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The Resource Film noir reader 4, edited by Alain Silver and James Ursini

Film noir reader 4, edited by Alain Silver and James Ursini

Label
Film noir reader 4
Title
Film noir reader 4
Statement of responsibility
edited by Alain Silver and James Ursini
Contributor
Subject
Genre
Language
eng
Summary
This text identifies a handful of plot elements that consistently recur within film noir and analyses in depth the memorable pictures that, while vivid prototypes of certain cinematic themes, bend and break their moulds to find new ways to enthrall and frighten us
Cataloging source
DLC
Dewey number
791.43/6556
Illustrations
illustrations
Index
no index present
LC call number
PN1995.9.F54
LC item number
F64 2004
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1947-
http://library.link/vocab/relatedWorkOrContributorName
  • Silver, Alain
  • Ursini, James
http://library.link/vocab/subjectName
Film noir
Label
Film noir reader 4, edited by Alain Silver and James Ursini
Instantiates
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The unsuspected (1947) and the noir sequence : realism, expressionism, style
  • Robert Porfirio
  • Gun crazy (1950)
  • Gary Johnson
  • Violently happy : Gun crazy (1950)
  • Adrian Martin
  • The war of the sexes : men in film noir and D.O.A. (1950)
  • Beverley Carter
  • The big night (1951) : a naturalist Bildungsroman
  • Tony Williams
  • "Murder can sometimes smell like honeysuckle" : Billy Wilder's Double indemnity (1944)
  • Kiss me deadly (1955) : composition and meaning
  • Michael E. Grost
  • Covert narrative strategies to contain and punish women in The big heat (1953) and The big combo (1955)
  • Grant Tracey
  • Touch of evil (1958) and the end of the noir cycle
  • Stephen B. Armstrong
  • Voices from the deep : film noir as psychodrama
  • J.P. Telotte
  • Manufacturing heroines : gothic victims and working women in classic noir films
  • Sheri Chinen Biesen
  • James A. Paris
  • The noir style
  • Nicolas Saada
  • The noir-horror of Cat people (1942)
  • Eric Somer
  • The rise and fall of the war noir
  • Daniel M. Hodges
  • The politics of crime and the crime of politics : post-war noir, the liberal consensus and the Hollywood left
  • Reynold Humphries
  • Noir westerns
  • James Ursini
  • Fate seeks the loser : Edgar G. Ulmer's Detour (1945)
  • Rancho notorious (1952) : noir western in color
  • Robin Wood
  • The noir title sequence
  • Robert Porfirio
  • It's deja vous all over again : Double idemnity resonates with Generation X
  • Ginny Schwartz
  • Through the past darkly : noir remakes of the 1980s
  • Constantine Verevis
  • Glenn Erickson
  • "How you fixed for red points?" : anecdote and the World War II home front in The big sleep (1946)
  • Kevin Hagopian
  • "Lounge time" reconsidered : spatial discontinuity and temporal contingency in Out of the past (1947)
  • R. Barton Palmer
Control code
54374732
Dimensions
23 cm
Edition
1st limelight ed.
Extent
vii, 326 pages
Isbn
9780879103057
Isbn Type
(pbk.)
Lccn
2004002792
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
Label
Film noir reader 4, edited by Alain Silver and James Ursini
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The unsuspected (1947) and the noir sequence : realism, expressionism, style
  • Robert Porfirio
  • Gun crazy (1950)
  • Gary Johnson
  • Violently happy : Gun crazy (1950)
  • Adrian Martin
  • The war of the sexes : men in film noir and D.O.A. (1950)
  • Beverley Carter
  • The big night (1951) : a naturalist Bildungsroman
  • Tony Williams
  • "Murder can sometimes smell like honeysuckle" : Billy Wilder's Double indemnity (1944)
  • Kiss me deadly (1955) : composition and meaning
  • Michael E. Grost
  • Covert narrative strategies to contain and punish women in The big heat (1953) and The big combo (1955)
  • Grant Tracey
  • Touch of evil (1958) and the end of the noir cycle
  • Stephen B. Armstrong
  • Voices from the deep : film noir as psychodrama
  • J.P. Telotte
  • Manufacturing heroines : gothic victims and working women in classic noir films
  • Sheri Chinen Biesen
  • James A. Paris
  • The noir style
  • Nicolas Saada
  • The noir-horror of Cat people (1942)
  • Eric Somer
  • The rise and fall of the war noir
  • Daniel M. Hodges
  • The politics of crime and the crime of politics : post-war noir, the liberal consensus and the Hollywood left
  • Reynold Humphries
  • Noir westerns
  • James Ursini
  • Fate seeks the loser : Edgar G. Ulmer's Detour (1945)
  • Rancho notorious (1952) : noir western in color
  • Robin Wood
  • The noir title sequence
  • Robert Porfirio
  • It's deja vous all over again : Double idemnity resonates with Generation X
  • Ginny Schwartz
  • Through the past darkly : noir remakes of the 1980s
  • Constantine Verevis
  • Glenn Erickson
  • "How you fixed for red points?" : anecdote and the World War II home front in The big sleep (1946)
  • Kevin Hagopian
  • "Lounge time" reconsidered : spatial discontinuity and temporal contingency in Out of the past (1947)
  • R. Barton Palmer
Control code
54374732
Dimensions
23 cm
Edition
1st limelight ed.
Extent
vii, 326 pages
Isbn
9780879103057
Isbn Type
(pbk.)
Lccn
2004002792
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations

Library Locations

    • Ellis LibraryBorrow it
      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
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