Coverart for item
The Resource Closely watched films : an introduction to the art of narrative film technique, Marilyn Fabe

Closely watched films : an introduction to the art of narrative film technique, Marilyn Fabe

Label
Closely watched films : an introduction to the art of narrative film technique
Title
Closely watched films
Title remainder
an introduction to the art of narrative film technique
Statement of responsibility
Marilyn Fabe
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Fabe, Marilyn
Dewey number
791.43/015
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
PN1995.9.E9
LC item number
F17 2004
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Motion pictures
  • Motion pictures
  • Motion pictures
Label
Closely watched films : an introduction to the art of narrative film technique, Marilyn Fabe
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 267-272) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
The beginnings of film narrative: D.W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F.W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday -- Expressive realism: Orson Welles's Citizen Kane -- Italian neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: François Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The European art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode
Control code
54001363
Dimensions
23 cm
Extent
xviii, 279 pages
Isbn
9780520238916
Isbn Type
(pbk. : alk. paper)
Lccn
2004000202
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
Label
Closely watched films : an introduction to the art of narrative film technique, Marilyn Fabe
Publication
Bibliography note
Includes bibliographical references (pages 267-272) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
The beginnings of film narrative: D.W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F.W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday -- Expressive realism: Orson Welles's Citizen Kane -- Italian neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: François Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The European art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode
Control code
54001363
Dimensions
23 cm
Extent
xviii, 279 pages
Isbn
9780520238916
Isbn Type
(pbk. : alk. paper)
Lccn
2004000202
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations

Library Locations

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      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
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