Coverart for item
The Resource Street with no name : a history of the classic American film noir, Andrew Dickos

Street with no name : a history of the classic American film noir, Andrew Dickos

Label
Street with no name : a history of the classic American film noir
Title
Street with no name
Title remainder
a history of the classic American film noir
Statement of responsibility
Andrew Dickos
Creator
Subject
Genre
Language
eng
Summary
Traces the genre of film noir back to German and French roots. Describes the development of the genre in the United States and examines its expression in modern cinema
Cataloging source
DLC
http://library.link/vocab/creatorDate
1952-
http://library.link/vocab/creatorName
Dickos, Andrew
Dewey number
791.43/655
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
PN1995.9.F54
LC item number
D53 2002
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
Film noir
Label
Street with no name : a history of the classic American film noir, Andrew Dickos
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages [283]-289) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The noir city
  • Archetypes- protagonists
  • Abraham Polonsky
  • Jules Dassin
  • Nicholas Ray
  • Orson Welles
  • 2.
  • The hard-boiled fiction influence
  • Cornell Woolrich
  • The private detective
  • To name the thing : film noir as style, as genre
  • Humphrey Bogart, Spade, Marlowe, and the film noir
  • The gangster figure and the noir
  • John Huston
  • Violence in the noir
  • Samuel Fuller
  • Robert Aldrich
  • Don Siegel
  • Sexuality in the noir
  • Families in the noir
  • Joseph H. Lewis
  • German expressionism and the roots of the film noir
  • 3.
  • Women as seen in the film noir
  • Otto Preminger
  • 4.
  • Noir production
  • Noir iconography
  • The use of voice-over narration
  • The flashback device
  • Amnesia as a storytelling device
  • The B noir production
  • Fritz Lang
  • Documentary realism in the noir
  • Critical and popular reception of the film noir
  • HUAC and the blacklist
  • Fight pictures
  • Caper films
  • Crime syndicate exposés
  • The Kefauver Crime hearings
  • Anthony Mann
  • Phil Karlson
  • 5.
  • Robert Siodmak
  • The noir influence on the French new wave
  • Jean-Pierre Melville
  • Epilogue :
  • Comments on the classic film noir and the neo-noir
  • The inception of the film noir in the French cinema of the 1930s
  • The film noir in France in the immediate postwar years
  • 1.
  • The noir in America
Control code
48468848
Dimensions
24 cm
Extent
xvi, 307 pages
Isbn
9780813122434
Isbn Type
(alk. paper)
Lccn
2001007224
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
Label
Street with no name : a history of the classic American film noir, Andrew Dickos
Publication
Bibliography note
Includes bibliographical references (pages [283]-289) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The noir city
  • Archetypes- protagonists
  • Abraham Polonsky
  • Jules Dassin
  • Nicholas Ray
  • Orson Welles
  • 2.
  • The hard-boiled fiction influence
  • Cornell Woolrich
  • The private detective
  • To name the thing : film noir as style, as genre
  • Humphrey Bogart, Spade, Marlowe, and the film noir
  • The gangster figure and the noir
  • John Huston
  • Violence in the noir
  • Samuel Fuller
  • Robert Aldrich
  • Don Siegel
  • Sexuality in the noir
  • Families in the noir
  • Joseph H. Lewis
  • German expressionism and the roots of the film noir
  • 3.
  • Women as seen in the film noir
  • Otto Preminger
  • 4.
  • Noir production
  • Noir iconography
  • The use of voice-over narration
  • The flashback device
  • Amnesia as a storytelling device
  • The B noir production
  • Fritz Lang
  • Documentary realism in the noir
  • Critical and popular reception of the film noir
  • HUAC and the blacklist
  • Fight pictures
  • Caper films
  • Crime syndicate exposés
  • The Kefauver Crime hearings
  • Anthony Mann
  • Phil Karlson
  • 5.
  • Robert Siodmak
  • The noir influence on the French new wave
  • Jean-Pierre Melville
  • Epilogue :
  • Comments on the classic film noir and the neo-noir
  • The inception of the film noir in the French cinema of the 1930s
  • The film noir in France in the immediate postwar years
  • 1.
  • The noir in America
Control code
48468848
Dimensions
24 cm
Extent
xvi, 307 pages
Isbn
9780813122434
Isbn Type
(alk. paper)
Lccn
2001007224
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations

Library Locations

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      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
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