The Resource Sergei M. Eisenstein : notes for a general history of cinema, edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova
Sergei M. Eisenstein : notes for a general history of cinema, edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova
Resource Information
The item Sergei M. Eisenstein : notes for a general history of cinema, edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Sergei M. Eisenstein : notes for a general history of cinema, edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "An iconic figure in twentieth-century cinema, Sergei M. Eisenstein directed landmark films such as Battleship Potemkin and Ivan the Terrible and authored a vast body of theoretical texts. This is the first English-language edition of his recently rediscovered notes for a 'general history of cinema.' In these, Eisenstein presents a fascinating genealogy of the media and art forms that preceded the birth of cinema and accompanied its first decades. Cinema is presented as a medium in constant flux and as heir to an expansive tradition, ranging from Dionysian mysteries to death masks and mummies, from wax museums to dioramas and panoramas, pursuing a breathtaking trajectory 'from Dionysus to television.' Eisenstein's notes are accompanied by a series of previously unpublished critical essays by internationally recognized Eisenstein scholars"--Back cover
- Language
-
- eng
- rus
- eng
- Extent
- 545 pages
- Contents
-
- Foreword / Naum Kleiman
- Cinema as "dynamic mummification," history as montage : Einstein's media archaeology / Antonio Somaini
- Notes for a general history of cinema / Sergei M. Eisenstein
- What renders Daumier's art so cinematic for Eisenstein? / Ada Ackerman
- "The heritage we renounce" : Eisenstein in historio-graphy / François Albera
- The Notes for a general history of cinema and the dialectic of the Eistensteinian image / Luka Arsenjuk
- Act now!, or For an untimely Eistenstein / Nico Baumbach
- Pathos and praxis (Eisenstein versus Barthes) / Georges Didi-Huberman
- Eisenstein's absolutely wonderful, totally impossible project / Jane Gaines
- Dynamic typicality / Abe Geil
- Archaeology vs. paleontology : a note on Eisenstein's Notes for a general history of cinema / Vinzenz Hediger
- Point--pathos--totality / Mikhail Iampolski
- Distant echoes / Arun Khopkar
- "Synthesis" of the arts or "friendly cooperation" between the arts? : the general history of cinema according to Eistenstein / Pietro Montani
- Eisenstein's mummy complex : temporality, trauma, and a distinction in Eisenstein's Notes for a general history of cinema / Philip Rosen
- Sergei Eisenstein and the Soviet models for the study of cinema, 1920s-1940s / Masha Salazkina and Natalie Ryabchikova
- Isbn
- 9789089642837
- Label
- Sergei M. Eisenstein : notes for a general history of cinema
- Title
- Sergei M. Eisenstein
- Title remainder
- notes for a general history of cinema
- Statement of responsibility
- edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova
- Title variation
- Notes for a general history of cinema
- Language
-
- eng
- rus
- eng
- Summary
- "An iconic figure in twentieth-century cinema, Sergei M. Eisenstein directed landmark films such as Battleship Potemkin and Ivan the Terrible and authored a vast body of theoretical texts. This is the first English-language edition of his recently rediscovered notes for a 'general history of cinema.' In these, Eisenstein presents a fascinating genealogy of the media and art forms that preceded the birth of cinema and accompanied its first decades. Cinema is presented as a medium in constant flux and as heir to an expansive tradition, ranging from Dionysian mysteries to death masks and mummies, from wax museums to dioramas and panoramas, pursuing a breathtaking trajectory 'from Dionysus to television.' Eisenstein's notes are accompanied by a series of previously unpublished critical essays by internationally recognized Eisenstein scholars"--Back cover
- Cataloging source
- ERASA
- http://library.link/vocab/creatorDate
- 1898-1948
- http://library.link/vocab/creatorName
- Eisenstein, Sergei
- Dewey number
- 791.4302/33092
- Illustrations
- illustrations
- Index
- index present
- Language note
- Translated from the Russian
- LC call number
-
- PN1998.3.E34
- PN1998.3.E34
- LC item number
-
- A5 2016
- S47 2016
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
- 1898-1948
- http://library.link/vocab/relatedWorkOrContributorName
-
- Eisenstein, Sergei
- Kleĭman, N. I.
