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The Resource Imperial media : colonial networks and information technologies in the British literary imagination, 1857-1918, Aaron Worth

Imperial media : colonial networks and information technologies in the British literary imagination, 1857-1918, Aaron Worth

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The item Imperial media : colonial networks and information technologies in the British literary imagination, 1857-1918, Aaron Worth represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
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Creator

Worth, Aaron

Author

Worth, Aaron

Summary: Imperial Media: Colonial Networks and Information Technologies in the British Literary Imagination, 1857{u2013}1918 brings together two of the most dynamic and productive approaches to the study of nineteenth-century literature in recent years{u2014}media studies and colonial studies{u2014}to illuminate the rich and enduring symbiosis that developed between information technologies and Empire. Over a century before Facebook and the iPhone, Britons relied on the electric media of their day for information about their global empire{u2014}but those media, which during Victoria{u2019}s reign stretched out its tentacles to form a true 2world wide web,3 not only delivered information but provided conceptual frames as well, helping to shape the way their users thought. Ranging in space from the telegraph offices of Kipling{u2019}s India to the wireless transmitter on H.G. Wells{u2019}s Africanized moon, and in time from the Sepoy Rebellion to the Great War, Imperial Media reveals the extent to which British conceptions of imperial power were inflected by the new media of the nineteenth century: the telegraph, telephone, phonograph, radio, and cinema. While focusing on the fiction of Kipling, Wells, Marie Corelli, H. Rider Haggard, and John Buchan (2the last Victorian,3 in Gertrude Himmelfarb{u2019}s phrase), Aaron Worth also argues that the 2imperial media3 of the Victorians retain much of their imaginative life and power today, informing such popular entertainments of the twenty-first century as Bollywood cinema and the BBC{u2019}s science-fiction franchise Torchwood. This is a vital, engaging study that will shape future discussions of both colonial and information systems, as well as the relationship between the two, in Victorian studies and elsewhere. --Provided by publisher

Language: eng

Work

Publication

Columbus, The Ohio State University Press, 2014

Extent: viii, 146 pages

Contents

Imperial cybernetics
Imperial projections
Imperial transmissions
Imperial informatics
Coda. Post-imperial media

Isbn: 9780814293553

Instance

Label: Imperial media : colonial networks and information technologies in the British literary imagination, 1857-1918

Title: Imperial media

Title remainder: colonial networks and information technologies in the British literary imagination, 1857-1918

Statement of responsibility: Aaron Worth

Creator

Worth, Aaron

Author

Worth, Aaron

Subject

Language: eng

Summary: Imperial Media: Colonial Networks and Information Technologies in the British Literary Imagination, 1857{u2013}1918 brings together two of the most dynamic and productive approaches to the study of nineteenth-century literature in recent years{u2014}media studies and colonial studies{u2014}to illuminate the rich and enduring symbiosis that developed between information technologies and Empire. Over a century before Facebook and the iPhone, Britons relied on the electric media of their day for information about their global empire{u2014}but those media, which during Victoria{u2019}s reign stretched out its tentacles to form a true 2world wide web,3 not only delivered information but provided conceptual frames as well, helping to shape the way their users thought. Ranging in space from the telegraph offices of Kipling{u2019}s India to the wireless transmitter on H.G. Wells{u2019}s Africanized moon, and in time from the Sepoy Rebellion to the Great War, Imperial Media reveals the extent to which British conceptions of imperial power were inflected by the new media of the nineteenth century: the telegraph, telephone, phonograph, radio, and cinema. While focusing on the fiction of Kipling, Wells, Marie Corelli, H. Rider Haggard, and John Buchan (2the last Victorian,3 in Gertrude Himmelfarb{u2019}s phrase), Aaron Worth also argues that the 2imperial media3 of the Victorians retain much of their imaginative life and power today, informing such popular entertainments of the twenty-first century as Bollywood cinema and the BBC{u2019}s science-fiction franchise Torchwood. This is a vital, engaging study that will shape future discussions of both colonial and information systems, as well as the relationship between the two, in Victorian studies and elsewhere. --Provided by publisher