The Resource Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy
Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy
Resource Information
The item Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Language
- eng
- Contents
-
- Borrowing Paints from a Girl : Greenberg, Eliot, Moore, and the Struggle Between the Arts. "Academic Feeling" vs. "the Museum" ; Moore Between Poetry and Painting ; The Professional, the Academic, and "the Real Poetry Lover" ; What's in a Name? Museum, Market, Art World ; The End of Modernism As We Know It : Poetry in the Age of Pollock ; Self-Critique and the Struggle for Dominance
- "No Poet has been so Chaste": Moore and the Poetics of Ambivalence. Institution or Enterprise? ; The Place of the Token Woman ; "Unsheathed gesticulation" : The Attack of the Token Woman ; Moore's Mirror Phase : "Those Various Scalpels" ; The Poetics of Ambivalence ; The Case for Moore's Late "Love" Lyrics ; Moore's Imperishable Wish : "Armor's Undermining Modesty"
- An Inconsequential Past : Joseph Cornell after Marianne Moore ; Elephants and Divas : Cornell's Position, Modernism's Impasse ; The Materialist and the Monster : History According to Moore and Benjamin ; Collage and Class Fractions ; Amateurs and Aristocrats ; The Collector and the Criminal: Cornell and Moore's Imaginary economy
- Surrealism in "the second, open sense" : The Poets of the New York School. "A confusion of painting with literature" : Greenberg vs. the Surrealists ; "Stupid paintings" and "old-fashioned literature" : Ashbery's Regressive Avant-Garde ; Institutions of Freedom : The Coterie and the Art World ; "Dear New York City Ballet, you are quite like a wedding yourself!" : Institution as Form in the Poems of Frank O'Hara
- "A medium in which it is possible to recognize Oneself" : Ashbery between Poetry and Painting. Breathing Space : Ashbery In and Out of the Art World ; The Adventures of "the personality" : "Definition of Blue" ; The Case of the Fairy Decorator : Robert Lowell and the New York School ; Cornell/Parmigianino ; Facing Pages : The Vermont Notebook
- Isbn
- 9780199746354
- Label
- Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts
- Title
- Criminal ingenuity
- Title remainder
- Moore, Cornell, Ashbery, and the struggle between the arts
- Statement of responsibility
- Ellen Levy
- Subject
-
- Art and society -- United States -- History -- 20th century
- Art and society -- United States -- History -- 21st century
- Ashbery, John, 1927-2017 -- Criticism and interpretation
- Beeldende kunsten
- Bellettrie
- Brainard, Joe, 1942-1994 -- Criticism and interpretation
- Cornell, Joseph -- Criticism and interpretation
- Konst och samhälle -- historia -- Förenta staterna -- 1900-talet | 2000-talet
- Literature and society -- United States -- History -- 20th century
- Literature and society -- United States -- History -- 21st century
- Litteratur och samhälle -- historia -- Förenta staterna -- 1900-talet | 2000-talet
- Moore, Marianne, 1887-1972 -- Criticism and interpretation
- Verenigde Staten
- Amerikaans
- Language
- eng
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1957-
- http://library.link/vocab/creatorName
- Levy, Ellen
- Dewey number
- 811/.52
- Index
- no index present
- LC call number
- PS3525.O5616
- LC item number
- Z625 2011
- Literary form
- non fiction
- Series statement
- Modernist literature & culture
- http://library.link/vocab/subjectName
-
- Moore, Marianne
- Ashbery, John
- Cornell, Joseph
- Brainard, Joe
- Art and society
- Art and society
- Literature and society
- Literature and society
- Bellettrie
- Beeldende kunsten
- Amerikaans
- Konst och samhälle
- Litteratur och samhälle
- Verenigde Staten
- Label
- Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Borrowing Paints from a Girl : Greenberg, Eliot, Moore, and the Struggle Between the Arts. "Academic Feeling" vs. "the Museum" ; Moore Between Poetry and Painting ; The Professional, the Academic, and "the Real Poetry Lover" ; What's in a Name? Museum, Market, Art World ; The End of Modernism As We Know It : Poetry in the Age of Pollock ; Self-Critique and the Struggle for Dominance -- "No Poet has been so Chaste": Moore and the Poetics of Ambivalence. Institution or Enterprise? ; The Place of the Token Woman ; "Unsheathed gesticulation" : The Attack of the Token Woman ; Moore's Mirror Phase : "Those Various Scalpels" ; The Poetics of Ambivalence ; The Case for Moore's Late "Love" Lyrics ; Moore's Imperishable Wish : "Armor's Undermining Modesty" -- An Inconsequential Past : Joseph Cornell after Marianne Moore ; Elephants and Divas : Cornell's Position, Modernism's Impasse ; The Materialist and the Monster : History According to Moore and Benjamin ; Collage and Class Fractions ; Amateurs and Aristocrats ; The Collector and the Criminal: Cornell and Moore's Imaginary economy -- Surrealism in "the second, open sense" : The Poets of the New York School. "A confusion of painting with literature" : Greenberg vs. the Surrealists ; "Stupid paintings" and "old-fashioned literature" : Ashbery's Regressive Avant-Garde ; Institutions of Freedom : The Coterie and the Art World ; "Dear New York City Ballet, you are quite like a wedding yourself!" : Institution as Form in the Poems of Frank O'Hara -- "A medium in which it is possible to recognize Oneself" : Ashbery between Poetry and Painting. Breathing Space : Ashbery In and Out of the Art World ; The Adventures of "the personality" : "Definition of Blue" ; The Case of the Fairy Decorator : Robert Lowell and the New York School ; Cornell/Parmigianino ; Facing Pages : The Vermont Notebook
- Control code
- 654814839
- Dimensions
-
- 260 pages cm
- cm.
