Coverart for item
The Resource Modern European filmmakers and the art of adaptation, edited by Andrew Horton and Joan Magretta

Modern European filmmakers and the art of adaptation, edited by Andrew Horton and Joan Magretta

Label
Modern European filmmakers and the art of adaptation
Title
Modern European filmmakers and the art of adaptation
Statement of responsibility
edited by Andrew Horton and Joan Magretta
Contributor
Subject
Genre
Language
eng
Member of
Cataloging source
DLC
Illustrations
illustrations
Index
no index present
Literary form
non fiction
Nature of contents
  • bibliography
  • catalogs
http://library.link/vocab/relatedWorkOrContributorDate
1944-
http://library.link/vocab/relatedWorkOrContributorName
  • Horton, Andrew
  • Magretta, Joan
Series statement
Ungar film library
http://library.link/vocab/subjectName
  • Film adaptations
  • European literature
  • Film adaptations
  • European literature
  • European literature
Label
Modern European filmmakers and the art of adaptation, edited by Andrew Horton and Joan Magretta
Instantiates
Publication
Note
Includes index
Bibliography note
  • Bibliography: pages [369]-371
  • Filmography: pages [357]-367
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Ice and Irony: Delannoy's La Symphonie Pastorale (1946), from the novel by Andre Gidé / Dudley Andrew -- Desperation and Meditation: Bresson's Diary of a Country Priest (1951), from the novel by Georges Bernanos / Dudley Andrew -- Keeping the Circle Turning: Ophuls's La Ronde (1959), from the play by Arthur Schnitzler / Alan Williams -- The Correspondents' Curse: Vadim's Les Liaisons Dangereuses 1960 (1959), from the novel by Pierre Choderlos de Laclos / John L. Fell -- Growing Up Absurd: Malle's Zazie dans le Métro (1960), from the novel by Raymond Queneau / Andrew Horton -- A Modern Pietà: De Sica's Two Women (1961), from the novel by Alberto Moravia / Ruth Prigozy
  • Adaptation of an Auteur: Truffaut's Jules et Jim (1961), from the novel by Henri-Pierre Roché / Stuart Y. McDougal -- A Thrice-Told Tale: Godard's Le Mépris (1963), from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Cinema of Entrapment: Rivette's La Religieuse (1966), from the novel by Denis Diderot / Ira Konigsberg -- The Triumph of Artifice : Antonioni's Blow-Up (1966), from the short story by Julio Cortázar / Neil D. Isaacs -- Adaptation as Archaeology: Fellini Satyricon (1969), from the "novel" by Petronius / Bernard F. Dick -- The "Seen" and the "Said": Bresson's Une Femme Douce (1969), from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Dark Laughter: Buñuel's Tristana (1970), from the novel by Benito Pérez Galdós / Charles Eidsvik
  • Filming Words: Wenders's The Goalie's Anxiety at the Penalty Kick (1971), from the novel by Peter Handke / Peter Brunette -- The Storyteller's Art: Pasolini's Decameron (1971), from The Decameron by Giovanni Boccaccio / Ben Lawton -- The Unconformist: Bertolucci's The Conformist (1971), from the novel by Alberto Moravia / T. Jefferson Kline -- Private "I": Tavernier's The Clockmaker (1973), from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Reading the Writerly Film: Fassbinder's Effi Briest (1974), from the novel by Theodor Fontane / William R. Magretta -- Adaptation Through Inversion: Wenders's Wrong Movement (1974), freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Story and Discourse: Schlöndorff and von Trotta's The Lost Honor of Katharina Blum (1975), from the novel by Heinrich Böll / William R. Magretta and Joan Magretta
  • Film as Theater: Geissendörfer's The Wild Duck (1976), from the play by Henrik Ibsen / Birgitta Steene -- The Cinematic Text: Rohmer's The Marquise of O... (1976), from the story by Heinrich von Kleist / Alan Spiegel -- The Corruption of Accidents: Buñuel's That Obscure Object of Desire (1977), from the novel The Woman and the Puppet by Pierre Louÿs / Michael Wood
Control code
6862232
Dimensions
22 cm
Extent
xiv, 383 pages
Isbn
9780804424035
Lccn
79048073
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(WaOLN)42726
Label
Modern European filmmakers and the art of adaptation, edited by Andrew Horton and Joan Magretta
Publication
Note
Includes index
Bibliography note
  • Bibliography: pages [369]-371
  • Filmography: pages [357]-367
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Ice and Irony: Delannoy's La Symphonie Pastorale (1946), from the novel by Andre Gidé / Dudley Andrew -- Desperation and Meditation: Bresson's Diary of a Country Priest (1951), from the novel by Georges Bernanos / Dudley Andrew -- Keeping the Circle Turning: Ophuls's La Ronde (1959), from the play by Arthur Schnitzler / Alan Williams -- The Correspondents' Curse: Vadim's Les Liaisons Dangereuses 1960 (1959), from the novel by Pierre Choderlos de Laclos / John L. Fell -- Growing Up Absurd: Malle's Zazie dans le Métro (1960), from the novel by Raymond Queneau / Andrew Horton -- A Modern Pietà: De Sica's Two Women (1961), from the novel by Alberto Moravia / Ruth Prigozy
  • Adaptation of an Auteur: Truffaut's Jules et Jim (1961), from the novel by Henri-Pierre Roché / Stuart Y. McDougal -- A Thrice-Told Tale: Godard's Le Mépris (1963), from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Cinema of Entrapment: Rivette's La Religieuse (1966), from the novel by Denis Diderot / Ira Konigsberg -- The Triumph of Artifice : Antonioni's Blow-Up (1966), from the short story by Julio Cortázar / Neil D. Isaacs -- Adaptation as Archaeology: Fellini Satyricon (1969), from the "novel" by Petronius / Bernard F. Dick -- The "Seen" and the "Said": Bresson's Une Femme Douce (1969), from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Dark Laughter: Buñuel's Tristana (1970), from the novel by Benito Pérez Galdós / Charles Eidsvik
  • Filming Words: Wenders's The Goalie's Anxiety at the Penalty Kick (1971), from the novel by Peter Handke / Peter Brunette -- The Storyteller's Art: Pasolini's Decameron (1971), from The Decameron by Giovanni Boccaccio / Ben Lawton -- The Unconformist: Bertolucci's The Conformist (1971), from the novel by Alberto Moravia / T. Jefferson Kline -- Private "I": Tavernier's The Clockmaker (1973), from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Reading the Writerly Film: Fassbinder's Effi Briest (1974), from the novel by Theodor Fontane / William R. Magretta -- Adaptation Through Inversion: Wenders's Wrong Movement (1974), freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Story and Discourse: Schlöndorff and von Trotta's The Lost Honor of Katharina Blum (1975), from the novel by Heinrich Böll / William R. Magretta and Joan Magretta
  • Film as Theater: Geissendörfer's The Wild Duck (1976), from the play by Henrik Ibsen / Birgitta Steene -- The Cinematic Text: Rohmer's The Marquise of O... (1976), from the story by Heinrich von Kleist / Alan Spiegel -- The Corruption of Accidents: Buñuel's That Obscure Object of Desire (1977), from the novel The Woman and the Puppet by Pierre Louÿs / Michael Wood
Control code
6862232
Dimensions
22 cm
Extent
xiv, 383 pages
Isbn
9780804424035
Lccn
79048073
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(WaOLN)42726

Library Locations

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      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
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