Coverart for item
The Resource Debussy's vocal music and its poetic evocations, by Siglind Bruhn

Debussy's vocal music and its poetic evocations, by Siglind Bruhn

Label
Debussy's vocal music and its poetic evocations
Title
Debussy's vocal music and its poetic evocations
Statement of responsibility
by Siglind Bruhn
Creator
Author
Subject
Genre
Language
  • eng
  • ger
  • eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Bruhn, Siglind
Dewey number
782.4/7092
Illustrations
  • illustrations
  • music
Index
index present
Language note
Translated from the German
LC call number
ML410.D28
LC item number
B8913 2018
Literary form
non fiction
Nature of contents
bibliography
Series statement
Dimension & diversity series
Series volume
No. 13
http://library.link/vocab/subjectName
  • Debussy, Claude
  • Debussy, Claude
  • Songs, French
  • Songs, French
  • Debussy, Claude
  • Criticism and interpretation
  • Songs, French
Label
Debussy's vocal music and its poetic evocations, by Siglind Bruhn
Instantiates
Publication
Copyright
Note
Translated from the German
Bibliography note
Includes bibliographical references (pages 281-284) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction. Debussy among riveting singers and revolutionary poets ; Paul Verlaine and "musical lyricism" ; The influence of Verlain's "poetic art" on Debussy's music-- Ariettes oubliées (composed 1885-87/1903, text by Verlaine). I. C'est l'extase langoureuse ; II. Il pleure dans mon cœur ; III. L'ombre des arbres ; IV. Chevaux de bois ; V. Green ; VI. Spleen ; Musical ciphers of dejection and world weariness -- La damoiselle élue (1887-88, Rossetti). Debussy's excerpt from Sarrazin's translation ; The thematic components ; The harmonic layout ; The position of the cantata in Debussy's Œuvre -- Cinq poèmes de Charles Baudelaire (1887-89). I. Le balcon ; II. Harmonie du soir ; III. Le jet d'eau ; IV. Recueillement ; V. La mort des amants ; Between dusk and a new dawn -- Trois mélodies de Paul Verlaine (1891). I. La mer est plus belle ; II. Le son du cor ; III. L'échelonnement des haies ; For a new sense of freedom -- Fêtes galantes I (1891-92, Verlaine). I. En sourdine ; II. Fantoches ; III. Clair de lune ; Simplicity and sophistication in the pastime of the leisured class -- Proses lyriques (1892-93, Debussy). I. De rêve ; II. De grève ; III. De fleurs ; IV. De soir ; On the human being in nature and cosmos -- Trois chansons de Bilitis (1897-98, Louÿs). I. La flûte de Pan ; II. La chevelure ; III. Le tombeau des naïades ; Music for scenes from remote times and places -- Pelléas et Mélisande (1894-1902, Maeterlinck). The search for an ideal text, and ideal musical language ; Maeterlinck's Pelléas et Mélisande ; Basics of layout and thematic material ; The thematic components of the opening scene ; The completion of the musical exposition ; Motifs and figures of a first development in Act II ; New local components in Act III ; The musical representation of the crisis in Act IV ; The facets of tragedy in Act V ; A trailblazer for musical modernism -- Fêtes galantes II (1904, Verlaine). I. Les ingénus ; II. Le faune ; III. Colloque sentimental ; The composer as stage director -- Trois ballades de François Villon (1910). I. Ballade de Villon à s'amye ; II. Ballade que Villon feit à la requested de sa mère pour prier Nostre-Dame ; III. Ballade des femmes de Paris ; The cheerful sequence of emotions -- Trois poèmes de Stéphane Mallarmé (1913). I. Soupir ; II. Placet futile ; III. Éventail ; Mallarmé's "gallantries" in Debussy's last song cycle -- Overview of Debussy's vocal music
Control code
1038022607
Dimensions
22 cm.
Extent
287 pages
Isbn
9781576473153
Lccn
2018023974
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations (some color), music
System control number
(OCoLC)1038022607
Label
Debussy's vocal music and its poetic evocations, by Siglind Bruhn
Publication
Copyright
Note
Translated from the German
Bibliography note
Includes bibliographical references (pages 281-284) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction. Debussy among riveting singers and revolutionary poets ; Paul Verlaine and "musical lyricism" ; The influence of Verlain's "poetic art" on Debussy's music-- Ariettes oubliées (composed 1885-87/1903, text by Verlaine). I. C'est l'extase langoureuse ; II. Il pleure dans mon cœur ; III. L'ombre des arbres ; IV. Chevaux de bois ; V. Green ; VI. Spleen ; Musical ciphers of dejection and world weariness -- La damoiselle élue (1887-88, Rossetti). Debussy's excerpt from Sarrazin's translation ; The thematic components ; The harmonic layout ; The position of the cantata in Debussy's Œuvre -- Cinq poèmes de Charles Baudelaire (1887-89). I. Le balcon ; II. Harmonie du soir ; III. Le jet d'eau ; IV. Recueillement ; V. La mort des amants ; Between dusk and a new dawn -- Trois mélodies de Paul Verlaine (1891). I. La mer est plus belle ; II. Le son du cor ; III. L'échelonnement des haies ; For a new sense of freedom -- Fêtes galantes I (1891-92, Verlaine). I. En sourdine ; II. Fantoches ; III. Clair de lune ; Simplicity and sophistication in the pastime of the leisured class -- Proses lyriques (1892-93, Debussy). I. De rêve ; II. De grève ; III. De fleurs ; IV. De soir ; On the human being in nature and cosmos -- Trois chansons de Bilitis (1897-98, Louÿs). I. La flûte de Pan ; II. La chevelure ; III. Le tombeau des naïades ; Music for scenes from remote times and places -- Pelléas et Mélisande (1894-1902, Maeterlinck). The search for an ideal text, and ideal musical language ; Maeterlinck's Pelléas et Mélisande ; Basics of layout and thematic material ; The thematic components of the opening scene ; The completion of the musical exposition ; Motifs and figures of a first development in Act II ; New local components in Act III ; The musical representation of the crisis in Act IV ; The facets of tragedy in Act V ; A trailblazer for musical modernism -- Fêtes galantes II (1904, Verlaine). I. Les ingénus ; II. Le faune ; III. Colloque sentimental ; The composer as stage director -- Trois ballades de François Villon (1910). I. Ballade de Villon à s'amye ; II. Ballade que Villon feit à la requested de sa mère pour prier Nostre-Dame ; III. Ballade des femmes de Paris ; The cheerful sequence of emotions -- Trois poèmes de Stéphane Mallarmé (1913). I. Soupir ; II. Placet futile ; III. Éventail ; Mallarmé's "gallantries" in Debussy's last song cycle -- Overview of Debussy's vocal music
Control code
1038022607
Dimensions
22 cm.
Extent
287 pages
Isbn
9781576473153
Lccn
2018023974
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations (some color), music
System control number
(OCoLC)1038022607

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