The Resource The Anglo-Florentine Renaissance : art for the early Tudors, edited by Cinzia Maria Sicca and Louis A. Waldman
The Anglo-Florentine Renaissance : art for the early Tudors, edited by Cinzia Maria Sicca and Louis A. Waldman
Resource Information
The item The Anglo-Florentine Renaissance : art for the early Tudors, edited by Cinzia Maria Sicca and Louis A. Waldman represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item The Anglo-Florentine Renaissance : art for the early Tudors, edited by Cinzia Maria Sicca and Louis A. Waldman represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "Under the rule of Henry VII (r. 1485-1509) England became a powerful nation. The Tudor court sought to express its worldliness and political clout through major artistic commissions, employing Florentine sculptors and painters to create lavish new interiors, suitable for entertaining foreign dignitaries, for its royal palaces. These were exemplified by Henry VIII's palace of Nonsuch, so named because no other palace could match its magnificence. Italian sculpture, painting, and tapestries of the day reflected an interest in portraiture and dynastic monuments, epitomized in England by the royal tomb projects created by Baccio Bandinelli, Benedetto da Rovezzano, and Pietro Torrigiani. Generously illustrated throughout, The Anglo-Florentine Renaissance traces the artistic links between Medicean Florence and Tudor England through essays by an international team of scholars and explores how the language of Florentine art effectively expressed England's political aspirations and rose to prominence as a new international courtly style"--Provided by publisher
- Language
- eng
- Extent
- x, 414 pages
- Note
- This book originated in a conference, entitled "Henrici-Medici: Artistic Links between the Early Tudor Courts and Medicean Florence," that took place on September 19-21, 2007, at Villa I Tatti, the Harvard University Center for Italian Renaissance Studies in Florence
- Contents
-
- Introduction / Cinzia Maria Sicca and Louis A. Waldman
- Anglo-Florentine contacts in the age of Henry VIII: political and social contexts / Steven Gunn
- Pietro Torrigiani and his sculpture in Henrician England: sources and influences / Alan Phipps Darr
- Benedetto da Rovezzano in England and after: new research on the artist, his collaborators, and his family / Louis A. Waldman
- Benedetto da Rovezzano and the Altoviti in Florence: hypotheses and new interpretations for the church of Santi Apostoli / Benedetta Matucci
- Benedetto da Rovezzano in England: new light on the Cardinal Wolsey--Henry VIII tomb / Francesco Caglioti
- "142 life-size figures ... with the King on horseback": Baccio Bandinelli's mausoleum for Henry VIII / Giancarlo Gentilini and Tommaso Mozzati
- From "defender of the faith" to "Suppressor of the Pope": visualizing the relationship of Henry VIII to the Medici Popes Leo X and Clement VII / Sheryl E. Reiss
- Craftsmen and Courtiers: Italian military expertise at the Court of Henry VIII / Maurice Howard
- Holbein, Antonio Toto, and the market for Italian painting in early Tudor England / Susan Foister
- Nonsuch, Henry VIII's Mirror for a prince: sources and interpretation / Martin Biddle
- Giorgio Vasari and the progress of Italian art in early sixteenth-century England / Cinzia Maria Sicca
- Isbn
- 9780300176087
- Label
- The Anglo-Florentine Renaissance : art for the early Tudors
- Title
- The Anglo-Florentine Renaissance
- Title remainder
- art for the early Tudors
- Statement of responsibility
- edited by Cinzia Maria Sicca and Louis A. Waldman
- Subject
-
- ART / European
- ART / History / Renaissance
- Art -- Political aspects -- England -- History -- 16th century
- Art -- Political aspects -- England -- History -- To 1500
- Art, Italian -- Italy | Florence
- Art, Renaissance -- Italy | Florence
- HISTORY / Europe / Great Britain
- HISTORY / Europe / Italy
- Henry, VII, King of England, 1457-1509 -- Art patronage
- Henry, VIII, King of England, 1491-1547 -- Art patronage
- Language
- eng
- Summary
- "Under the rule of Henry VII (r. 1485-1509) England became a powerful nation. The Tudor court sought to express its worldliness and political clout through major artistic commissions, employing Florentine sculptors and painters to create lavish new interiors, suitable for entertaining foreign dignitaries, for its royal palaces. These were exemplified by Henry VIII's palace of Nonsuch, so named because no other palace could match its magnificence. Italian sculpture, painting, and tapestries of the day reflected an interest in portraiture and dynastic monuments, epitomized in England by the royal tomb projects created by Baccio Bandinelli, Benedetto da Rovezzano, and Pietro Torrigiani. Generously illustrated throughout, The Anglo-Florentine Renaissance traces the artistic links between Medicean Florence and Tudor England through essays by an international team of scholars and explores how the language of Florentine art effectively expressed England's political aspirations and rose to prominence as a new international courtly style"--Provided by publisher
- Cataloging source
- DLC
- Dewey number
- 709.45/51109031
- Illustrations
- illustrations
- Index
- index present
- LC call number
- N6921.F7
- LC item number
- A39 2012
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
-
- Sicca, Cinzia Maria
- Waldman, Louis Alexander
- Paul Mellon Centre for Studies in British Art
- Series statement
- Studies in British art
- Series volume
- 22
- http://library.link/vocab/subjectName
-
- Henry
- Henry
- Art, Renaissance
- Art, Italian
- Art
- Art
- ART / History / Renaissance
- ART / European
- HISTORY / Europe / Great Britain
- HISTORY / Europe / Italy
- Label
- The Anglo-Florentine Renaissance : art for the early Tudors, edited by Cinzia Maria Sicca and Louis A. Waldman
- Note
- This book originated in a conference, entitled "Henrici-Medici: Artistic Links between the Early Tudor Courts and Medicean Florence," that took place on September 19-21, 2007, at Villa I Tatti, the Harvard University Center for Italian Renaissance Studies in Florence
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier.
