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The Resource The Insider's Guide to Home Recording : Record Music and Get Paid

The Insider's Guide to Home Recording : Record Music and Get Paid

Label
The Insider's Guide to Home Recording : Record Music and Get Paid
Title
The Insider's Guide to Home Recording
Title remainder
Record Music and Get Paid
Creator
Subject
Language
eng
Summary
The last decade has seen an explosion in the number of home-recording studios. With the mass availability of sophisticated technology, there has never been a better time to do it yourself and make a profit. Take a studio journey with Brian Tarquin, the multiple-Emmy-award winning recording artist and producer, as he leads you through the complete recording process, and shows you how to perfect your sound using home equipment. He guides you through the steps to increase your creative freedom, and offers numerous tips to improve the effectiveness of your workflow. Topics covered in this book incl
Member of
Cataloging source
EBLCP
http://library.link/vocab/creatorName
Tarquin, Brian
Dewey number
  • 621.389/3
  • 781.49
Index
no index present
LC call number
TK7881.4
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/subjectName
  • Music
  • Sound
  • Sound studios
  • TECHNOLOGY & ENGINEERING
  • MUSIC
  • Music
  • Sound
  • Sound studios
Label
The Insider's Guide to Home Recording : Record Music and Get Paid
Instantiates
Publication
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover; Title Page; Copyright; Table of Contents; Introduction; Foreword by Matt Gallagher of Mix magazine; Chapter 1 Building the Foundation; Building the Right Space; Control Room Acoustics; Clean Electricity; Lighting; Chapter 2 Setting Up Your Studio; Choosing the Right DAW; Digidesign Pro Tools; Apple/Logic; MOTU (Mark of the Unicorn) Digital Performer; Choosing Plug-Ins; Spectrasonics; Slate Digital; The Fray; Speaker Monitors; Isolation Booth; Chapter 3 Engineering vs. Producing; Neil Dorfsman; Geoff Gray; Paul Orofino; Sylvia Massy; Mark Linett; Hal Lindes; Larry Crane
  • Chapter 4 Recording TracksTips and Tricks; Microphone Pre-Amps; Microphones; Getting Monster Guitar Tone; Recording Live Instruments; Chapter 5 Dynamic Processing; Compressors/Limiters; EQ; Useful Gear; Chapter 6 Mix; Analog Mixer vs. In the Box; Effects Processing; Mix Tips; Be Prepared for the Mix; Conclusion; Chapter 7 Business of Music; Getting Paid; Live Television Videotape Supplemental Markets Fund (LTVSMF); How Important Is This for the Musician?; Know the Difference; Find Out about Neighboring Rights; Sena; A Final Word on Royalty Companies; What You Should Know about Licensing Music
  • Going for a Composing CareerSelling Royalties; Performance Rights Organizations; Appendix; Highly Recommended Reading; Pro Audio Manufacturers; Trade Magazines; Web References; Index
Control code
902415967
Dimensions
unknown
Extent
1 online resource (301 pages)
Form of item
online
Isbn
9781621534501
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/ext/overdrive/overdriveId
45ce93e1-12e7-4ed4-abf3-4eb379fcd18b
Specific material designation
remote
System control number
(OCoLC)902415967
Label
The Insider's Guide to Home Recording : Record Music and Get Paid
Publication
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover; Title Page; Copyright; Table of Contents; Introduction; Foreword by Matt Gallagher of Mix magazine; Chapter 1 Building the Foundation; Building the Right Space; Control Room Acoustics; Clean Electricity; Lighting; Chapter 2 Setting Up Your Studio; Choosing the Right DAW; Digidesign Pro Tools; Apple/Logic; MOTU (Mark of the Unicorn) Digital Performer; Choosing Plug-Ins; Spectrasonics; Slate Digital; The Fray; Speaker Monitors; Isolation Booth; Chapter 3 Engineering vs. Producing; Neil Dorfsman; Geoff Gray; Paul Orofino; Sylvia Massy; Mark Linett; Hal Lindes; Larry Crane
  • Chapter 4 Recording TracksTips and Tricks; Microphone Pre-Amps; Microphones; Getting Monster Guitar Tone; Recording Live Instruments; Chapter 5 Dynamic Processing; Compressors/Limiters; EQ; Useful Gear; Chapter 6 Mix; Analog Mixer vs. In the Box; Effects Processing; Mix Tips; Be Prepared for the Mix; Conclusion; Chapter 7 Business of Music; Getting Paid; Live Television Videotape Supplemental Markets Fund (LTVSMF); How Important Is This for the Musician?; Know the Difference; Find Out about Neighboring Rights; Sena; A Final Word on Royalty Companies; What You Should Know about Licensing Music
  • Going for a Composing CareerSelling Royalties; Performance Rights Organizations; Appendix; Highly Recommended Reading; Pro Audio Manufacturers; Trade Magazines; Web References; Index
Control code
902415967
Dimensions
unknown
Extent
1 online resource (301 pages)
Form of item
online
Isbn
9781621534501
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/ext/overdrive/overdriveId
45ce93e1-12e7-4ed4-abf3-4eb379fcd18b
Specific material designation
remote
System control number
(OCoLC)902415967

Library Locations

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      1020 Lowry Street, Columbia, MO, 65201, US
      38.944491 -92.326012
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