Coverart for item
The Resource Composing the citizen : music as public utility in Third Republic France, Jann Pasler

Composing the citizen : music as public utility in Third Republic France, Jann Pasler

Label
Composing the citizen : music as public utility in Third Republic France
Title
Composing the citizen
Title remainder
music as public utility in Third Republic France
Statement of responsibility
Jann Pasler
Creator
Author
Subject
Genre
Language
eng
Summary
In a work that challenges modernists ideas about the value and role of music in Western society, 'Composing the Citizen' demonstrates how music can help forge a nation
Member of
Cataloging source
OTZ
http://library.link/vocab/creatorName
Pasler, Jann
Dewey number
306.4842094409034
Illustrations
  • illustrations
  • maps
Index
index present
LC call number
ML3917.F8
LC item number
P37 2009
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
An Ahmanson foundation book in the humanities
http://library.link/vocab/subjectName
  • Music
  • Music
  • France
  • France
  • MUSIC
  • Manners and customs
  • Music
  • Music
  • Politics and government
  • France
Target audience
specialized
Label
Composing the citizen : music as public utility in Third Republic France, Jann Pasler
Instantiates
Publication
Note
"An Ahmanson Foundation Book in the Humanities."
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover; Title; Copyright; Contents; Acknowledgments; Introduction. Paris: A Walking Tour; Topographies of Power: The Semiotics of the Parisian Landscape; Negotiating Life in the City; New Promenades in the Aural Landscapes of Paris; The Legacy of the Third Republic; PART ONE: FORMING PUBLIC SPIRIT AND USEFUL CITIZENS; 1 Use, the Useful, and Public Utility: A Theory of Musical Value; Tensions between the Useful and the Beautiful; Satisfying Social Needs and Creating the Nation; Music as Utilité Publique; 2 Reinscribing the Revolutionary Legacy; Public Instruction of Mind and Heart
  • Music in Public FestivalsNational Institutions; Music, Character, and the Utility of Gender; PART TWO: SHAPING JUDGMENT AND NATIONAL TASTE; 3 Music as Political Culture: From Active Listening to Active Citizenship; Political Legitimacy and Civic Society; Republican Pedagogy, Cultural Integration, and Citizenship; Performance and Public Taste under the Moral Order; 4 Regenerating National Pride: Musical Progress and International Glory; Moral and Musical Progress; Exporting French Music and French Values; Arts Policy and the Utility of Competition; Contradictions and Paradoxes
  • PART THREE: INSTITUTING REPUBLICAN CULTURE5 Imagining a New Nation through Music: New Traditions, New History; Enacting Change at Schools and the Opéra; Reevaluating Luxury and the Question of Opera; Renarrating the Revolution; Reconceiving Music History; 6 An Ideology of Diversity, Eclecticism, and Pleasure; Cultivating Aesthetic Tolerance; Redefining Music's Utilité Publique; Exploring Uncharted Territory; 7 Musical Hybridity and the Challenges of Colonialism; Musical Fantasies Fueling Colonialist Desire; Music and Colonial Assumptions; Songs Inspiring Resistance
  • 8 Useful Distractions and Economic Liberalism in the Belle EpoqueDepartment Stores; Competition in the Musical World; Expanded Performance Opportunities, Including for Women; Theater and Popular Entertainment; PART FOUR: SHIFTING NOTIONS OF UTILITY: BETWEEN THE NATION AND THE SELF; 9 Music as Resistance and an Emerging Avant-garde; Reviving Memory of the Ancien Régime; Wagner's Threatening Allure; Art beyond Politics, Music of and for the Mind; Intuition and Radically New Concepts of Music; 10 The Symbolic Utility of Music at the 1889 Universal Exhibition; Republican Values on Display
  • The Utility of Exotic MusicThe Exhibition in Retrospect; 11 New Alliances and New Music; Mandating Change; The New Left's Hopes; The New Right's Progressism in Politics and Music; Revisiting Musique ancienne et moderne; 12 The Dynamics of Identity and the Struggle for Distinction; Race and French History; Listening through Women; Fusion versus Distinction; From the Useful to the Healthy; Coda; Appendix A. Important Political and Musical Events in the Early Third Republic; Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888
