The Resource Didn't you used to be Depardieu? : film as cultural marker in France and Hollywood, David I. Grossvogel
Didn't you used to be Depardieu? : film as cultural marker in France and Hollywood, David I. Grossvogel
Resource Information
The item Didn't you used to be Depardieu? : film as cultural marker in France and Hollywood, David I. Grossvogel represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Didn't you used to be Depardieu? : film as cultural marker in France and Hollywood, David I. Grossvogel represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "The long love-hate relationship between the United States and France is a curious one that derives from misconceptions, dissimilar economic imperatives, and genuinely different cultural patterns. Didn't You Used to Be Depardieu? identifies and analyzes these differences through the contrast of American film remakes and the French originals."--Jacket
- Language
- eng
- Extent
- 178 pages :
- Contents
-
- Les Misérables
- Pépé le Moko / Algiers
- La Chienne / Scarlet Street
- Marius, César, Fanny / Fanny
- A bout de souffle / Breathless
- Trois Hommes et un couffin / Three Men and a Baby
- Les Liaisons dangereuses / Dangerous Liaisons / Valmont / Cruel Intentions
- Cousin, cousine / Cousins
- La Belle et la bête / Beauty and the Beast
- Le Retour de Martin Guerre / Sommersby
- La Femme Nikita / Point of No Return
- Isbn
- 9780820461175
- Label
- Didn't you used to be Depardieu? : film as cultural marker in France and Hollywood
- Title
- Didn't you used to be Depardieu?
- Title remainder
- film as cultural marker in France and Hollywood
- Statement of responsibility
- David I. Grossvogel
- Language
- eng
- Summary
- "The long love-hate relationship between the United States and France is a curious one that derives from misconceptions, dissimilar economic imperatives, and genuinely different cultural patterns. Didn't You Used to Be Depardieu? identifies and analyzes these differences through the contrast of American film remakes and the French originals."--Jacket
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1925-
- http://library.link/vocab/creatorName
- Grossvogel, David I.
- Dewey number
- 791.43/6
- Index
- index present
- LC call number
- PN1995.9.R45
- LC item number
- G76 2002
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
- Framing film,
- Series volume
- vol. 5
- http://library.link/vocab/subjectName
-
- Film remakes
- Motion pictures
- Motion pictures
- Film remakes
- Label
- Didn't you used to be Depardieu? : film as cultural marker in France and Hollywood, David I. Grossvogel
- Bibliography note
- Includes bibliographical references ([167]-170) and index
- Contents
- Les Misérables -- Pépé le Moko / Algiers -- La Chienne / Scarlet Street -- Marius, César, Fanny / Fanny -- A bout de souffle / Breathless -- Trois Hommes et un couffin / Three Men and a Baby -- Les Liaisons dangereuses / Dangerous Liaisons / Valmont / Cruel Intentions -- Cousin, cousine / Cousins -- La Belle et la bête / Beauty and the Beast -- Le Retour de Martin Guerre / Sommersby -- La Femme Nikita / Point of No Return
- Control code
- 49002019
- Dimensions
- 23 cm.
- Extent
- 178 pages :
- Isbn
- 9780820461175
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 2002002232
- Label
- Didn't you used to be Depardieu? : film as cultural marker in France and Hollywood, David I. Grossvogel
- Bibliography note
- Includes bibliographical references ([167]-170) and index
- Contents
- Les Misérables -- Pépé le Moko / Algiers -- La Chienne / Scarlet Street -- Marius, César, Fanny / Fanny -- A bout de souffle / Breathless -- Trois Hommes et un couffin / Three Men and a Baby -- Les Liaisons dangereuses / Dangerous Liaisons / Valmont / Cruel Intentions -- Cousin, cousine / Cousins -- La Belle et la bête / Beauty and the Beast -- Le Retour de Martin Guerre / Sommersby -- La Femme Nikita / Point of No Return
- Control code
- 49002019
- Dimensions
- 23 cm.
- Extent
- 178 pages :
- Isbn
- 9780820461175
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 2002002232
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/portal/Didnt-you-used-to-be-Depardieu--film-as/GwMXxvCGDOE/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/portal/Didnt-you-used-to-be-Depardieu--film-as/GwMXxvCGDOE/">Didn't you used to be Depardieu? : film as cultural marker in France and Hollywood, David I. Grossvogel</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>
