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The Resource Famous last words : changes in gender and narrative closure, edited by Alison Booth ; with an afterword by U.C. Knoepflmacher

Famous last words : changes in gender and narrative closure, edited by Alison Booth ; with an afterword by U.C. Knoepflmacher

Label
Famous last words : changes in gender and narrative closure
Title
Famous last words
Title remainder
changes in gender and narrative closure
Statement of responsibility
edited by Alison Booth ; with an afterword by U.C. Knoepflmacher
Contributor
Subject
Genre
Language
eng
Member of
Cataloging source
DLC
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Booth, Alison
Series statement
Feminist issues
http://library.link/vocab/subjectName
  • English fiction
  • Feminism and literature
  • American fiction
  • Women and literature
  • Feminist fiction
  • Authorship
  • Sex role in literature
  • Women and literature
  • Narration (Rhetoric)
  • Closure (Rhetoric)
  • Feminism and literature
  • Feminism and literature
Label
Famous last words : changes in gender and narrative closure, edited by Alison Booth ; with an afterword by U.C. Knoepflmacher
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Introduction: The sense of few endings / Alison Booth -- Clytemnestra rewarded: The double conclusion of Vanity Fair / Lisa Jadwin -- Aurora Leigh: Epic solutions to novel ends / Herbert F. Tucker -- "Reader, my story ends with freedom": Harriet Jacob's Incidents in the Life of a Slave Girl / Sharon Davie -- The silence of great men: Statuesque femininity and the ending of Romola / Alison Booth -- "Speaking like a woman": How to have the last word on Sylvia's Lovers / Christine L. Krueger -- George Eliot's sacred chest of language / Bonnie Zimmerman
  • (cont.) Unsettled frontiers: Race, history, and romance in Pauline Hopkins's Contending Forces / Carla L. Peterson -- Object lessons: Reading the museum in The Golden Bowl / Stephen D. Arata -- "The word which made all clear": The silent close of The House of Mirth / Shari Benstock -- Toward a redefinition of "experiemental writing": Netta Syrett's realism, 1908-12 / Ann Ardis -- Reading the endings in Katherine Anne Porter's "Old Mortality" / Suzanne W. Jones -- Burning down the house: The revisionary paradigm of Jean Rhys's Wide Sargasso Sea / Caroline Rody -- "Reader, I blew him away": Convention and transgression in Sue Grafton / Peter J. Rabinowitz -- Afterword: Endings as beginnings / U.C. Knoepflmacher
Control code
27727045
Dimensions
24 cm
Extent
viii, 393 pages
Isbn
9780813914374
Isbn Type
(paper)
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(WaOLN)1560707
Label
Famous last words : changes in gender and narrative closure, edited by Alison Booth ; with an afterword by U.C. Knoepflmacher
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Introduction: The sense of few endings / Alison Booth -- Clytemnestra rewarded: The double conclusion of Vanity Fair / Lisa Jadwin -- Aurora Leigh: Epic solutions to novel ends / Herbert F. Tucker -- "Reader, my story ends with freedom": Harriet Jacob's Incidents in the Life of a Slave Girl / Sharon Davie -- The silence of great men: Statuesque femininity and the ending of Romola / Alison Booth -- "Speaking like a woman": How to have the last word on Sylvia's Lovers / Christine L. Krueger -- George Eliot's sacred chest of language / Bonnie Zimmerman
  • (cont.) Unsettled frontiers: Race, history, and romance in Pauline Hopkins's Contending Forces / Carla L. Peterson -- Object lessons: Reading the museum in The Golden Bowl / Stephen D. Arata -- "The word which made all clear": The silent close of The House of Mirth / Shari Benstock -- Toward a redefinition of "experiemental writing": Netta Syrett's realism, 1908-12 / Ann Ardis -- Reading the endings in Katherine Anne Porter's "Old Mortality" / Suzanne W. Jones -- Burning down the house: The revisionary paradigm of Jean Rhys's Wide Sargasso Sea / Caroline Rody -- "Reader, I blew him away": Convention and transgression in Sue Grafton / Peter J. Rabinowitz -- Afterword: Endings as beginnings / U.C. Knoepflmacher
Control code
27727045
Dimensions
24 cm
Extent
viii, 393 pages
Isbn
9780813914374
Isbn Type
(paper)
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(WaOLN)1560707

Library Locations

    • Ellis LibraryBorrow it
      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
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