Coverart for item
The Resource Retreat into the mind : Victorian poetry and the rise of psychiatry, by Ekbert Faas

Retreat into the mind : Victorian poetry and the rise of psychiatry, by Ekbert Faas

Label
Retreat into the mind : Victorian poetry and the rise of psychiatry
Title
Retreat into the mind
Title remainder
Victorian poetry and the rise of psychiatry
Statement of responsibility
by Ekbert Faas
Creator
Subject
Genre
Language
eng
Action
digitized
Cataloging source
OCLCE
http://library.link/vocab/creatorDate
1938-
http://library.link/vocab/creatorName
Faas, Ekbert
Dewey number
821/.8/09353
Index
index present
LC call number
PR595.P85
LC item number
F34 1988
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
NLM call number
WM 49 F111r 1988
http://library.link/vocab/subjectName
  • English poetry
  • Psychoanalysis and literature
  • Psychology and literature
  • Psychiatry
  • Dramatic monologues
  • Poetry
  • Psychology in literature
  • Poetry as Topic
  • Psychiatry
  • POETRY
  • LITERARY CRITICISM
  • Dramatic monologues
  • English poetry
  • Poetry
  • Psychiatry
  • Psychoanalysis and literature
  • Psychology and literature
  • Psychology in literature
  • Great Britain
  • Gedichten
  • Psychologie
  • Psychoanalyse
  • Lyrik
  • Psychiatrie
  • Psychologie
  • Dramatic monologue
  • Psychoanalyse
  • Englisch
Label
Retreat into the mind : Victorian poetry and the rise of psychiatry, by Ekbert Faas
Instantiates
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references (pages 266-297) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Psychological medicine
  • 3.
  • The psychological school of poetry: beginnings:
  • The evolution of the new genre
  • Critics and poets vis-a-vis mental scientists
  • The age of introspection
  • 4.
  • The psychological school of poetry: origins:
  • Robert Browning
  • Alfred Tennyson
  • 1.
  • From introspection to psycho-analysis
  • 5.
  • Precedents I: the romantic "science of feelings":
  • Self-analysis versus spontaneity
  • Unconscious creativity and its limits
  • Emotions recollected in tranquillity
  • Simulated spontaneity and self-dramatization
  • Toward the dramatic monologue
  • 6.
  • Precedents II: Shakespeare:
  • Dramatic or psychological monologue?:
  • The linguistic and prosodic model
  • Shakespeare and the alienists
  • Shakespeare's psychology and pre-romantic criticism
  • 7.
  • Dead end: Matthew Arnold:
  • The search for the buried self
  • The greater romantic lyric In extremis
  • Matthew Arnold and psychology
  • Empedocles on Etna and spasmodic drama
  • Maud, or the way out of the impasse
  • The dramatic monologue and Victorian criticism
  • 8.
  • The psychological school of poetry: patterns:
  • Opening, setting, and listener
  • Situation, action, and conclusion
  • Dramatic narrative and psychological revivification
  • 9.
  • The psychological school of poetry: contents:
  • Relativist versus traditional morality
  • The psychology of murder and suicide
  • The psychology of history
  • The dramatic monologue and its precedents
  • From reverie to insanity
  • From case history to surrealistic effusion
  • 10.
  • Swinburne, or the psychopathology of poetic creation:
  • Dramatizations of the perverse
  • Insane artists and alienist biographers
  • A poetics of madness and revolt
  • Epilogue:
  • Toward a poète maudit aesthetic
  • Psychological poetry and mental science
  • 2.
  • The new mental science: Introspective psychology
  • Mesmerism
Control code
804049050
Dimensions
unknown
Extent
1 online resource (viii, 312 pages)
Form of item
online
Isbn
9781400861675
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt736s84
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)804049050
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Retreat into the mind : Victorian poetry and the rise of psychiatry, by Ekbert Faas
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references (pages 266-297) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Psychological medicine
  • 3.
  • The psychological school of poetry: beginnings:
  • The evolution of the new genre
  • Critics and poets vis-a-vis mental scientists
  • The age of introspection
  • 4.
  • The psychological school of poetry: origins:
  • Robert Browning
  • Alfred Tennyson
  • 1.
  • From introspection to psycho-analysis
  • 5.
  • Precedents I: the romantic "science of feelings":
  • Self-analysis versus spontaneity
  • Unconscious creativity and its limits
  • Emotions recollected in tranquillity
  • Simulated spontaneity and self-dramatization
  • Toward the dramatic monologue
  • 6.
  • Precedents II: Shakespeare:
  • Dramatic or psychological monologue?:
  • The linguistic and prosodic model
  • Shakespeare and the alienists
  • Shakespeare's psychology and pre-romantic criticism
  • 7.
  • Dead end: Matthew Arnold:
  • The search for the buried self
  • The greater romantic lyric In extremis
  • Matthew Arnold and psychology
  • Empedocles on Etna and spasmodic drama
  • Maud, or the way out of the impasse
  • The dramatic monologue and Victorian criticism
  • 8.
  • The psychological school of poetry: patterns:
  • Opening, setting, and listener
  • Situation, action, and conclusion
  • Dramatic narrative and psychological revivification
  • 9.
  • The psychological school of poetry: contents:
  • Relativist versus traditional morality
  • The psychology of murder and suicide
  • The psychology of history
  • The dramatic monologue and its precedents
  • From reverie to insanity
  • From case history to surrealistic effusion
  • 10.
  • Swinburne, or the psychopathology of poetic creation:
  • Dramatizations of the perverse
  • Insane artists and alienist biographers
  • A poetics of madness and revolt
  • Epilogue:
  • Toward a poète maudit aesthetic
  • Psychological poetry and mental science
  • 2.
  • The new mental science: Introspective psychology
  • Mesmerism
Control code
804049050
Dimensions
unknown
Extent
1 online resource (viii, 312 pages)
Form of item
online
Isbn
9781400861675
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt736s84
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)804049050
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

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