Coverart for item
The Resource Dames in the driver's seat : rereading film noir, Jans B. Wager

Dames in the driver's seat : rereading film noir, Jans B. Wager

Label
Dames in the driver's seat : rereading film noir
Title
Dames in the driver's seat
Title remainder
rereading film noir
Statement of responsibility
Jans B. Wager
Creator
Author
Subject
Genre
Language
eng
Member of
Action
digitized
Cataloging source
N$T
http://library.link/vocab/creatorDate
1958-
http://library.link/vocab/creatorName
Wager, Jans B.
Dewey number
791.43/6552
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
Language note
English
LC call number
PN1995.9.F54
LC item number
W34 2005eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Film noir
  • Sex role in motion pictures
  • Race in motion pictures
  • Social classes in motion pictures
  • PERFORMING ARTS
  • PERFORMING ARTS
  • Film noir
  • Race in motion pictures
  • Sex role in motion pictures
  • Social classes in motion pictures
  • Film noir
  • Geschichte
  • USA
Label
Dames in the driver's seat : rereading film noir, Jans B. Wager
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 173-180) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • (1955): apocalyptic femmes
  • L.A. confidential
  • (1997) and Casablanca (1942): does anything change as time goes by?
  • Mulholland Falls
  • (1996): nuclear noir as numbskull noir
  • Fight club
  • (1999): retro-noir masquerades as neo-noir
  • Twilight
  • (1998): age, beauty, and star power: survival of the fittest
  • Fargo
  • Manning the posts: classic noir, postclassic noir, and postmodernism
  • (1996): a woman who is not herself mean: snow-swept highways and Margie
  • Jackie brown
  • (1997): gender, race, class, and genre
  • Conclusion:
  • Doing it for bell: cultural criticism and social change
  • Sexing the paradigm: women and men in noir
  • Racing the paradigm: the whiteness of film noir
  • The killers
  • (1946): quintessential noir?
  • Out of the past
  • (1947): passive masculinity and active femininities
  • Kiss me deadly
Control code
62762735
Dimensions
unknown
Edition
1st ed.
Extent
1 online resource (ix, 190 pages)
File format
unknown
Form of item
online
Isbn
9780292796843
Lccn
2005010564
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt8w64t
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)62762735
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Dames in the driver's seat : rereading film noir, Jans B. Wager
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 173-180) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • (1955): apocalyptic femmes
  • L.A. confidential
  • (1997) and Casablanca (1942): does anything change as time goes by?
  • Mulholland Falls
  • (1996): nuclear noir as numbskull noir
  • Fight club
  • (1999): retro-noir masquerades as neo-noir
  • Twilight
  • (1998): age, beauty, and star power: survival of the fittest
  • Fargo
  • Manning the posts: classic noir, postclassic noir, and postmodernism
  • (1996): a woman who is not herself mean: snow-swept highways and Margie
  • Jackie brown
  • (1997): gender, race, class, and genre
  • Conclusion:
  • Doing it for bell: cultural criticism and social change
  • Sexing the paradigm: women and men in noir
  • Racing the paradigm: the whiteness of film noir
  • The killers
  • (1946): quintessential noir?
  • Out of the past
  • (1947): passive masculinity and active femininities
  • Kiss me deadly
Control code
62762735
Dimensions
unknown
Edition
1st ed.
Extent
1 online resource (ix, 190 pages)
File format
unknown
Form of item
online
Isbn
9780292796843
Lccn
2005010564
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt8w64t
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)62762735
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

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      38.944491 -92.326012
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