- Somaini, Antonio
- Series statement
- Film theory in media history
- http://library.link/vocab/subjectName
-
- Eisenstein, Sergei
- Motion pictures
- Eisenstein, Sergei
- Ėjzenštejn, Sergej M
- Motion pictures
- Film
- Kino
- Geschichte
- Label
- Sergei M. Eisenstein : notes for a general history of cinema, edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova
- Bibliography note
- Includes bibliographical references (pages 415-523) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Foreword / Naum Kleiman -- Cinema as "dynamic mummification," history as montage : Einstein's media archaeology / Antonio Somaini -- Notes for a general history of cinema / Sergei M. Eisenstein -- What renders Daumier's art so cinematic for Eisenstein? / Ada Ackerman -- "The heritage we renounce" : Eisenstein in historio-graphy / François Albera -- The Notes for a general history of cinema and the dialectic of the Eistensteinian image / Luka Arsenjuk -- Act now!, or For an untimely Eistenstein / Nico Baumbach -- Pathos and praxis (Eisenstein versus Barthes) / Georges Didi-Huberman -- Eisenstein's absolutely wonderful, totally impossible project / Jane Gaines -- Dynamic typicality / Abe Geil -- Archaeology vs. paleontology : a note on Eisenstein's Notes for a general history of cinema / Vinzenz Hediger -- Point--pathos--totality / Mikhail Iampolski -- Distant echoes / Arun Khopkar -- "Synthesis" of the arts or "friendly cooperation" between the arts? : the general history of cinema according to Eistenstein / Pietro Montani -- Eisenstein's mummy complex : temporality, trauma, and a distinction in Eisenstein's Notes for a general history of cinema / Philip Rosen -- Sergei Eisenstein and the Soviet models for the study of cinema, 1920s-1940s / Masha Salazkina and Natalie Ryabchikova
- Control code
- 748349700
- Dimensions
- 25 cm.
- Extent
- 545 pages
- Isbn
- 9789089642837
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other control number
- 9789089648440
- Other physical details
- illustrations
- System control number
- (OCoLC)748349700
- Label
- Sergei M. Eisenstein : notes for a general history of cinema, edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova
- Bibliography note
- Includes bibliographical references (pages 415-523) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Foreword / Naum Kleiman -- Cinema as "dynamic mummification," history as montage : Einstein's media archaeology / Antonio Somaini -- Notes for a general history of cinema / Sergei M. Eisenstein -- What renders Daumier's art so cinematic for Eisenstein? / Ada Ackerman -- "The heritage we renounce" : Eisenstein in historio-graphy / François Albera -- The Notes for a general history of cinema and the dialectic of the Eistensteinian image / Luka Arsenjuk -- Act now!, or For an untimely Eistenstein / Nico Baumbach -- Pathos and praxis (Eisenstein versus Barthes) / Georges Didi-Huberman -- Eisenstein's absolutely wonderful, totally impossible project / Jane Gaines -- Dynamic typicality / Abe Geil -- Archaeology vs. paleontology : a note on Eisenstein's Notes for a general history of cinema / Vinzenz Hediger -- Point--pathos--totality / Mikhail Iampolski -- Distant echoes / Arun Khopkar -- "Synthesis" of the arts or "friendly cooperation" between the arts? : the general history of cinema according to Eistenstein / Pietro Montani -- Eisenstein's mummy complex : temporality, trauma, and a distinction in Eisenstein's Notes for a general history of cinema / Philip Rosen -- Sergei Eisenstein and the Soviet models for the study of cinema, 1920s-1940s / Masha Salazkina and Natalie Ryabchikova
- Control code
- 748349700
- Dimensions
- 25 cm.
- Extent
- 545 pages
- Isbn
- 9789089642837
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other control number
- 9789089648440
- Other physical details
- illustrations
- System control number
- (OCoLC)748349700
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