alk. paper)
Lccn
2002073467
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations

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