The Resource Staging pain, 1580-1800 : violence and trauma in British theater, edited by James Robert Allard and Mathew R. Martin
Staging pain, 1580-1800 : violence and trauma in British theater, edited by James Robert Allard and Mathew R. Martin
Resource Information
The item Staging pain, 1580-1800 : violence and trauma in British theater, edited by James Robert Allard and Mathew R. Martin represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Staging pain, 1580-1800 : violence and trauma in British theater, edited by James Robert Allard and Mathew R. Martin represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "Bookending the chronology of this collection are two crucial moments in the histories of pain, trauma, and their staging in British theater: the establishment of secular and professional theater in London in the 1580s, and the growing dissatisfaction with theatrical modes of public punishment alongside the increasing efficacy of staging extravagant spectacles at the end of the eighteenth century. From the often brutal spectacle of late medieval mystery plays to early Romantic re-evaluations of eighteenth-century appropriations of spectacles of pain, the essays take up the significance of these watershed moments in British theater and expand on recent work treating bodies in pain: what and how pain means, how such meaning can be embodied, how such embodiment can be dramatized, and how such dramatizations can be put to use and made meaningful in a variety of contexts. Grouped thematically, the essays interrogate individual plays and important topics in terms of the volume's overriding concerns, among them Tamburlaine and The Maid's Tragedy, revenge tragedy, Joshua Reynolds on public executions, King Lear, Settle's Moroccan plays, spectacles of injury, torture, and suffering, and Joanna Baillie's Plays on the Passions. Collectively, these essays make an important contribution to the increasingly interrelated histories of pain, the body, and the theater."--BOOK JACKET
- Language
- eng
- Extent
- xii, 220 pages
- Contents
-
- Introduction : staging pain / Mathew R. Martin and James Robert Allard
- 1."This tragic glass" : tragedy and trauma in Tamburlaine part one / Mathew R. Martin
- 2."Uncollected man" : trauma and the early modern mind-body in The maid's tragedy / Zackariah C. Long
- 3."These were spectacles to please my soul" : inventive violence in the Renaissance revenge tragedy / Annalisa Castaldo
- 4. A "bracing" moment : Reynolds' response to Boswell and Burke on the aesthetics and ethics of public executions / William Levine
- 5. Radical pity : responding to spectacles of violence in King Lear / John D. Staines
- 6. Cutting, branding, whipping, burning : the performance of judicial wounding in early modern England / Sarah Covington
- 7. Tortured bodies, factionalism, and unsettled loyalties in Settle's Morocco plays / Susan B. Iwanisziw
- 8. Lavinia's rape : reading the Restoration actress's body in pain in Ravenscroft's Titus / Kara Reilly
- 9. Sympathy pains : filicide and the spectacle of male heroic suffering on the eighteenth-century stage / Cecilia A. Feilla
- 10. Joanna Baillie and the theater of consequence / James Robert Allard
- Isbn
- 9780754667582
- Label
- Staging pain, 1580-1800 : violence and trauma in British theater
- Title
- Staging pain, 1580-1800
- Title remainder
- violence and trauma in British theater
- Statement of responsibility
- edited by James Robert Allard and Mathew R. Martin
- Language
- eng
- Summary
- "Bookending the chronology of this collection are two crucial moments in the histories of pain, trauma, and their staging in British theater: the establishment of secular and professional theater in London in the 1580s, and the growing dissatisfaction with theatrical modes of public punishment alongside the increasing efficacy of staging extravagant spectacles at the end of the eighteenth century. From the often brutal spectacle of late medieval mystery plays to early Romantic re-evaluations of eighteenth-century appropriations of spectacles of pain, the essays take up the significance of these watershed moments in British theater and expand on recent work treating bodies in pain: what and how pain means, how such meaning can be embodied, how such embodiment can be dramatized, and how such dramatizations can be put to use and made meaningful in a variety of contexts. Grouped thematically, the essays interrogate individual plays and important topics in terms of the volume's overriding concerns, among them Tamburlaine and The Maid's Tragedy, revenge tragedy, Joshua Reynolds on public executions, King Lear, Settle's Moroccan plays, spectacles of injury, torture, and suffering, and Joanna Baillie's Plays on the Passions. Collectively, these essays make an important contribution to the increasingly interrelated histories of pain, the body, and the theater."--BOOK JACKET
- Cataloging source
- DLC
- Dewey number
- 792.0941
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN2585
- LC item number
- .S73 2009
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
- 1970-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Allard, James Robert
- Martin, Mathew R.
- http://library.link/vocab/subjectName
-
- Theater
- Violence in the theater
- Pain in literature
- Theater and society
- Label
- Staging pain, 1580-1800 : violence and trauma in British theater, edited by James Robert Allard and Mathew R. Martin
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction : staging pain / Mathew R. Martin and James Robert Allard -- 1."This tragic glass" : tragedy and trauma in Tamburlaine part one / Mathew R. Martin -- 2."Uncollected man" : trauma and the early modern mind-body in The maid's tragedy / Zackariah C. Long -- 3."These were spectacles to please my soul" : inventive violence in the Renaissance revenge tragedy / Annalisa Castaldo -- 4. A "bracing" moment : Reynolds' response to Boswell and Burke on the aesthetics and ethics of public executions / William Levine -- 5. Radical pity : responding to spectacles of violence in King Lear / John D. Staines -- 6. Cutting, branding, whipping, burning : the performance of judicial wounding in early modern England / Sarah Covington -- 7. Tortured bodies, factionalism, and unsettled loyalties in Settle's Morocco plays / Susan B. Iwanisziw -- 8. Lavinia's rape : reading the Restoration actress's body in pain in Ravenscroft's Titus / Kara Reilly -- 9. Sympathy pains : filicide and the spectacle of male heroic suffering on the eighteenth-century stage / Cecilia A. Feilla -- 10. Joanna Baillie and the theater of consequence / James Robert Allard
- Control code
- 310171767
- Dimensions
- 25 cm
- Extent
- xii, 220 pages
- Isbn
- 9780754667582
- Isbn Type
- (alk. paper)
- Lccn
- 2009005302
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)310171767
- Label
- Staging pain, 1580-1800 : violence and trauma in British theater, edited by James Robert Allard and Mathew R. Martin
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction : staging pain / Mathew R. Martin and James Robert Allard -- 1."This tragic glass" : tragedy and trauma in Tamburlaine part one / Mathew R. Martin -- 2."Uncollected man" : trauma and the early modern mind-body in The maid's tragedy / Zackariah C. Long -- 3."These were spectacles to please my soul" : inventive violence in the Renaissance revenge tragedy / Annalisa Castaldo -- 4. A "bracing" moment : Reynolds' response to Boswell and Burke on the aesthetics and ethics of public executions / William Levine -- 5. Radical pity : responding to spectacles of violence in King Lear / John D. Staines -- 6. Cutting, branding, whipping, burning : the performance of judicial wounding in early modern England / Sarah Covington -- 7. Tortured bodies, factionalism, and unsettled loyalties in Settle's Morocco plays / Susan B. Iwanisziw -- 8. Lavinia's rape : reading the Restoration actress's body in pain in Ravenscroft's Titus / Kara Reilly -- 9. Sympathy pains : filicide and the spectacle of male heroic suffering on the eighteenth-century stage / Cecilia A. Feilla -- 10. Joanna Baillie and the theater of consequence / James Robert Allard
- Control code
- 310171767
- Dimensions
- 25 cm
- Extent
- xii, 220 pages
- Isbn
- 9780754667582
- Isbn Type
- (alk. paper)
- Lccn
- 2009005302
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)310171767
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