The Resource Irony, satire, parody, and the grotesque in the music of Shostakovich : a theory of musical incongruities, Esti Sheinberg ; music engravings by Ofer Sheinberg
Irony, satire, parody, and the grotesque in the music of Shostakovich : a theory of musical incongruities, Esti Sheinberg ; music engravings by Ofer Sheinberg
Resource Information
The item Irony, satire, parody, and the grotesque in the music of Shostakovich : a theory of musical incongruities, Esti Sheinberg ; music engravings by Ofer Sheinberg represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Irony, satire, parody, and the grotesque in the music of Shostakovich : a theory of musical incongruities, Esti Sheinberg ; music engravings by Ofer Sheinberg represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
-
- "The music of Shostakovich has been at the centre of interest of both the general public and dedicated scholars throughout the last twenty years. Most of the relevant literature, however, is of a biographical nature."
- "The focus of this book is musical irony. It offers new methodologies for the semiotic analysis of music, and inspects the ironical messages in Shostakovich's music independently of political and biographical bias. Its approach to music is interdisciplinary, comparing musical devices with artistic principles and literary analyses of satire, irony, parody and the grotesque. Each one of these modes is firstly inspected and defined as a separate subject, independent of music. The results of these inspections are subsequently applied to music, firstly in general and then more specifically to the music of Shostakovich
- The composer's cultural and historical milieux are taken into account and, where relevant, inspected and analysed separately before their application to the music."--Jacket
- "The music of Shostakovich has been at the centre of interest of both the general public and dedicated scholars throughout the last twenty years. Most of the relevant literature, however, is of a biographical nature." "The focus of this book is musical irony. It offers new methodologies for the semiotic analysis of music, and inspects the ironical messages in Shostakovich's music independently of political and biographical bias. Its approach to music is interdisciplinary, comparing musical devices with artistic principles and literary analyses of satire, irony, parody and the grotesque. Each one of these modes is firstly inspected and defined as a separate subject, independent of music. The results of these inspections are subsequently applied to music, firstly in general and then more specifically to the music of Shostakovich. The composer's cultural and historical milieux are taken into account and, where relevant, inspected and analysed separately before their application to the music."--BOOK JACKET
- Language
- eng
- Extent
- xi, 378 pages, 4 unnumbered pages of plates
- Contents
-
- Definitions of parody
- The structure of parody
- Historical background
- Techniques of parody
- The Grotesque
- Definition, structure and content of the grotesque
- The satirical grotesque
- The grotesque at the beginning of the twentieth century
- Existential irony
- Compound messages
- Irony
- The concept of irony: philosophical background
- Incongruities as indicators of irony
- Satire
- The structure of satire
- The structure of musical satire
- Satirizing techniques
- Parody
- Isbn
- 9780754602262
- Label
- Irony, satire, parody, and the grotesque in the music of Shostakovich : a theory of musical incongruities
- Title
- Irony, satire, parody, and the grotesque in the music of Shostakovich
- Title remainder
- a theory of musical incongruities
- Statement of responsibility
- Esti Sheinberg ; music engravings by Ofer Sheinberg
- Language
- eng
- Summary
-
- "The music of Shostakovich has been at the centre of interest of both the general public and dedicated scholars throughout the last twenty years. Most of the relevant literature, however, is of a biographical nature."
- "The focus of this book is musical irony. It offers new methodologies for the semiotic analysis of music, and inspects the ironical messages in Shostakovich's music independently of political and biographical bias. Its approach to music is interdisciplinary, comparing musical devices with artistic principles and literary analyses of satire, irony, parody and the grotesque. Each one of these modes is firstly inspected and defined as a separate subject, independent of music. The results of these inspections are subsequently applied to music, firstly in general and then more specifically to the music of Shostakovich
- The composer's cultural and historical milieux are taken into account and, where relevant, inspected and analysed separately before their application to the music."--Jacket
- "The music of Shostakovich has been at the centre of interest of both the general public and dedicated scholars throughout the last twenty years. Most of the relevant literature, however, is of a biographical nature." "The focus of this book is musical irony. It offers new methodologies for the semiotic analysis of music, and inspects the ironical messages in Shostakovich's music independently of political and biographical bias. Its approach to music is interdisciplinary, comparing musical devices with artistic principles and literary analyses of satire, irony, parody and the grotesque. Each one of these modes is firstly inspected and defined as a separate subject, independent of music. The results of these inspections are subsequently applied to music, firstly in general and then more specifically to the music of Shostakovich. The composer's cultural and historical milieux are taken into account and, where relevant, inspected and analysed separately before their application to the music."--BOOK JACKET
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1954-
- http://library.link/vocab/creatorName
- Sheinberg, Esti
- Dewey number
- 780/.92
- Illustrations
-
- illustrations
- music
- plates
- Index
- index present
- LC call number
- ML410.S53
- LC item number
- S45 2000
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Grotesque in music
- Music
- Humor in music
- Shostakovich, Dmitriĭ Dmitrievich
- Label
- Irony, satire, parody, and the grotesque in the music of Shostakovich : a theory of musical incongruities, Esti Sheinberg ; music engravings by Ofer Sheinberg
- Bibliography note
- Includes bibliographical references (pages [339]-361) and indexes
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Definitions of parody
- The structure of parody
- Historical background
- Techniques of parody
- The Grotesque
- Definition, structure and content of the grotesque
- The satirical grotesque
- The grotesque at the beginning of the twentieth century
- Existential irony
- Compound messages
- Irony
- The concept of irony: philosophical background
- Incongruities as indicators of irony
- Satire
- The structure of satire
- The structure of musical satire
- Satirizing techniques
- Parody
- Control code
- 44090613
- Dimensions
- 25 cm
- Extent
- xi, 378 pages, 4 unnumbered pages of plates
- Isbn
- 9780754602262
- Lccn
- 00041600
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations, music (some color)
- Label
- Irony, satire, parody, and the grotesque in the music of Shostakovich : a theory of musical incongruities, Esti Sheinberg ; music engravings by Ofer Sheinberg
- Bibliography note
- Includes bibliographical references (pages [339]-361) and indexes
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Definitions of parody
- The structure of parody
- Historical background
- Techniques of parody
- The Grotesque
- Definition, structure and content of the grotesque
- The satirical grotesque
- The grotesque at the beginning of the twentieth century
- Existential irony
- Compound messages
- Irony
- The concept of irony: philosophical background
- Incongruities as indicators of irony
- Satire
- The structure of satire
- The structure of musical satire
- Satirizing techniques
- Parody
- Control code
- 44090613
- Dimensions
- 25 cm
- Extent
- xi, 378 pages, 4 unnumbered pages of plates
- Isbn
- 9780754602262
- Lccn
- 00041600
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations, music (some color)
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/portal/Irony-satire-parody-and-the-grotesque-in-the/pENeVJydXq4/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/portal/Irony-satire-parody-and-the-grotesque-in-the/pENeVJydXq4/">Irony, satire, parody, and the grotesque in the music of Shostakovich : a theory of musical incongruities, Esti Sheinberg ; music engravings by Ofer Sheinberg</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>