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The Resource The radical faces of Godard and Bertolucci, Yosefa Loshitzky

The radical faces of Godard and Bertolucci, Yosefa Loshitzky

Label
The radical faces of Godard and Bertolucci
Title
The radical faces of Godard and Bertolucci
Statement of responsibility
Yosefa Loshitzky
Creator
Subject
Genre
Language
eng
Summary
  • "From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism."--Publisher description
  • "From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism." -- Publisher description
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Loshitzky, Yosefa
Dewey number
791.43/0233/0922
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
PN1998.3.G63
LC item number
L67 1995
Literary form
non fiction
Nature of contents
  • bibliography
  • filmographies
Series statement
Contemporary film and television series
http://library.link/vocab/subjectName
  • Godard, Jean-Luc
  • Bertolucci, Bernardo
  • Films
  • Film
Label
The radical faces of Godard and Bertolucci, Yosefa Loshitzky
Instantiates
Publication
Bibliography note
  • Filmography: pages 265-274
  • Includes bibliographical references (pages 251-264) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The Radical Period of Bertolucci: 1968-1976.
  • The Politicization of Memory: From Partner to The Conformist.
  • The Politicization of the Love Story: Eros and Civilization Revisited in Last Tango in Paris.
  • Politicization of Politics: 1900
  • Ch. 3.
  • Dialogue with the Cosmos: The Films after the Revolution.
  • The "Spiralling Negativity" of the Terrorist Game: Bertolucci's Tragedy of a Ridiculous Man.
  • The Transition to the Cosmic Period: Godard's "Trilogy of the Sublime."
  • Introduction: Anxiety of Influence/Celebration of Influence
  • Ch. 1.
  • The Radical Period of Godard: 1968-1978.
  • The Influence of May 1968.
  • From Le Gai Savoir to the Films of the Dziga Vertov Group.
  • The Intermediate Stage: Tout va bien.
  • A New Turn: The Collaboration with Mieville
  • Ch. 2.
Control code
30914150
Dimensions
24 cm
Extent
286 pages
Isbn
9780814324479
Isbn Type
(pbk. : alk. paper)
Lccn
94030602
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(WaOLN)1653510
Label
The radical faces of Godard and Bertolucci, Yosefa Loshitzky
Publication
Bibliography note
  • Filmography: pages 265-274
  • Includes bibliographical references (pages 251-264) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The Radical Period of Bertolucci: 1968-1976.
  • The Politicization of Memory: From Partner to The Conformist.
  • The Politicization of the Love Story: Eros and Civilization Revisited in Last Tango in Paris.
  • Politicization of Politics: 1900
  • Ch. 3.
  • Dialogue with the Cosmos: The Films after the Revolution.
  • The "Spiralling Negativity" of the Terrorist Game: Bertolucci's Tragedy of a Ridiculous Man.
  • The Transition to the Cosmic Period: Godard's "Trilogy of the Sublime."
  • Introduction: Anxiety of Influence/Celebration of Influence
  • Ch. 1.
  • The Radical Period of Godard: 1968-1978.
  • The Influence of May 1968.
  • From Le Gai Savoir to the Films of the Dziga Vertov Group.
  • The Intermediate Stage: Tout va bien.
  • A New Turn: The Collaboration with Mieville
  • Ch. 2.
Control code
30914150
Dimensions
24 cm
Extent
286 pages
Isbn
9780814324479
Isbn Type
(pbk. : alk. paper)
Lccn
94030602
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(WaOLN)1653510

Library Locations

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      38.944491 -92.326012
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