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent.
- Contents
- Introduction / Cinzia Maria Sicca and Louis A. Waldman -- Anglo-Florentine contacts in the age of Henry VIII: political and social contexts / Steven Gunn -- Pietro Torrigiani and his sculpture in Henrician England: sources and influences / Alan Phipps Darr -- Benedetto da Rovezzano in England and after: new research on the artist, his collaborators, and his family / Louis A. Waldman -- Benedetto da Rovezzano and the Altoviti in Florence: hypotheses and new interpretations for the church of Santi Apostoli / Benedetta Matucci -- Benedetto da Rovezzano in England: new light on the Cardinal Wolsey--Henry VIII tomb / Francesco Caglioti -- "142 life-size figures ... with the King on horseback": Baccio Bandinelli's mausoleum for Henry VIII / Giancarlo Gentilini and Tommaso Mozzati -- From "defender of the faith" to "Suppressor of the Pope": visualizing the relationship of Henry VIII to the Medici Popes Leo X and Clement VII / Sheryl E. Reiss -- Craftsmen and Courtiers: Italian military expertise at the Court of Henry VIII / Maurice Howard -- Holbein, Antonio Toto, and the market for Italian painting in early Tudor England / Susan Foister -- Nonsuch, Henry VIII's Mirror for a prince: sources and interpretation / Martin Biddle -- Giorgio Vasari and the progress of Italian art in early sixteenth-century England / Cinzia Maria Sicca
- Control code
- 757147239
- Dimensions
- 27 cm
- Extent
- x, 414 pages
- Isbn
- 9780300176087
- Lccn
- 2012005289
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Media type code
-
- n
- Other physical details
- illustrations (some color)
- Label
- The Anglo-Florentine Renaissance : art for the early Tudors, edited by Cinzia Maria Sicca and Louis A. Waldman
- Note
- This book originated in a conference, entitled "Henrici-Medici: Artistic Links between the Early Tudor Courts and Medicean Florence," that took place on September 19-21, 2007, at Villa I Tatti, the Harvard University Center for Italian Renaissance Studies in Florence
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier.
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent.
- Contents
- Introduction / Cinzia Maria Sicca and Louis A. Waldman -- Anglo-Florentine contacts in the age of Henry VIII: political and social contexts / Steven Gunn -- Pietro Torrigiani and his sculpture in Henrician England: sources and influences / Alan Phipps Darr -- Benedetto da Rovezzano in England and after: new research on the artist, his collaborators, and his family / Louis A. Waldman -- Benedetto da Rovezzano and the Altoviti in Florence: hypotheses and new interpretations for the church of Santi Apostoli / Benedetta Matucci -- Benedetto da Rovezzano in England: new light on the Cardinal Wolsey--Henry VIII tomb / Francesco Caglioti -- "142 life-size figures ... with the King on horseback": Baccio Bandinelli's mausoleum for Henry VIII / Giancarlo Gentilini and Tommaso Mozzati -- From "defender of the faith" to "Suppressor of the Pope": visualizing the relationship of Henry VIII to the Medici Popes Leo X and Clement VII / Sheryl E. Reiss -- Craftsmen and Courtiers: Italian military expertise at the Court of Henry VIII / Maurice Howard -- Holbein, Antonio Toto, and the market for Italian painting in early Tudor England / Susan Foister -- Nonsuch, Henry VIII's Mirror for a prince: sources and interpretation / Martin Biddle -- Giorgio Vasari and the progress of Italian art in early sixteenth-century England / Cinzia Maria Sicca
- Control code
- 757147239
- Dimensions
- 27 cm
- Extent
- x, 414 pages
- Isbn
- 9780300176087
- Lccn
- 2012005289
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Media type code
-
- n
- Other physical details
- illustrations (some color)
Subject
- ART / European
- ART / History / Renaissance
- Art -- Political aspects -- England -- History -- 16th century
- Art -- Political aspects -- England -- History -- To 1500
- Art, Italian -- Italy | Florence
- Art, Renaissance -- Italy | Florence
- HISTORY / Europe / Great Britain
- HISTORY / Europe / Italy
- Henry, VII, King of England, 1457-1509 -- Art patronage
- Henry, VIII, King of England, 1491-1547 -- Art patronage
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/portal/The-Anglo-Florentine-Renaissance--art-for-the/rJZhS3riu-I/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/portal/The-Anglo-Florentine-Renaissance--art-for-the/rJZhS3riu-I/">The Anglo-Florentine Renaissance : art for the early Tudors, edited by Cinzia Maria Sicca and Louis A. Waldman</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>
