Coverart for item
The Resource Sonnet sequences and social distinction in Renaissance England, Christopher Warley

Sonnet sequences and social distinction in Renaissance England, Christopher Warley

Label
Sonnet sequences and social distinction in Renaissance England
Title
Sonnet sequences and social distinction in Renaissance England
Statement of responsibility
Christopher Warley
Creator
Subject
Genre
Language
eng
Summary
"Why were sonnet sequences popular in Renaissance England? In this study, Christopher Warley suggests that sonneteers created a vocabulary to describe, and to invent, new forms of social distinction before an explicit language of social class existed."--BOOK JACKET
Member of
Cataloging source
DLC
http://library.link/vocab/creatorDate
1969-
http://library.link/vocab/creatorName
Warley, Christopher
Dewey number
821/.0420903
Index
index present
LC call number
PR509.S7
LC item number
W37 2005
Literary form
non fiction
Nature of contents
bibliography
Series statement
Cambridge studies in Renaissance literature and culture
Series volume
49
http://library.link/vocab/subjectName
  • Sonnets, English
  • English poetry
  • Literature and society
  • Literature and society
  • Social classes in literature
  • Renaissance
  • Cycles (Literature)
Label
Sonnet sequences and social distinction in Renaissance England, Christopher Warley
Instantiates
Publication
Note
Series numbering inferred from publisher's listing
Bibliography note
Includes bibliographical references (pages 185-231) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Sonnet sequences and social distinction -- Post-romantic lyric: class and the critical apparatus of sonnet conventions -- "An Englishe box" : Calvinism and commodities in Anne Lok's A Meditation of a Penitent Sinner -- "Noble desires" and Sidney's Astrophil and Stella -- "So plenty makes me poore": Ireland, capitalism, and class in Spenser's Amoretti and Epithalamion -- "Till my bad angel fire my good one out": engendering economic expertise in Shakespeare's Sonnets -- "The English straine": absolutism, class, and Drayton's Ideas, 1594-1619 -- Afterword: Engendering class: Drayton, Wroth, Milton, and the genesis of the public sphere
Control code
56895176
Dimensions
24 cm
Extent
xi, 240 pages
Isbn
9780521842549
Lccn
2004058576
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other control number
9780521842549
Label
Sonnet sequences and social distinction in Renaissance England, Christopher Warley
Publication
Note
Series numbering inferred from publisher's listing
Bibliography note
Includes bibliographical references (pages 185-231) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Sonnet sequences and social distinction -- Post-romantic lyric: class and the critical apparatus of sonnet conventions -- "An Englishe box" : Calvinism and commodities in Anne Lok's A Meditation of a Penitent Sinner -- "Noble desires" and Sidney's Astrophil and Stella -- "So plenty makes me poore": Ireland, capitalism, and class in Spenser's Amoretti and Epithalamion -- "Till my bad angel fire my good one out": engendering economic expertise in Shakespeare's Sonnets -- "The English straine": absolutism, class, and Drayton's Ideas, 1594-1619 -- Afterword: Engendering class: Drayton, Wroth, Milton, and the genesis of the public sphere
Control code
56895176
Dimensions
24 cm
Extent
xi, 240 pages
Isbn
9780521842549
Lccn
2004058576
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other control number
9780521842549

Library Locations

    • Ellis LibraryBorrow it
      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
Processing Feedback ...