Coverart for item
The Resource Listening to salsa : gender, Latin popular music, and Puerto Rican cultures, Frances R. Aparicio

Listening to salsa : gender, Latin popular music, and Puerto Rican cultures, Frances R. Aparicio

Label
Listening to salsa : gender, Latin popular music, and Puerto Rican cultures
Title
Listening to salsa
Title remainder
gender, Latin popular music, and Puerto Rican cultures
Statement of responsibility
Frances R. Aparicio
Creator
Subject
Genre
Language
eng
Summary
"Insightful study of Afro-Caribbean salsa music among Puerto Ricans relates different meanings in salsa lyrics to issues of gender, race, class, and national identities, both in Puerto Rico and Latino communities in the US. Aparicio, a literary critic, uses a postmodern approach to analyze diverse musical texts"--Handbook of Latin American Studies, v. 58.
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Aparicio, Frances R
Dewey number
781.64
Illustrations
  • illustrations
  • music
Index
index present
LC call number
ML3535.5
LC item number
.A63 1998
Literary form
non fiction
Nature of contents
bibliography
Series statement
Music/culture
http://library.link/vocab/subjectName
  • Salsa (Music)
  • Feminism and music
Summary URI
http://www.loc.gov/hlas
Label
Listening to salsa : gender, Latin popular music, and Puerto Rican cultures, Frances R. Aparicio
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 247-277) and indexes
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Desiring the Racial Other: Rosario Ferre's Feminist Reconstruction of Danza and Plena
  • pt. II.
  • The Plural Sites of Salsa
  • A Postmodern Preface.
  • Ch. 4.
  • Situating Salsa.
  • Ch. 5.
  • Ideological Negotiations: Between Hegemony and Resistance.
  • Ch. 6.
  • Cultural (Mis)Translations and Crossover Nightmares
  • pt. I.
  • pt. III.
  • Dissonant Melodies: Singing Gender, Desire, and Conflict
  • Theoretical Pretexts: Listening (as) Woman.
  • Ch. 7.
  • Woman as Absence: Hetero(homo)sexual Desire in the Bolero.
  • Ch. 8.
  • Patriarchal Synecdoches: Of Women's Butts and Feminist Rebuttals.
  • Ch. 9.
  • Singing the Gender Wars.
  • Ch. 10.
  • The Danza and the Plena: Racializing Women, Feminizing Music
  • Singing Female Subjectivities.
  • pt. iv
  • Asi Somos, Asi Son: Rewriting Salsa
  • Listening to the Listeners: An Introduction.
  • Ch. 11.
  • Asi Son: Constructing Woman.
  • Ch. 12
  • Asi Somos: Rewriting Patriarchy
  • A Literary Prelude.
  • Ch. 1.
  • A White Lady Called the Danza.
  • Ch. 2.
  • A Sensual Mulatta Called the Plena.
  • Ch. 3.
Control code
36417932
Dimensions
24 cm
Extent
xxi, 290 pages
Isbn
9780819563088
Isbn Type
(pa)
Lccn
97009121
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations, music
Label
Listening to salsa : gender, Latin popular music, and Puerto Rican cultures, Frances R. Aparicio
Publication
Bibliography note
Includes bibliographical references (pages 247-277) and indexes
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Desiring the Racial Other: Rosario Ferre's Feminist Reconstruction of Danza and Plena
  • pt. II.
  • The Plural Sites of Salsa
  • A Postmodern Preface.
  • Ch. 4.
  • Situating Salsa.
  • Ch. 5.
  • Ideological Negotiations: Between Hegemony and Resistance.
  • Ch. 6.
  • Cultural (Mis)Translations and Crossover Nightmares
  • pt. I.
  • pt. III.
  • Dissonant Melodies: Singing Gender, Desire, and Conflict
  • Theoretical Pretexts: Listening (as) Woman.
  • Ch. 7.
  • Woman as Absence: Hetero(homo)sexual Desire in the Bolero.
  • Ch. 8.
  • Patriarchal Synecdoches: Of Women's Butts and Feminist Rebuttals.
  • Ch. 9.
  • Singing the Gender Wars.
  • Ch. 10.
  • The Danza and the Plena: Racializing Women, Feminizing Music
  • Singing Female Subjectivities.
  • pt. iv
  • Asi Somos, Asi Son: Rewriting Salsa
  • Listening to the Listeners: An Introduction.
  • Ch. 11.
  • Asi Son: Constructing Woman.
  • Ch. 12
  • Asi Somos: Rewriting Patriarchy
  • A Literary Prelude.
  • Ch. 1.
  • A White Lady Called the Danza.
  • Ch. 2.
  • A Sensual Mulatta Called the Plena.
  • Ch. 3.
Control code
36417932
Dimensions
24 cm
Extent
xxi, 290 pages
Isbn
9780819563088
Isbn Type
(pa)
Lccn
97009121
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations, music

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