The Resource Men and masculinities in Irish cinema, Debbie Ging
Men and masculinities in Irish cinema, Debbie Ging
Resource Information
The item Men and masculinities in Irish cinema, Debbie Ging represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Men and masculinities in Irish cinema, Debbie Ging represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "Spanning a broad trajectory, from the New Gaelic Man of post-independence Ireland to the slick urban gangsters of contemporary productions, this study traces a significant shift from idealistic images of Irish manhood to a much more diverse and gender-politically ambiguous range of male identities on the Irish screen. Ging argues that Irish filmmakers have been instrumental to identifying critical flashpoints and fissures in the 'masculinity' debate, sometimes long before sociologists, psychologists and the news media. She tracks evolving cinematic discourses on manhood, from the early period of nationalist filmmaking through the First Wave's unusually anti-patriarchal and anti-nationalist interventions, to post-Celtic Tiger cinema's engagements with postfeminism, New Laddism and Raunch Culture. This is a compelling and insightful story about the development of male identities in Irish cinema over the past century."--Publisher's website
- Language
- eng
- Extent
- ix, 252 pages
- Contents
-
- Introduction
- Gender and nation: the Gaelicization of Irish manhood
- "Instruments of God's will": masculinity in early Irish film
- Institutional boys: adolescent masculinity and coming of age in Ireland's "architecture of containment"
- Family guys: detonating the Irish nuclear family
- "It's good to talk": language, loquaciousness and silence among Irish cinema's men in crisis
- Troubled bodies, troubled minds: republicanism, bromance and "house-training" the "men of violence"
- New lads or protest masculinities? underclass, criminal and socially- marginalised men in the films of the 1990s and 2000s
- Cool Hibernia: "new men", metrosexuals, Celtic soul and queer fellas
- Conclusion: a masculinity of "transcendent" defeat?
- Isbn
- 9780230232006
- Label
- Men and masculinities in Irish cinema
- Title
- Men and masculinities in Irish cinema
- Statement of responsibility
- Debbie Ging
- Language
- eng
- Summary
- "Spanning a broad trajectory, from the New Gaelic Man of post-independence Ireland to the slick urban gangsters of contemporary productions, this study traces a significant shift from idealistic images of Irish manhood to a much more diverse and gender-politically ambiguous range of male identities on the Irish screen. Ging argues that Irish filmmakers have been instrumental to identifying critical flashpoints and fissures in the 'masculinity' debate, sometimes long before sociologists, psychologists and the news media. She tracks evolving cinematic discourses on manhood, from the early period of nationalist filmmaking through the First Wave's unusually anti-patriarchal and anti-nationalist interventions, to post-Celtic Tiger cinema's engagements with postfeminism, New Laddism and Raunch Culture. This is a compelling and insightful story about the development of male identities in Irish cinema over the past century."--Publisher's website
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Ging, Debbie
- Dewey number
- 791.43/65211
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1995.9.M46
- LC item number
- G58 2013
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Men in motion pictures
- Masculinity in motion pictures
- Motion pictures
- Label
- Men and masculinities in Irish cinema, Debbie Ging
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction -- Gender and nation: the Gaelicization of Irish manhood -- "Instruments of God's will": masculinity in early Irish film -- Institutional boys: adolescent masculinity and coming of age in Ireland's "architecture of containment" -- Family guys: detonating the Irish nuclear family -- "It's good to talk": language, loquaciousness and silence among Irish cinema's men in crisis -- Troubled bodies, troubled minds: republicanism, bromance and "house-training" the "men of violence" -- New lads or protest masculinities? underclass, criminal and socially- marginalised men in the films of the 1990s and 2000s -- Cool Hibernia: "new men", metrosexuals, Celtic soul and queer fellas -- Conclusion: a masculinity of "transcendent" defeat?
- Control code
- 796757166
- Dimensions
- 23 cm
- Extent
- ix, 252 pages
- Isbn
- 9780230232006
- Lccn
- 2012034821
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)796757166
- Label
- Men and masculinities in Irish cinema, Debbie Ging
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction -- Gender and nation: the Gaelicization of Irish manhood -- "Instruments of God's will": masculinity in early Irish film -- Institutional boys: adolescent masculinity and coming of age in Ireland's "architecture of containment" -- Family guys: detonating the Irish nuclear family -- "It's good to talk": language, loquaciousness and silence among Irish cinema's men in crisis -- Troubled bodies, troubled minds: republicanism, bromance and "house-training" the "men of violence" -- New lads or protest masculinities? underclass, criminal and socially- marginalised men in the films of the 1990s and 2000s -- Cool Hibernia: "new men", metrosexuals, Celtic soul and queer fellas -- Conclusion: a masculinity of "transcendent" defeat?
- Control code
- 796757166
- Dimensions
- 23 cm
- Extent
- ix, 252 pages
- Isbn
- 9780230232006
- Lccn
- 2012034821
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)796757166
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/portal/Men-and-masculinities-in-Irish-cinema-Debbie/u8cgyWRSlps/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/portal/Men-and-masculinities-in-Irish-cinema-Debbie/u8cgyWRSlps/">Men and masculinities in Irish cinema, Debbie Ging</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>
