The Resource Framing the South : Hollywood, television, and race during the Civil Rights struggle, Allison Graham
Framing the South : Hollywood, television, and race during the Civil Rights struggle, Allison Graham
Resource Information
The item Framing the South : Hollywood, television, and race during the Civil Rights struggle, Allison Graham represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Framing the South : Hollywood, television, and race during the Civil Rights struggle, Allison Graham represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
-
- "What patterns emerge in media coverage and character depiction of southern men and women, black and white, in the years between 1954 and 1976? How do portrayals of the region and the equal rights movement illuminate the spirit and experience of the South - and of the nation as a whole? In Framing the South, Allison Graham examines the ways in which the media, particularly television and film, presented southerners during the period of the civil rights revolution."--Jacket
- "What patterns emerge in media coverage and character depiction of southern men and women, black and white, in the years between 1954 and 1976? How do portrayals of the region and the equal rights movement illuminate the spirit and experience of the South - and of the nation as a whole? In Framing the South, Allison Graham examines the ways in which the media, particularly television and film, presented southerners during the period of the civil rights revolution."--BOOK JACKET
- Language
- eng
- Extent
- xi, 224 pages
- Contents
-
- Introduction: Remapping Dogpatch
- "The purest of God's creatures": White women, blood pollution, and Southern sexuality
- Sentimental educations: Romance, race, and White redemption
- Natural acts: Hillbillies, delinquents, and the disappearing psyche
- Reeducating the Southerner: Elvis, rednecks, and Hollywood's "White Negro"
- Civil rights films and the new Red Menace: The legacy of the 1960s
- Isbn
- 9780801866159
- Label
- Framing the South : Hollywood, television, and race during the Civil Rights struggle
- Title
- Framing the South
- Title remainder
- Hollywood, television, and race during the Civil Rights struggle
- Statement of responsibility
- Allison Graham
- Subject
-
- Appalachians (People) in motion pictures
- Civil Rights Movement
- Fernsehen
- Film
- Films
- Montagnards (Sud des États-Unis) au cinéma
- Noirs américains au cinéma
- African Americans in motion pictures
- Racisme au cinéma
- Rassenverhoudingen
- Rassismus
- Southern States -- In motion pictures
- Televisieprogramma's
- Zuidelijke staten
- États-Unis (Sud) au cinéma
- Racism in motion pictures
- Language
- eng
- Summary
-
- "What patterns emerge in media coverage and character depiction of southern men and women, black and white, in the years between 1954 and 1976? How do portrayals of the region and the equal rights movement illuminate the spirit and experience of the South - and of the nation as a whole? In Framing the South, Allison Graham examines the ways in which the media, particularly television and film, presented southerners during the period of the civil rights revolution."--Jacket
- "What patterns emerge in media coverage and character depiction of southern men and women, black and white, in the years between 1954 and 1976? How do portrayals of the region and the equal rights movement illuminate the spirit and experience of the South - and of the nation as a whole? In Framing the South, Allison Graham examines the ways in which the media, particularly television and film, presented southerners during the period of the civil rights revolution."--BOOK JACKET
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Graham, Allison
- Dewey number
- 791.43/6275
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1995.9.S66
- LC item number
- G73 2001
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Racism in motion pictures
- African Americans in motion pictures
- Appalachians (People) in motion pictures
- Southern States
- Civil Rights Movement
- Rassenverhoudingen
- Zuidelijke staten
- Films
- Televisieprogramma's
- Rassismus
- Film
- Fernsehen
- Racisme au cinéma
- Noirs américains au cinéma
- Montagnards (Sud des États-Unis) au cinéma
- États-Unis (Sud) au cinéma
- Label
- Framing the South : Hollywood, television, and race during the Civil Rights struggle, Allison Graham
- Bibliography note
- Includes bibliographical references (pages 195-215) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Introduction: Remapping Dogpatch
- "The purest of God's creatures": White women, blood pollution, and Southern sexuality
- Sentimental educations: Romance, race, and White redemption
- Natural acts: Hillbillies, delinquents, and the disappearing psyche
- Reeducating the Southerner: Elvis, rednecks, and Hollywood's "White Negro"
- Civil rights films and the new Red Menace: The legacy of the 1960s
- Control code
- 45064786
- Dimensions
- 24 cm
- Extent
- xi, 224 pages
- Isbn
- 9780801866159
- Lccn
- 00011533
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)45064786
- Label
- Framing the South : Hollywood, television, and race during the Civil Rights struggle, Allison Graham
- Bibliography note
- Includes bibliographical references (pages 195-215) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Introduction: Remapping Dogpatch
- "The purest of God's creatures": White women, blood pollution, and Southern sexuality
- Sentimental educations: Romance, race, and White redemption
- Natural acts: Hillbillies, delinquents, and the disappearing psyche
- Reeducating the Southerner: Elvis, rednecks, and Hollywood's "White Negro"
- Civil rights films and the new Red Menace: The legacy of the 1960s
- Control code
- 45064786
- Dimensions
- 24 cm
- Extent
- xi, 224 pages
- Isbn
- 9780801866159
- Lccn
- 00011533
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)45064786
Subject
- Appalachians (People) in motion pictures
- Civil Rights Movement
- Fernsehen
- Film
- Films
- Montagnards (Sud des États-Unis) au cinéma
- Noirs américains au cinéma
- African Americans in motion pictures
- Racisme au cinéma
- Rassenverhoudingen
- Rassismus
- Southern States -- In motion pictures
- Televisieprogramma's
- Zuidelijke staten
- États-Unis (Sud) au cinéma
- Racism in motion pictures
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/portal/Framing-the-South--Hollywood-television-and/kMBt33RE0Lw/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/portal/Framing-the-South--Hollywood-television-and/kMBt33RE0Lw/">Framing the South : Hollywood, television, and race during the Civil Rights struggle, Allison Graham</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>
