Coverart for item
The Resource Roland Barthes' cinema, Philip Watts ; manuscript edited from the author's unfinished chapters [by] Dudley Andrew, Yves Citton, Vincent Debaene, Sam Di Iorio

Roland Barthes' cinema, Philip Watts ; manuscript edited from the author's unfinished chapters [by] Dudley Andrew, Yves Citton, Vincent Debaene, Sam Di Iorio

Label
Roland Barthes' cinema
Title
Roland Barthes' cinema
Statement of responsibility
Philip Watts ; manuscript edited from the author's unfinished chapters [by] Dudley Andrew, Yves Citton, Vincent Debaene, Sam Di Iorio
Creator
Contributor
Author
Editor
Subject
Genre
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Watts, Philip
Dewey number
791.43092
Illustrations
illustrations
Index
index present
LC call number
PN1998.3.B3748
LC item number
W38 2016
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1945-
http://library.link/vocab/relatedWorkOrContributorName
  • Andrew, Dudley
  • Barthes, Roland
http://library.link/vocab/subjectName
  • Barthes, Roland
  • Motion pictures
  • Barthes, Roland
  • Motion pictures
Label
Roland Barthes' cinema, Philip Watts ; manuscript edited from the author's unfinished chapters [by] Dudley Andrew, Yves Citton, Vincent Debaene, Sam Di Iorio
Instantiates
Publication
Copyright
Note
Editor's preface -- Introduction -- A degraded spectacle. The interpreter and the sensualist -- Roman hair -- A Cold War cinema -- Demystification, 1957 -- The face of Garbo -- Rrefresh the perception of the world. On cinemascope -- Barthes and the New Wave -- Barthes and Bazin. Lost continent From ontology to rhetoric and back -- Camera Lucida -- Another revolution. The fetishist -- Eisenstein, 1970 -- From leftocracy to affect and intimacy -- Exiting the movie theater. The science of filmology -- Apparatus theory -- The aestheticization of the world -- A long conversation with Christian Metz -- Exiting theory -- The melodramatic imagination. The Brontë sisters -- The New Wave melodramatic turn -- Michel Foucault's melodramatic imagination -- Barthes and Foucault -- Barthes and Truffaut: Melodramatic photography -- Conclusion: From Barthes to Rancière -- Interview with Jacques Rancière -- Texts on the cinema by Roland Barthes: The angels of sin (on Bresson's Les anges du péché) -- On CinemaScope -- Versailles and its accounts -- Cinema, right and left (on Cabrol's Le beau serge) -- On leftist criticism -- Traumatic units in cinema: research principles -- Preface to Les inconnus de la terre -- James Bond -- Sade Pasolini (on Salò) -- Barthes and cinema: a bibliography
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Control code
925355106
Dimensions
21 cm
Edition
First edition.
Extent
xxviii, 185 pages
Isbn
9780190277550
Lccn
2015037603
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)925355106
Label
Roland Barthes' cinema, Philip Watts ; manuscript edited from the author's unfinished chapters [by] Dudley Andrew, Yves Citton, Vincent Debaene, Sam Di Iorio
Publication
Copyright
Note
Editor's preface -- Introduction -- A degraded spectacle. The interpreter and the sensualist -- Roman hair -- A Cold War cinema -- Demystification, 1957 -- The face of Garbo -- Rrefresh the perception of the world. On cinemascope -- Barthes and the New Wave -- Barthes and Bazin. Lost continent From ontology to rhetoric and back -- Camera Lucida -- Another revolution. The fetishist -- Eisenstein, 1970 -- From leftocracy to affect and intimacy -- Exiting the movie theater. The science of filmology -- Apparatus theory -- The aestheticization of the world -- A long conversation with Christian Metz -- Exiting theory -- The melodramatic imagination. The Brontë sisters -- The New Wave melodramatic turn -- Michel Foucault's melodramatic imagination -- Barthes and Foucault -- Barthes and Truffaut: Melodramatic photography -- Conclusion: From Barthes to Rancière -- Interview with Jacques Rancière -- Texts on the cinema by Roland Barthes: The angels of sin (on Bresson's Les anges du péché) -- On CinemaScope -- Versailles and its accounts -- Cinema, right and left (on Cabrol's Le beau serge) -- On leftist criticism -- Traumatic units in cinema: research principles -- Preface to Les inconnus de la terre -- James Bond -- Sade Pasolini (on Salò) -- Barthes and cinema: a bibliography
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Control code
925355106
Dimensions
21 cm
Edition
First edition.
Extent
xxviii, 185 pages
Isbn
9780190277550
Lccn
2015037603
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)925355106

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