The Resource Japanese cinema : texts and contexts, edited by Alastair Phillips and Julian Stringer
Japanese cinema : texts and contexts, edited by Alastair Phillips and Julian Stringer
Resource Information
The item Japanese cinema : texts and contexts, edited by Alastair Phillips and Julian Stringer represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Japanese cinema : texts and contexts, edited by Alastair Phillips and Julian Stringer represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "Japanese Cinema includes twenty-four articles on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world's most important film industries."--BOOK JACKET
- Language
- eng
- Extent
- xviii, 363 pages
- Contents
-
- The salaryman's panic time: Ozu Yasujirō's I was born, but-- (1932) / Alastair Phillips
- All for money: Mizoguchi Kenji's Osaka elegy (1936) / Mori Toshie
- Turning serious: Yamanaka Sadao's Humanity and paper balloons (1937) / Freda Freiberg
- Country retreat: Shimizu Hiroshi's Ornamental hairpin (1941) / Alexander Jacoby
- The riddle of the vase: Ozu Yasujirō's Late spring (1949) / Abé Mark Nornes
- History through cinema: Mizoguchi Kenji's The life of O-Haru (1952) / Joan Mellen
- The menace from the south seas: Honda Ishirō's Godzilla (1954) / Yomota Inuhiko
- Seven Samurai and six women: Kurosawa Akira's Seven samurai (1954) / D.P. Martinez
- Women's stories in post-war Japan: Naruse Mikio's Late chrysanthemums (1954) / Catherine Russell
- A cinematic creation: Ichikawa Kon's Conflagration (1958) / Keiko I. McDonald
- Modernization without modernity: Masumura Yasuzō's Giants and toys (1958) / Michael Raine
- Questions of the new: Ōshima Nagisa's Cruel story of youth (1960) / Mitsuhiro Yoshimoto
- Ethnicizing the body and film: Teshigahara Hiroshi's Woman in the dunes (1964) / Mitsuyo Wada-Marciano
- Dark visions of Japanese film noir: Suzuki Seijun's Branded to kill (1967) / Daisuke Miyao
- Eroticism in two dimensions: Shinoda Masahiro's Double suicide (1969) / Carole Cavanaugh
- Transgression and the politics of porn: Ōshima Nagisa's In the realm of the senses (1976) / Isolde Standish
- Unsettled visions: Imamura Shōhei's Vengeance is mine (1979) / Alastair Phillips
- Playing with postmodernism: Morita Yoshimitsu's The family game (1983) / Aaron Gerow
- Transgression and retribution: Yanagimachi Mitsuo's Fire festival (1985) / Donald Richie
- Community and connection: Itami Jūzō's Tampopo (1985) / Linda Ehrlich
- The imagination of the transcendent: Kore-eda Hirokazu's Maborosi (1995) / David Desser
- Therapy for him and her: Kitano Takeshi's Hana-bi (1997) / Darrell William Davis
- The original and the copy: Nakata Hideo's Ring (1998) / Julian Stringer
- The global markets for anime: Miyazaki Hayao's Spirited away (2001) / Rayna Denison
- Isbn
- 9780415328487
- Label
- Japanese cinema : texts and contexts
- Title
- Japanese cinema
- Title remainder
- texts and contexts
- Statement of responsibility
- edited by Alastair Phillips and Julian Stringer
- Language
- eng
- Summary
- "Japanese Cinema includes twenty-four articles on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world's most important film industries."--BOOK JACKET
- Cataloging source
- DLC
- Dewey number
- 791.430952
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1993.5.J3
- LC item number
- J27 2007
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
-
- 1963-
- 1966-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Phillips, Alastair
- Stringer, Julian
- http://library.link/vocab/subjectName
-
- Motion pictures
- Motion pictures
- Cinéma
- Label
- Japanese cinema : texts and contexts, edited by Alastair Phillips and Julian Stringer
- Bibliography note
- Includes bibliographical references (pages 329-349) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- The salaryman's panic time: Ozu Yasujirō's I was born, but-- (1932) / Alastair Phillips -- All for money: Mizoguchi Kenji's Osaka elegy (1936) / Mori Toshie -- Turning serious: Yamanaka Sadao's Humanity and paper balloons (1937) / Freda Freiberg -- Country retreat: Shimizu Hiroshi's Ornamental hairpin (1941) / Alexander Jacoby -- The riddle of the vase: Ozu Yasujirō's Late spring (1949) / Abé Mark Nornes -- History through cinema: Mizoguchi Kenji's The life of O-Haru (1952) / Joan Mellen -- The menace from the south seas: Honda Ishirō's Godzilla (1954) / Yomota