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The Resource Deleuze, cinema and the thought of the world, Allan James Thomas

Deleuze, cinema and the thought of the world, Allan James Thomas

Label
Deleuze, cinema and the thought of the world
Title
Deleuze, cinema and the thought of the world
Statement of responsibility
Allan James Thomas
Creator
Author
Subject
Genre
Language
eng
Summary
"Allan James Thomas unpacks the nature of the philosophical problems that Deleuze turns to the cinema to resolve, and shows both how and why the resources of the cinema enable him to do so where philosophy alone cannot. Thomas offers new insights into the conceptual underpinnings both of the Cinema books themselves and of the trajectory of Deleuzian philosophy as a whole." -- Publisher's description
Member of
Cataloging source
YDX
http://library.link/vocab/creatorName
Thomas, James
Dewey number
194
Index
index present
LC call number
B2430.D454
LC item number
T57 2018
Literary form
non fiction
Nature of contents
bibliography
Series statement
Plateaus. New directions in Deleuze studies
http://library.link/vocab/subjectName
  • Deleuze, Gilles
  • Philosophy in motion pictures
  • Deleuze, Gilles
  • Deleuze, Gilles
  • Philosophy in motion pictures
  • Film
  • Philosophie
Label
Deleuze, cinema and the thought of the world, Allan James Thomas
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references (pages 254-262) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cinema as an anterior history of violence
  • 3.
  • Movement, duration and difference
  • The three theses on movement
  • The temporalisation of difference
  • How to escape the dialectic
  • 4.
  • What use is cinema to Deleuze?
  • The necessary illusions of practical life
  • A materialist practice of metaphysics
  • 1.
  • Transcendental empiricism as cinematic philosophy
  • 5.
  • Genesis and deduction
  • Cinematic being
  • Weak reasoning, perversity and grasping at threads
  • From p̀rimitive' cinema to real movement
  • 6.
  • The thought of the world
  • Cinematic aberration and the g̀reat Kantian reversal'
  • The Classical cinema as totalisation
  • Introduction: The problem of cinema
  • Cinema as àrt of the masses'
  • 7.
  • The night, the rain
  • Film, death (the r̀everse proof')
  • The suspension of the world
  • T̀he image, the remains'
  • 8.
  • Conclusion: The crystal-image of philosophy
  • Transcendental empiricism and the C̀ahiers axiom'
  • The monotony of difference
  • 2.
  • The interval as disaster
  • Terminus, or, waiting for a train
  • (Film) history as montage
Control code
1012776185
Dimensions
24 cm.
Extent
vi, 271 pages
Isbn
9781474432795
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
(OCoLC)1012776185
Label
Deleuze, cinema and the thought of the world, Allan James Thomas
Publication
Copyright
Bibliography note
Includes bibliographical references (pages 254-262) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cinema as an anterior history of violence
  • 3.
  • Movement, duration and difference
  • The three theses on movement
  • The temporalisation of difference
  • How to escape the dialectic
  • 4.
  • What use is cinema to Deleuze?
  • The necessary illusions of practical life
  • A materialist practice of metaphysics
  • 1.
  • Transcendental empiricism as cinematic philosophy
  • 5.
  • Genesis and deduction
  • Cinematic being
  • Weak reasoning, perversity and grasping at threads
  • From p̀rimitive' cinema to real movement
  • 6.
  • The thought of the world
  • Cinematic aberration and the g̀reat Kantian reversal'
  • The Classical cinema as totalisation
  • Introduction: The problem of cinema
  • Cinema as àrt of the masses'
  • 7.
  • The night, the rain
  • Film, death (the r̀everse proof')
  • The suspension of the world
  • T̀he image, the remains'
  • 8.
  • Conclusion: The crystal-image of philosophy
  • Transcendental empiricism and the C̀ahiers axiom'
  • The monotony of difference
  • 2.
  • The interval as disaster
  • Terminus, or, waiting for a train
  • (Film) history as montage
Control code
1012776185
Dimensions
24 cm.
Extent
vi, 271 pages
Isbn
9781474432795
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
(OCoLC)1012776185

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