Control code
808600746
Extent
1 online resource (xxi, 789 pages)
Form of item
online
Isbn
9780520943872
Lccn
2008029252
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations, maps.
http://library.link/vocab/ext/overdrive/overdriveId
22573/cttsz9wv
Specific material designation
remote
System control number
(OCoLC)808600746
Label
Composing the citizen : music as public utility in Third Republic France, Jann Pasler
Publication
Note
"An Ahmanson Foundation Book in the Humanities."
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover; Title; Copyright; Contents; Acknowledgments; Introduction. Paris: A Walking Tour; Topographies of Power: The Semiotics of the Parisian Landscape; Negotiating Life in the City; New Promenades in the Aural Landscapes of Paris; The Legacy of the Third Republic; PART ONE: FORMING PUBLIC SPIRIT AND USEFUL CITIZENS; 1 Use, the Useful, and Public Utility: A Theory of Musical Value; Tensions between the Useful and the Beautiful; Satisfying Social Needs and Creating the Nation; Music as Utilité Publique; 2 Reinscribing the Revolutionary Legacy; Public Instruction of Mind and Heart
  • Music in Public FestivalsNational Institutions; Music, Character, and the Utility of Gender; PART TWO: SHAPING JUDGMENT AND NATIONAL TASTE; 3 Music as Political Culture: From Active Listening to Active Citizenship; Political Legitimacy and Civic Society; Republican Pedagogy, Cultural Integration, and Citizenship; Performance and Public Taste under the Moral Order; 4 Regenerating National Pride: Musical Progress and International Glory; Moral and Musical Progress; Exporting French Music and French Values; Arts Policy and the Utility of Competition; Contradictions and Paradoxes
  • PART THREE: INSTITUTING REPUBLICAN CULTURE5 Imagining a New Nation through Music: New Traditions, New History; Enacting Change at Schools and the Opéra; Reevaluating Luxury and the Question of Opera; Renarrating the Revolution; Reconceiving Music History; 6 An Ideology of Diversity, Eclecticism, and Pleasure; Cultivating Aesthetic Tolerance; Redefining Music's Utilité Publique; Exploring Uncharted Territory; 7 Musical Hybridity and the Challenges of Colonialism; Musical Fantasies Fueling Colonialist Desire; Music and Colonial Assumptions; Songs Inspiring Resistance
  • 8 Useful Distractions and Economic Liberalism in the Belle EpoqueDepartment Stores; Competition in the Musical World; Expanded Performance Opportunities, Including for Women; Theater and Popular Entertainment; PART FOUR: SHIFTING NOTIONS OF UTILITY: BETWEEN THE NATION AND THE SELF; 9 Music as Resistance and an Emerging Avant-garde; Reviving Memory of the Ancien Régime; Wagner's Threatening Allure; Art beyond Politics, Music of and for the Mind; Intuition and Radically New Concepts of Music; 10 The Symbolic Utility of Music at the 1889 Universal Exhibition; Republican Values on Display
  • The Utility of Exotic MusicThe Exhibition in Retrospect; 11 New Alliances and New Music; Mandating Change; The New Left's Hopes; The New Right's Progressism in Politics and Music; Revisiting Musique ancienne et moderne; 12 The Dynamics of Identity and the Struggle for Distinction; Race and French History; Listening through Women; Fusion versus Distinction; From the Useful to the Healthy; Coda; Appendix A. Important Political and Musical Events in the Early Third Republic; Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888
Control code
808600746
Extent
1 online resource (xxi, 789 pages)
Form of item
online
Isbn
9780520943872
Lccn
2008029252
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations, maps.
http://library.link/vocab/ext/overdrive/overdriveId
22573/cttsz9wv
Specific material designation
remote
System control number
(OCoLC)808600746

Library Locations

    • Ellis LibraryBorrow it
      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
Processing Feedback ...