Coverart for item
The Resource The art of the text : visuality in nineteenth- and twentieth-century literary and other media, edited by Susan Harrow

The art of the text : visuality in nineteenth- and twentieth-century literary and other media, edited by Susan Harrow

Label
The art of the text : visuality in nineteenth- and twentieth-century literary and other media
Title
The art of the text
Title remainder
visuality in nineteenth- and twentieth-century literary and other media
Statement of responsibility
edited by Susan Harrow
Title variation
Visuality in nineteenth- and twentieth-century literary and other media
Contributor
Editor
Subject
Genre
Language
eng
Summary
  • In this volume of essays, specialists explore the relations between modern literary text and visual image across a range of media - from novel, poetry and film to painting, fabric and print culture
  • Focuses on the processes through which writers think and readers response visually, exploring the visuality of the literary and non-literary text with a sustained focus on French texts of the later 19th and 20th centuries
Member of
Cataloging source
EBLCP
Dewey number
840.9/007
Index
index present
LC call number
PN56.V54
LC item number
A78 2013eb
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
Harrow, Susan
Series statement
Studies in Visual Culture
http://library.link/vocab/subjectName
  • Visual literature
  • Visual perception in literature
  • Art in literature
  • French literature
  • French literature
  • LITERARY CRITICISM
  • LITERARY CRITICISM
  • Art in literature
  • French literature
  • Visual literature
  • Visual perception in literature
Label
The art of the text : visuality in nineteenth- and twentieth-century literary and other media, edited by Susan Harrow
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 221-232) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction / Susan Harrow -- I. Thinking the visual image. Jules Verne : the unbearable brightness of seeing / Timothy Unwin -- Affinities of photography and syntax in Proust's À la recherche du temps perdu / Áine Larkin -- Portraits and neologisms : understanding the visual in Henri Michaux's 'Voyage en Grande Garabagne' / Nina Parish -- The 'trou noir' : visualizations of nihilism in Nietzsche and Modiano / Jenny Devine -- II. Intermedial migrations in the 1920s. Painting and cinema in Aragon's Anicet / Katherine Shingler -- Isotypes and elephants : picture-language as visual writing in the work and correspondence of Otto Neurath / Michelle Henning -- Colette : an eye for textiles / Anne Freadman -- Stars as sculpture in the 1920s fan-magazine interview / Michael Williams -- III. Visual negotiations and adaptations. Victor Hugo and painting : the exceptional case of the Orientales / Karen Quandt -- Visions and re-visions : Zola, Cardinal and L'OEuvre / Kate Griffiths -- Donner à voir : poetic language and visual representation according to Paul Éluard / Peter Hawkins -- 'La lettre au cinéma n'est pas une excellente solution' : a heteromedial analysis of Chantal Akerman's Proust adaptation / Jørgen Bruhn
Control code
863824798
Dimensions
unknown
Extent
1 online resource (xvii, 235 pages)
Form of item
online
Isbn
9780708326602
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations.
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt8xjd98
Specific material designation
remote
System control number
(OCoLC)863824798
Label
The art of the text : visuality in nineteenth- and twentieth-century literary and other media, edited by Susan Harrow
Publication
Bibliography note
Includes bibliographical references (pages 221-232) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction / Susan Harrow -- I. Thinking the visual image. Jules Verne : the unbearable brightness of seeing / Timothy Unwin -- Affinities of photography and syntax in Proust's À la recherche du temps perdu / Áine Larkin -- Portraits and neologisms : understanding the visual in Henri Michaux's 'Voyage en Grande Garabagne' / Nina Parish -- The 'trou noir' : visualizations of nihilism in Nietzsche and Modiano / Jenny Devine -- II. Intermedial migrations in the 1920s. Painting and cinema in Aragon's Anicet / Katherine Shingler -- Isotypes and elephants : picture-language as visual writing in the work and correspondence of Otto Neurath / Michelle Henning -- Colette : an eye for textiles / Anne Freadman -- Stars as sculpture in the 1920s fan-magazine interview / Michael Williams -- III. Visual negotiations and adaptations. Victor Hugo and painting : the exceptional case of the Orientales / Karen Quandt -- Visions and re-visions : Zola, Cardinal and L'OEuvre / Kate Griffiths -- Donner à voir : poetic language and visual representation according to Paul Éluard / Peter Hawkins -- 'La lettre au cinéma n'est pas une excellente solution' : a heteromedial analysis of Chantal Akerman's Proust adaptation / Jørgen Bruhn
Control code
863824798
Dimensions
unknown
Extent
1 online resource (xvii, 235 pages)
Form of item
online
Isbn
9780708326602
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations.
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt8xjd98
Specific material designation
remote
System control number
(OCoLC)863824798

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