Coverart for item
The Resource The Politics of the Visible in Asian North American Narratives

The Politics of the Visible in Asian North American Narratives

Label
The Politics of the Visible in Asian North American Narratives
Title
The Politics of the Visible in Asian North American Narratives
Creator
Subject
Genre
Language
eng
Summary
Through close readings grounded in the socio-historical context of each work, Ty studies the techniques of various authors and filmmakers in their meeting of the gaze of dominant culture and their response to the assumptions and meanings commonly associated with Orientalized, visible bodies
Member of
Cataloging source
EBLCP
http://library.link/vocab/creatorDate
1958-
http://library.link/vocab/creatorName
Ty, Eleanor Rose
Dewey number
818.5408098
Index
no index present
LC call number
PR9188.2.A74T9 2004
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/subjectName
  • Canadian prose literature
  • American prose literature
  • Politics and literature
  • Asians
  • Asian Americans
  • Asian Americans in literature
  • Asian Americans in motion pictures
  • Asians in motion pictures
  • Asians in literature
  • Narration (Rhetoric)
  • Asian Americans in literature
  • Asian Americans in motion pictures
  • Asian Americans
  • Asians in literature
  • Asians in motion pictures
  • Asians
  • Narration (Rhetoric)
  • Politics and literature
  • Canada
  • North America
Label
The Politics of the Visible in Asian North American Narratives
Instantiates
Publication
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Intro -- Contents -- Acknowledgments -- Preface -- Introduction -- PART I: VISUALITY, REPRESENTATION, AND THE GAZE -- 1 Writing Historiographic Autoethnography: Denise Chong's The Concubine's Children -- 2 A Filipino Prufrock in an Alien Land: Bienvenido Santos's The Man Who (Thought He) Looked Like Robert Taylor -- 3 Rescripting Hollywood: Performativity and Ethnic Identity in Mina Shum's Double Happiness -- PART II: TRANSFORMATIONS THROUGH THE SENSUAL -- 4 To Make Sense of Differences: Communities, Texts, and Bodies in Shirley Geok-lin Lim's Among the White Moon Faces -- 5 'Some Memories Live Only on Your Tongue': Recalling Tastes, Reclaiming Desire in Amy Tan's The Kitchen God's Wife -- 6 'Each Story Brief and Sad and Marvellous': Multiple Voices in Wayson Choy's The Jade Peony -- PART III: INVISIBLE MINORITIES IN ASIAN AMERICA -- 7 'Never Again Be the Yvonne of Yesterday': Personal and Collective Loss in Cecilia Brainard's When the Rainbow Goddess Wept -- 8 'Thrumming Songs of Ecstasy': Female Voices in Hiromi Goto's Chorus of Mushrooms -- 9 'On the Fence That Was Never Finished': Borderline Filipino Existence in Bino Realuyo's The Umbrella Country -- Afterword -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Control code
958562705
Dimensions
unknown
Edition
2nd ed.
Extent
1 online resource (244 pages)
Form of item
online
Isbn
9781442682122
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)958562705
Label
The Politics of the Visible in Asian North American Narratives
Publication
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Intro -- Contents -- Acknowledgments -- Preface -- Introduction -- PART I: VISUALITY, REPRESENTATION, AND THE GAZE -- 1 Writing Historiographic Autoethnography: Denise Chong's The Concubine's Children -- 2 A Filipino Prufrock in an Alien Land: Bienvenido Santos's The Man Who (Thought He) Looked Like Robert Taylor -- 3 Rescripting Hollywood: Performativity and Ethnic Identity in Mina Shum's Double Happiness -- PART II: TRANSFORMATIONS THROUGH THE SENSUAL -- 4 To Make Sense of Differences: Communities, Texts, and Bodies in Shirley Geok-lin Lim's Among the White Moon Faces -- 5 'Some Memories Live Only on Your Tongue': Recalling Tastes, Reclaiming Desire in Amy Tan's The Kitchen God's Wife -- 6 'Each Story Brief and Sad and Marvellous': Multiple Voices in Wayson Choy's The Jade Peony -- PART III: INVISIBLE MINORITIES IN ASIAN AMERICA -- 7 'Never Again Be the Yvonne of Yesterday': Personal and Collective Loss in Cecilia Brainard's When the Rainbow Goddess Wept -- 8 'Thrumming Songs of Ecstasy': Female Voices in Hiromi Goto's Chorus of Mushrooms -- 9 'On the Fence That Was Never Finished': Borderline Filipino Existence in Bino Realuyo's The Umbrella Country -- Afterword -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Control code
958562705
Dimensions
unknown
Edition
2nd ed.
Extent
1 online resource (244 pages)
Form of item
online
Isbn
9781442682122
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)958562705

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