Coverart for item
The Resource Digital dialogues and community 2.0 : after avatars, trolls and puppets, edited by Tara Brabazon

Digital dialogues and community 2.0 : after avatars, trolls and puppets, edited by Tara Brabazon

Label
Digital dialogues and community 2.0 : after avatars, trolls and puppets
Title
Digital dialogues and community 2.0
Title remainder
after avatars, trolls and puppets
Statement of responsibility
edited by Tara Brabazon
Contributor
Subject
Language
eng
Summary
Digital Dialogue and Community 2.0: After avatars, trolls and puppets explores the communities that use digital platforms, portals, and applications from daily life to build relationships beyond geographical locality and family links. The book provides detailed analyses of how technology realigns the boundaries between connection, consciousness and community. This book reveals that alongside every engaged, nurturing and supportive group are those who are excluded, marginalised, ridiculed, or forgotten. It explores the argument that community is not an inevitable result of communication. Follow
Member of
Cataloging source
COO
Dewey number
  • 303.48
  • 303.4833
Index
index present
LC call number
HM851
LC item number
.D54 2012eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Brabazon, Tara
Series statement
Chandos social media series
http://library.link/vocab/subjectName
  • Information society
  • Online social networks
  • Communication and technology
  • Communication and technology
  • Information society
  • Online social networks
Label
Digital dialogues and community 2.0 : after avatars, trolls and puppets, edited by Tara Brabazon
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover; Digital Dialogues and Community 2.0: After avatars, trolls and puppets; Copyright; Contents; List of tables and boxes; Tables; Boxes; List of abbreviations; About the contributors; Introduction: new imaginings; Communication and community; From MySpace to OurSpace; Notes; Part 1 Communities, Exiles and Resistance; 1 The inevitable exile: a missing link in online community discourse; Place is the thing; Panoptical temptation; Reincarnation as networked norm; Forgiveness not permission; Culture jammer or parasite?; I've got you under my skin; Permaban and punish
  • Legibility and responsibilityEvery tool is a weapon if you hold it right; Notes; 2 Call it hyper activism: politicising the online Arab public sphere and the quest for authenticity and relevance; From blogging to YouTube: politicising the internet; From call-in programs to online comments: participatory culture; Notes; 3 What's in a name? Digital resources and resistance at the global periphery; Resistance and the nation state; SouthAfrica.com; NewZealand.com; Tuvalu and .tv; .md: who represents Moldova?; What's in a domain (name)?; Cautions and conflicts: .tp and Timorese independence; Notes
  • 4 I have seen the future, and it ringsMobile phones and social change; Day-to-day use of mobile phones; Conclusion; Notes; Part 2 Structures for Sharing; 5 Strangers in the swarm; The history of file sharing; Bit Torrent; Identities in the swarm; The future; Notes; 6 Status (update) anxiety: social networking, Facebook and community; It's all about me; Watching the self (being watched); Notes; 7 Becoming Mireila: a virtual ethnography through the eyes of an avatar; Entry; Stripping Mireila; Feeders; Self; Notes; 8 Taste is the enemy of creativity: disability, YouTube and a new language1
  • Disability is a social constructionLessons from Picasso; Digital disability; Notes; Part 3 Professions, Production, Consumptions; 9 The sound of a librarian: the politics and potential of podcasting in difficult times; iPod studies; Why should librarians use podcasts?; Questions of quality; Notes; 10 The invisible (wo)man; Introducing Nazlin; Endings; Notes; 11 The impact of the video-equipped DSLR; The video DSLR; A community of video cinematographers; The future; Notes; 12 Why media literacy is transformative of the Irish education system: a statement in advocacy; New literacies
  • Managing disadvantageMultiliteracy for an Information Age; Notes; 13 YouTube Academy; Doing 'everything' with YouTube; Broadcasting academics; Notes; Part 4 Fandom, Consumption and Community; 14 Live fast, die young, become immortal; Prescience; Mediated grief; Living digital death; Notes; 15 All we hear is Lady-o Gaga: Popular Culture 2.0; Music; Gender and fashion; Fandom; Notes; 16 Copyright and couture: the Comme il Faut experience; Intellectual property: copyrighting couture; Online retailers and the long tail of e-commerce; Fashion and failure; Comme il Faut couture; Notes
Control code
951668196
Dimensions
unknown
Extent
1 online resource.
Form of item
online
Isbn
9781780633022
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)951668196
Label
Digital dialogues and community 2.0 : after avatars, trolls and puppets, edited by Tara Brabazon
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover; Digital Dialogues and Community 2.0: After avatars, trolls and puppets; Copyright; Contents; List of tables and boxes; Tables; Boxes; List of abbreviations; About the contributors; Introduction: new imaginings; Communication and community; From MySpace to OurSpace; Notes; Part 1 Communities, Exiles and Resistance; 1 The inevitable exile: a missing link in online community discourse; Place is the thing; Panoptical temptation; Reincarnation as networked norm; Forgiveness not permission; Culture jammer or parasite?; I've got you under my skin; Permaban and punish
  • Legibility and responsibilityEvery tool is a weapon if you hold it right; Notes; 2 Call it hyper activism: politicising the online Arab public sphere and the quest for authenticity and relevance; From blogging to YouTube: politicising the internet; From call-in programs to online comments: participatory culture; Notes; 3 What's in a name? Digital resources and resistance at the global periphery; Resistance and the nation state; SouthAfrica.com; NewZealand.com; Tuvalu and .tv; .md: who represents Moldova?; What's in a domain (name)?; Cautions and conflicts: .tp and Timorese independence; Notes
  • 4 I have seen the future, and it ringsMobile phones and social change; Day-to-day use of mobile phones; Conclusion; Notes; Part 2 Structures for Sharing; 5 Strangers in the swarm; The history of file sharing; Bit Torrent; Identities in the swarm; The future; Notes; 6 Status (update) anxiety: social networking, Facebook and community; It's all about me; Watching the self (being watched); Notes; 7 Becoming Mireila: a virtual ethnography through the eyes of an avatar; Entry; Stripping Mireila; Feeders; Self; Notes; 8 Taste is the enemy of creativity: disability, YouTube and a new language1
  • Disability is a social constructionLessons from Picasso; Digital disability; Notes; Part 3 Professions, Production, Consumptions; 9 The sound of a librarian: the politics and potential of podcasting in difficult times; iPod studies; Why should librarians use podcasts?; Questions of quality; Notes; 10 The invisible (wo)man; Introducing Nazlin; Endings; Notes; 11 The impact of the video-equipped DSLR; The video DSLR; A community of video cinematographers; The future; Notes; 12 Why media literacy is transformative of the Irish education system: a statement in advocacy; New literacies
  • Managing disadvantageMultiliteracy for an Information Age; Notes; 13 YouTube Academy; Doing 'everything' with YouTube; Broadcasting academics; Notes; Part 4 Fandom, Consumption and Community; 14 Live fast, die young, become immortal; Prescience; Mediated grief; Living digital death; Notes; 15 All we hear is Lady-o Gaga: Popular Culture 2.0; Music; Gender and fashion; Fandom; Notes; 16 Copyright and couture: the Comme il Faut experience; Intellectual property: copyrighting couture; Online retailers and the long tail of e-commerce; Fashion and failure; Comme il Faut couture; Notes
Control code
951668196
Dimensions
unknown
Extent
1 online resource.
Form of item
online
Isbn
9781780633022
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)951668196

Library Locations

    • Ellis LibraryBorrow it
      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
    • Engineering Library & Technology CommonsBorrow it
      W2001 Lafferre Hall, Columbia, MO, 65211, US
      38.946102 -92.330125
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