Coverart for item
The Resource Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy

Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy

Label
Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts
Title
Criminal ingenuity
Title remainder
Moore, Cornell, Ashbery, and the struggle between the arts
Statement of responsibility
Ellen Levy
Creator
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorDate
1957-
http://library.link/vocab/creatorName
Levy, Ellen
Dewey number
811/.52
Index
no index present
LC call number
PS3525.O5616
LC item number
Z625 2011
Literary form
non fiction
Series statement
Modernist literature & culture
http://library.link/vocab/subjectName
  • Moore, Marianne
  • Ashbery, John
  • Cornell, Joseph
  • Brainard, Joe
  • Art and society
  • Art and society
  • Literature and society
  • Literature and society
  • Bellettrie
  • Beeldende kunsten
  • Amerikaans
  • Konst och samhälle
  • Litteratur och samhälle
  • Verenigde Staten
Label
Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy
Instantiates
Publication
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Borrowing Paints from a Girl : Greenberg, Eliot, Moore, and the Struggle Between the Arts. "Academic Feeling" vs. "the Museum" ; Moore Between Poetry and Painting ; The Professional, the Academic, and "the Real Poetry Lover" ; What's in a Name? Museum, Market, Art World ; The End of Modernism As We Know It : Poetry in the Age of Pollock ; Self-Critique and the Struggle for Dominance -- "No Poet has been so Chaste": Moore and the Poetics of Ambivalence. Institution or Enterprise? ; The Place of the Token Woman ; "Unsheathed gesticulation" : The Attack of the Token Woman ; Moore's Mirror Phase : "Those Various Scalpels" ; The Poetics of Ambivalence ; The Case for Moore's Late "Love" Lyrics ; Moore's Imperishable Wish : "Armor's Undermining Modesty" -- An Inconsequential Past : Joseph Cornell after Marianne Moore ; Elephants and Divas : Cornell's Position, Modernism's Impasse ; The Materialist and the Monster : History According to Moore and Benjamin ; Collage and Class Fractions ; Amateurs and Aristocrats ; The Collector and the Criminal: Cornell and Moore's Imaginary economy -- Surrealism in "the second, open sense" : The Poets of the New York School. "A confusion of painting with literature" : Greenberg vs. the Surrealists ; "Stupid paintings" and "old-fashioned literature" : Ashbery's Regressive Avant-Garde ; Institutions of Freedom : The Coterie and the Art World ; "Dear New York City Ballet, you are quite like a wedding yourself!" : Institution as Form in the Poems of Frank O'Hara -- "A medium in which it is possible to recognize Oneself" : Ashbery between Poetry and Painting. Breathing Space : Ashbery In and Out of the Art World ; The Adventures of "the personality" : "Definition of Blue" ; The Case of the Fairy Decorator : Robert Lowell and the New York School ; Cornell/Parmigianino ; Facing Pages : The Vermont Notebook
Control code
654814839
Dimensions
  • 260 pages cm
  • cm.
Isbn
9780199746354
Isbn Type
(cloth : alk. paper)
Lccn
2010032530
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)654814839
Label
Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts, Ellen Levy
Publication
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Borrowing Paints from a Girl : Greenberg, Eliot, Moore, and the Struggle Between the Arts. "Academic Feeling" vs. "the Museum" ; Moore Between Poetry and Painting ; The Professional, the Academic, and "the Real Poetry Lover" ; What's in a Name? Museum, Market, Art World ; The End of Modernism As We Know It : Poetry in the Age of Pollock ; Self-Critique and the Struggle for Dominance -- "No Poet has been so Chaste": Moore and the Poetics of Ambivalence. Institution or Enterprise? ; The Place of the Token Woman ; "Unsheathed gesticulation" : The Attack of the Token Woman ; Moore's Mirror Phase : "Those Various Scalpels" ; The Poetics of Ambivalence ; The Case for Moore's Late "Love" Lyrics ; Moore's Imperishable Wish : "Armor's Undermining Modesty" -- An Inconsequential Past : Joseph Cornell after Marianne Moore ; Elephants and Divas : Cornell's Position, Modernism's Impasse ; The Materialist and the Monster : History According to Moore and Benjamin ; Collage and Class Fractions ; Amateurs and Aristocrats ; The Collector and the Criminal: Cornell and Moore's Imaginary economy -- Surrealism in "the second, open sense" : The Poets of the New York School. "A confusion of painting with literature" : Greenberg vs. the Surrealists ; "Stupid paintings" and "old-fashioned literature" : Ashbery's Regressive Avant-Garde ; Institutions of Freedom : The Coterie and the Art World ; "Dear New York City Ballet, you are quite like a wedding yourself!" : Institution as Form in the Poems of Frank O'Hara -- "A medium in which it is possible to recognize Oneself" : Ashbery between Poetry and Painting. Breathing Space : Ashbery In and Out of the Art World ; The Adventures of "the personality" : "Definition of Blue" ; The Case of the Fairy Decorator : Robert Lowell and the New York School ; Cornell/Parmigianino ; Facing Pages : The Vermont Notebook
Control code
654814839
Dimensions
  • 260 pages cm
  • cm.
Isbn
9780199746354
Isbn Type
(cloth : alk. paper)
Lccn
2010032530
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)654814839

Library Locations

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      38.944491 -92.326012
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