- Isbn
- 9780199746354
- Isbn Type
- (cloth : alk. paper)
- Lccn
- 2010032530
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
- (OCoLC)654814839
- Label
- Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Borrowing Paints from a Girl : Greenberg, Eliot, Moore, and the Struggle Between the Arts. "Academic Feeling" vs. "the Museum" ; Moore Between Poetry and Painting ; The Professional, the Academic, and "the Real Poetry Lover" ; What's in a Name? Museum, Market, Art World ; The End of Modernism As We Know It : Poetry in the Age of Pollock ; Self-Critique and the Struggle for Dominance -- "No Poet has been so Chaste": Moore and the Poetics of Ambivalence. Institution or Enterprise? ; The Place of the Token Woman ; "Unsheathed gesticulation" : The Attack of the Token Woman ; Moore's Mirror Phase : "Those Various Scalpels" ; The Poetics of Ambivalence ; The Case for Moore's Late "Love" Lyrics ; Moore's Imperishable Wish : "Armor's Undermining Modesty" -- An Inconsequential Past : Joseph Cornell after Marianne Moore ; Elephants and Divas : Cornell's Position, Modernism's Impasse ; The Materialist and the Monster : History According to Moore and Benjamin ; Collage and Class Fractions ; Amateurs and Aristocrats ; The Collector and the Criminal: Cornell and Moore's Imaginary economy -- Surrealism in "the second, open sense" : The Poets of the New York School. "A confusion of painting with literature" : Greenberg vs. the Surrealists ; "Stupid paintings" and "old-fashioned literature" : Ashbery's Regressive Avant-Garde ; Institutions of Freedom : The Coterie and the Art World ; "Dear New York City Ballet, you are quite like a wedding yourself!" : Institution as Form in the Poems of Frank O'Hara -- "A medium in which it is possible to recognize Oneself" : Ashbery between Poetry and Painting. Breathing Space : Ashbery In and Out of the Art World ; The Adventures of "the personality" : "Definition of Blue" ; The Case of the Fairy Decorator : Robert Lowell and the New York School ; Cornell/Parmigianino ; Facing Pages : The Vermont Notebook
- Control code
- 654814839
- Dimensions
-
- 260 pages cm
- cm.
- Isbn
- 9780199746354
- Isbn Type
- (cloth : alk. paper)
- Lccn
- 2010032530
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
- (OCoLC)654814839
Subject
- Art and society -- United States -- History -- 20th century
- Art and society -- United States -- History -- 21st century
- Ashbery, John, 1927-2017 -- Criticism and interpretation
- Beeldende kunsten
- Bellettrie
- Brainard, Joe, 1942-1994 -- Criticism and interpretation
- Cornell, Joseph -- Criticism and interpretation
- Konst och samhälle -- historia -- Förenta staterna -- 1900-talet | 2000-talet
- Literature and society -- United States -- History -- 20th century
- Literature and society -- United States -- History -- 21st century
- Litteratur och samhälle -- historia -- Förenta staterna -- 1900-talet | 2000-talet
- Moore, Marianne, 1887-1972 -- Criticism and interpretation
- Verenigde Staten
- Amerikaans
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