Inuhiko -- Seven Samurai and six women: Kurosawa Akira's Seven samurai (1954) / D.P. Martinez -- Women's stories in post-war Japan: Naruse Mikio's Late chrysanthemums (1954) / Catherine Russell -- A cinematic creation: Ichikawa Kon's Conflagration (1958) / Keiko I. McDonald -- Modernization without modernity: Masumura Yasuzō's Giants and toys (1958) / Michael Raine -- Questions of the new: Ōshima Nagisa's Cruel story of youth (1960) / Mitsuhiro Yoshimoto -- Ethnicizing the body and film: Teshigahara Hiroshi's Woman in the dunes (1964) / Mitsuyo Wada-Marciano -- Dark visions of Japanese film noir: Suzuki Seijun's Branded to kill (1967) / Daisuke Miyao -- Eroticism in two dimensions: Shinoda Masahiro's Double suicide (1969) / Carole Cavanaugh -- Transgression and the politics of porn: Ōshima Nagisa's In the realm of the senses (1976) / Isolde Standish -- Unsettled visions: Imamura Shōhei's Vengeance is mine (1979) / Alastair Phillips -- Playing with postmodernism: Morita Yoshimitsu's The family game (1983) / Aaron Gerow -- Transgression and retribution: Yanagimachi Mitsuo's Fire festival (1985) / Donald Richie -- Community and connection: Itami Jūzō's Tampopo (1985) / Linda Ehrlich -- The imagination of the transcendent: Kore-eda Hirokazu's Maborosi (1995) / David Desser -- Therapy for him and her: Kitano Takeshi's Hana-bi (1997) / Darrell William Davis -- The original and the copy: Nakata Hideo's Ring (1998) / Julian Stringer -- The global markets for anime: Miyazaki Hayao's Spirited away (2001) / Rayna Denison
- Control code
- 128237790
- Dimensions
- 24 cm
- Extent
- xviii, 363 pages
- Isbn
- 9780415328487
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 2007019975
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)128237790
- Label
- Japanese cinema : texts and contexts, edited by Alastair Phillips and Julian Stringer
- Bibliography note
- Includes bibliographical references (pages 329-349) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- The salaryman's panic time: Ozu Yasujirō's I was born, but-- (1932) / Alastair Phillips -- All for money: Mizoguchi Kenji's Osaka elegy (1936) / Mori Toshie -- Turning serious: Yamanaka Sadao's Humanity and paper balloons (1937) / Freda Freiberg -- Country retreat: Shimizu Hiroshi's Ornamental hairpin (1941) / Alexander Jacoby -- The riddle of the vase: Ozu Yasujirō's Late spring (1949) / Abé Mark Nornes -- History through cinema: Mizoguchi Kenji's The life of O-Haru (1952) / Joan Mellen -- The menace from the south seas: Honda Ishirō's Godzilla (1954) / Yomota Inuhiko -- Seven Samurai and six women: Kurosawa Akira's Seven samurai (1954) / D.P. Martinez -- Women's stories in post-war Japan: Naruse Mikio's Late chrysanthemums (1954) / Catherine Russell -- A cinematic creation: Ichikawa Kon's Conflagration (1958) / Keiko I. McDonald -- Modernization without modernity: Masumura Yasuzō's Giants and toys (1958) / Michael Raine -- Questions of the new: Ōshima Nagisa's Cruel story of youth (1960) / Mitsuhiro Yoshimoto -- Ethnicizing the body and film: Teshigahara Hiroshi's Woman in the dunes (1964) / Mitsuyo Wada-Marciano -- Dark visions of Japanese film noir: Suzuki Seijun's Branded to kill (1967) / Daisuke Miyao -- Eroticism in two dimensions: Shinoda Masahiro's Double suicide (1969) / Carole Cavanaugh -- Transgression and the politics of porn: Ōshima Nagisa's In the realm of the senses (1976) / Isolde Standish -- Unsettled visions: Imamura Shōhei's Vengeance is mine (1979) / Alastair Phillips -- Playing with postmodernism: Morita Yoshimitsu's The family game (1983) / Aaron Gerow -- Transgression and retribution: Yanagimachi Mitsuo's Fire festival (1985) / Donald Richie -- Community and connection: Itami Jūzō's Tampopo (1985) / Linda Ehrlich -- The imagination of the transcendent: Kore-eda Hirokazu's Maborosi (1995) / David Desser -- Therapy for him and her: Kitano Takeshi's Hana-bi (1997) / Darrell William Davis -- The original and the copy: Nakata Hideo's Ring (1998) / Julian Stringer -- The global markets for anime: Miyazaki Hayao's Spirited away (2001) / Rayna Denison
- Control code
- 128237790
- Dimensions
- 24 cm
- Extent
- xviii, 363 pages
- Isbn
- 9780415328487
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 2007019975
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)128237790
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