Coverart for item
The Resource Documentary film : the use of the film medium to interpret creatively and in social terms the life of the people as it exists in reality, by Paul Rotha in collaboration with Sinclair Road [and] Richard Griffith

Documentary film : the use of the film medium to interpret creatively and in social terms the life of the people as it exists in reality, by Paul Rotha in collaboration with Sinclair Road [and] Richard Griffith

Label
Documentary film : the use of the film medium to interpret creatively and in social terms the life of the people as it exists in reality
Title
Documentary film
Title remainder
the use of the film medium to interpret creatively and in social terms the life of the people as it exists in reality
Statement of responsibility
by Paul Rotha in collaboration with Sinclair Road [and] Richard Griffith
Creator
Subject
Genre
Language
eng
Member of
Cataloging source
LC
http://library.link/vocab/creatorDate
1907-1984
http://library.link/vocab/creatorName
Rotha, Paul
Illustrations
illustrations
Index
no index present
Literary form
non fiction
Series statement
Communication arts books
http://library.link/vocab/subjectName
  • Documentary films
  • Motion pictures
  • Documentary films
Label
Documentary film : the use of the film medium to interpret creatively and in social terms the life of the people as it exists in reality, by Paul Rotha in collaboration with Sinclair Road [and] Richard Griffith
Instantiates
Publication
Bibliography note
Bibliography: pages 381-382
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Preface / by John Grierson -- Author's foreword to first edition -- Foreword to second edition -- Foreword to third edition -- I. Introduction to cinema -- Social aspects -- Economic basis and commercial development -- Propaganda -- Film as an art -- Documentary -- II. The evolution of documentary -- The naturalist (romantic) tradition -- The realist (continental) tradition -- The news-reel tradition -- The propagandist tradition: Soviet; British; German and Italian -- III. Some principles of documentary -- IV. Documentary in the making -- The function of the producer -- The function of the director -- A. Visual -- The film strip -- Movement and symphonies -- Natural material: The actor: natural and professional; Background -- Photography -- Editing -- B. Sound -- Raw materials: Synchronised sound and speech; Non-synchronised sound and speech; Music -- Creative uses: The cutting-bench; The re-recording panel -- C. Treatment -- Approach and style -- Structure and scenario -- Conclusions -- V. Whither documentary? -- 1. The general scene / by Sinclair Road -- Introduction -- The documentary idea today -- The government approach to sponsorship -- Other forms of sponsorship -- Relations with the commercial film industry -- Distribution and the public -- Retrospect -- 2. National developments -- Europe, Asia, Africa, and Australasia / by Sinclair Road -- North and Latin America / by Richard Griffith -- Appendix I: The use of films by the U.S. Armed Services / by Richard Griffith
Control code
1692292
Dimensions
23 cm
Edition
3d ed., rev. and enl..
Extent
412 pages
Lccn
64057386
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(WaOLN)931000
Label
Documentary film : the use of the film medium to interpret creatively and in social terms the life of the people as it exists in reality, by Paul Rotha in collaboration with Sinclair Road [and] Richard Griffith
Publication
Bibliography note
Bibliography: pages 381-382
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Preface / by John Grierson -- Author's foreword to first edition -- Foreword to second edition -- Foreword to third edition -- I. Introduction to cinema -- Social aspects -- Economic basis and commercial development -- Propaganda -- Film as an art -- Documentary -- II. The evolution of documentary -- The naturalist (romantic) tradition -- The realist (continental) tradition -- The news-reel tradition -- The propagandist tradition: Soviet; British; German and Italian -- III. Some principles of documentary -- IV. Documentary in the making -- The function of the producer -- The function of the director -- A. Visual -- The film strip -- Movement and symphonies -- Natural material: The actor: natural and professional; Background -- Photography -- Editing -- B. Sound -- Raw materials: Synchronised sound and speech; Non-synchronised sound and speech; Music -- Creative uses: The cutting-bench; The re-recording panel -- C. Treatment -- Approach and style -- Structure and scenario -- Conclusions -- V. Whither documentary? -- 1. The general scene / by Sinclair Road -- Introduction -- The documentary idea today -- The government approach to sponsorship -- Other forms of sponsorship -- Relations with the commercial film industry -- Distribution and the public -- Retrospect -- 2. National developments -- Europe, Asia, Africa, and Australasia / by Sinclair Road -- North and Latin America / by Richard Griffith -- Appendix I: The use of films by the U.S. Armed Services / by Richard Griffith
Control code
1692292
Dimensions
23 cm
Edition
3d ed., rev. and enl..
Extent
412 pages
Lccn
64057386
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(WaOLN)931000

Library Locations

    • Journalism LibraryBorrow it
      102 Reynolds Jrnlism Institute, Columbia, MO, 65211, US
      38.947290 -92.328025
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