The Resource Disunified aesthetics : situated textuality, performativity, collaboration, Lynette Hunter
Disunified aesthetics : situated textuality, performativity, collaboration, Lynette Hunter
Resource Information
The item Disunified aesthetics : situated textuality, performativity, collaboration, Lynette Hunter represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Disunified aesthetics : situated textuality, performativity, collaboration, Lynette Hunter represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Aesthetics is a field still rooted in an understanding of a unified process where small numbers of people produce, commodify, and consume objects called "art." Disunified Aesthetics deconstructs the literary object by invoking the critics stance toward the written works with which they engage. Lynette Hunters performative explorations provide a distinctly different way of understanding contemporary creative processes. Disunified Aesthetics takes up twenty-first-century aesthetics through an investigation of recent Canadian writing. The book is both a series of insights into literature and poetics of the last two decades and a story about moving from a traditional view of the relation between the artist, art, and its reception, to a more radically democratic view of aesthetics and ethics. Hunter addresses a range of Canadian womens writing, as well as close studies of the work of Robert Kroetsch, Lee Maracle, Nicole Brossard, Frank Davey, Alice Munro, Daphne Marlatt, and bpNichol. Disunified Aesthetics is a creative, challenging, and original investigation of textuality, performance, and aesthetics by a leading and innovative scholar
- Language
- eng
- Extent
- 1 online resource
- Contents
-
- Introduction -- part one Situated textualities. Commentary -- Opening Robert Kroetsch's The Puppeteer : Being Wedded to the Text -- Trying to Say Women's Writing in Canada: I Am a Very Dirty Critic -- Learning to Listen Indigenous Women's Writing in Canada: Presence, Rehearsal, and Performativity
- Part two Performativity. Commentary -- Labour Notes for "Bodies in Trouble" Susan Rudy and Lynette Hunter -- Face-work and Going to the End of the Line with Frank Davey's Writing -- The Inédit in Writing by Nicole Brossard: Breathing the Skin of Language -- The Rhetoric of Masking in Writing by Alice Munro
- Part three Collaboration. Commentary -- Daphne Marlatt's Poetics: What Is an Honest Man? and Can There Be an Honest Woman? -- De-scribing Performance in bpNichol's Selected Organs -- Roget Falls in Love
- Isbn
- 9780773589599
- Label
- Disunified aesthetics : situated textuality, performativity, collaboration
- Title
- Disunified aesthetics
- Title remainder
- situated textuality, performativity, collaboration
- Statement of responsibility
- Lynette Hunter
- Subject
-
- Creation (Literary, artistic, etc.) in literature
- Creation (Literary, artistic, etc.) in literature
- Ethics in literature
- Ethics in literature
- Aesthetics in literature
- LITERARY CRITICISM -- Canadian
- Performance in literature
- Performance in literature
- LITERARY CRITICISM -- American | General
- Aesthetics in literature
- Language
- eng
- Summary
- Aesthetics is a field still rooted in an understanding of a unified process where small numbers of people produce, commodify, and consume objects called "art." Disunified Aesthetics deconstructs the literary object by invoking the critics stance toward the written works with which they engage. Lynette Hunters performative explorations provide a distinctly different way of understanding contemporary creative processes. Disunified Aesthetics takes up twenty-first-century aesthetics through an investigation of recent Canadian writing. The book is both a series of insights into literature and poetics of the last two decades and a story about moving from a traditional view of the relation between the artist, art, and its reception, to a more radically democratic view of aesthetics and ethics. Hunter addresses a range of Canadian womens writing, as well as close studies of the work of Robert Kroetsch, Lee Maracle, Nicole Brossard, Frank Davey, Alice Munro, Daphne Marlatt, and bpNichol. Disunified Aesthetics is a creative, challenging, and original investigation of textuality, performance, and aesthetics by a leading and innovative scholar
- Cataloging source
- NLC
- http://library.link/vocab/creatorName
- Hunter, Lynette
- Dewey number
- C810.9/357
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PR9189.6
- LC item number
- .H86 2014eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Aesthetics in literature
- Performance in literature
- Ethics in literature
- Creation (Literary, artistic, etc.) in literature
- LITERARY CRITICISM
- LITERARY CRITICISM
- Aesthetics in literature
- Creation (Literary, artistic, etc.) in literature
- Ethics in literature
- Performance in literature
- Label
- Disunified aesthetics : situated textuality, performativity, collaboration, Lynette Hunter
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Introduction -- part one Situated textualities. Commentary -- Opening Robert Kroetsch's The Puppeteer : Being Wedded to the Text -- Trying to Say Women's Writing in Canada: I Am a Very Dirty Critic -- Learning to Listen Indigenous Women's Writing in Canada: Presence, Rehearsal, and Performativity
- Part two Performativity. Commentary -- Labour Notes for "Bodies in Trouble" Susan Rudy and Lynette Hunter -- Face-work and Going to the End of the Line with Frank Davey's Writing -- The Inédit in Writing by Nicole Brossard: Breathing the Skin of Language -- The Rhetoric of Masking in Writing by Alice Munro
- Part three Collaboration. Commentary -- Daphne Marlatt's Poetics: What Is an Honest Man? and Can There Be an Honest Woman? -- De-scribing Performance in bpNichol's Selected Organs -- Roget Falls in Love
- Control code
- 864775054
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9780773589599
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt31kjvm
- Specific material designation
- remote
- System control number
- (OCoLC)864775054
- Label
- Disunified aesthetics : situated textuality, performativity, collaboration, Lynette Hunter
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Introduction -- part one Situated textualities. Commentary -- Opening Robert Kroetsch's The Puppeteer : Being Wedded to the Text -- Trying to Say Women's Writing in Canada: I Am a Very Dirty Critic -- Learning to Listen Indigenous Women's Writing in Canada: Presence, Rehearsal, and Performativity
- Part two Performativity. Commentary -- Labour Notes for "Bodies in Trouble" Susan Rudy and Lynette Hunter -- Face-work and Going to the End of the Line with Frank Davey's Writing -- The Inédit in Writing by Nicole Brossard: Breathing the Skin of Language -- The Rhetoric of Masking in Writing by Alice Munro
- Part three Collaboration. Commentary -- Daphne Marlatt's Poetics: What Is an Honest Man? and Can There Be an Honest Woman? -- De-scribing Performance in bpNichol's Selected Organs -- Roget Falls in Love
- Control code
- 864775054
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9780773589599
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt31kjvm
- Specific material designation
- remote
- System control number
- (OCoLC)864775054
Subject
- Creation (Literary, artistic, etc.) in literature
- Creation (Literary, artistic, etc.) in literature
- Ethics in literature
- Ethics in literature
- Aesthetics in literature
- LITERARY CRITICISM -- Canadian
- Performance in literature
- Performance in literature
- LITERARY CRITICISM -- American | General
- Aesthetics in literature
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/portal/Disunified-aesthetics--situated-textuality/lX3a4Pvd9Ko/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/portal/Disunified-aesthetics--situated-textuality/lX3a4Pvd9Ko/">Disunified aesthetics : situated textuality, performativity, collaboration, Lynette Hunter</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>
