The Resource The radical faces of Godard and Bertolucci, Yosefa Loshitzky
The radical faces of Godard and Bertolucci, Yosefa Loshitzky
Resource Information
The item The radical faces of Godard and Bertolucci, Yosefa Loshitzky represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item The radical faces of Godard and Bertolucci, Yosefa Loshitzky represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
-
- "From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism."--Publisher description
- "From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism." -- Publisher description
- Language
- eng
- Extent
- 286 pages
- Contents
-
- The Radical Period of Bertolucci: 1968-1976.
- The Politicization of Memory: From Partner to The Conformist.
- The Politicization of the Love Story: Eros and Civilization Revisited in Last Tango in Paris.
- Politicization of Politics: 1900
- Ch. 3.
- Dialogue with the Cosmos: The Films after the Revolution.
- The "Spiralling Negativity" of the Terrorist Game: Bertolucci's Tragedy of a Ridiculous Man.
- The Transition to the Cosmic Period: Godard's "Trilogy of the Sublime."
- Introduction: Anxiety of Influence/Celebration of Influence
- Ch. 1.
- The Radical Period of Godard: 1968-1978.
- The Influence of May 1968.
- From Le Gai Savoir to the Films of the Dziga Vertov Group.
- The Intermediate Stage: Tout va bien.
- A New Turn: The Collaboration with Mieville
- Ch. 2.
- Isbn
- 9780814324479
- Label
- The radical faces of Godard and Bertolucci
- Title
- The radical faces of Godard and Bertolucci
- Statement of responsibility
- Yosefa Loshitzky
- Language
- eng
- Summary
-
- "From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism."--Publisher description
- "From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism." -- Publisher description
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Loshitzky, Yosefa
- Dewey number
- 791.43/0233/0922
- Government publication
- government publication of a state province territory dependency etc
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1998.3.G63
- LC item number
- L67 1995
- Literary form
- non fiction
- Nature of contents
-
- bibliography
- filmographies
- Series statement
- Contemporary film and television series
- http://library.link/vocab/subjectName
-
- Godard, Jean-Luc
- Bertolucci, Bernardo
- Films
- Film
- Label
- The radical faces of Godard and Bertolucci, Yosefa Loshitzky
- Bibliography note
-
- Filmography: pages 265-274
- Includes bibliographical references (pages 251-264) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- The Radical Period of Bertolucci: 1968-1976.
- The Politicization of Memory: From Partner to The Conformist.
- The Politicization of the Love Story: Eros and Civilization Revisited in Last Tango in Paris.
- Politicization of Politics: 1900
- Ch. 3.
- Dialogue with the Cosmos: The Films after the Revolution.
- The "Spiralling Negativity" of the Terrorist Game: Bertolucci's Tragedy of a Ridiculous Man.
- The Transition to the Cosmic Period: Godard's "Trilogy of the Sublime."
- Introduction: Anxiety of Influence/Celebration of Influence
- Ch. 1.
- The Radical Period of Godard: 1968-1978.
- The Influence of May 1968.
- From Le Gai Savoir to the Films of the Dziga Vertov Group.
- The Intermediate Stage: Tout va bien.
- A New Turn: The Collaboration with Mieville
- Ch. 2.
- Control code
- 30914150
- Dimensions
- 24 cm
- Extent
- 286 pages
- Isbn
- 9780814324479
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 94030602
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (WaOLN)1653510
- Label
- The radical faces of Godard and Bertolucci, Yosefa Loshitzky
- Bibliography note
-
- Filmography: pages 265-274
- Includes bibliographical references (pages 251-264) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- The Radical Period of Bertolucci: 1968-1976.
- The Politicization of Memory: From Partner to The Conformist.
- The Politicization of the Love Story: Eros and Civilization Revisited in Last Tango in Paris.
- Politicization of Politics: 1900
- Ch. 3.
- Dialogue with the Cosmos: The Films after the Revolution.
- The "Spiralling Negativity" of the Terrorist Game: Bertolucci's Tragedy of a Ridiculous Man.
- The Transition to the Cosmic Period: Godard's "Trilogy of the Sublime."
- Introduction: Anxiety of Influence/Celebration of Influence
- Ch. 1.
- The Radical Period of Godard: 1968-1978.
- The Influence of May 1968.
- From Le Gai Savoir to the Films of the Dziga Vertov Group.
- The Intermediate Stage: Tout va bien.
- A New Turn: The Collaboration with Mieville
- Ch. 2.
- Control code
- 30914150
- Dimensions
- 24 cm
- Extent
- 286 pages
- Isbn
- 9780814324479
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 94030602
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (WaOLN)1653510
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