Coverart for item
The Resource Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925

Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925

Label
Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
Title
Visions of Japanese Modernity
Title remainder
Articulations of Cinema, Nation, and Spectatorship, 1895-1925
Creator
Subject
Genre
Language
eng
Summary
"Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets new standards for film history but also plants the seeds for a counterhistory to cinema as such."Thomas LaMarre, author of The Anime Machine: A Media Theory of Animation "In this landmark study, Aaron Gerow richly demonstrates the vibrancy of Japanese film culture as no book has done befor
Member of
Cataloging source
EBLCP
http://library.link/vocab/creatorName
Gerow, Aaron Andrew
Dewey number
791.430952
Index
index present
LC call number
PN1993.5.J3
LC item number
G45 2010
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Motion pictures
  • Motion pictures
  • ART
  • PERFORMING ARTS
  • PERFORMING ARTS
  • Motion pictures
  • Japan
Label
Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index
Control code
646788639
Dimensions
unknown
Extent
1 online resource (339 pages)
Form of item
online
Isbn
9780520254565
Lccn
2009030995
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
9786612772771
http://library.link/vocab/ext/overdrive/overdriveId
22573/cttt0vvr
Specific material designation
remote
System control number
(OCoLC)646788639
Label
Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index
Control code
646788639
Dimensions
unknown
Extent
1 online resource (339 pages)
Form of item
online
Isbn
9780520254565
Lccn
2009030995
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
9786612772771
http://library.link/vocab/ext/overdrive/overdriveId
22573/cttt0vvr
Specific material designation
remote
System control number
(OCoLC)646788639

Library Locations

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      38.944491 -92.326012
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