The Resource Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
Resource Information
The item Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925 represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925 represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets new standards for film history but also plants the seeds for a counterhistory to cinema as such."Thomas LaMarre, author of The Anime Machine: A Media Theory of Animation "In this landmark study, Aaron Gerow richly demonstrates the vibrancy of Japanese film culture as no book has done befor
- Language
- eng
- Extent
- 1 online resource (339 pages)
- Contents
-
- Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index
- Isbn
- 9780520945593
- Label
- Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
- Title
- Visions of Japanese Modernity
- Title remainder
- Articulations of Cinema, Nation, and Spectatorship, 1895-1925
- Subject
-
- 1800-1999
- ART -- Film & Video
- Electronic book
- Electronic books
- History
- Japan
- Motion pictures
- Motion pictures -- Japan -- History -- 19th century
- Motion pictures -- Japan -- History -- 20th century
- PERFORMING ARTS -- Film & Video | General
- PERFORMING ARTS -- Film & Video | Reference
- Pure Film Movement
- Language
- eng
- Summary
- "Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets new standards for film history but also plants the seeds for a counterhistory to cinema as such."Thomas LaMarre, author of The Anime Machine: A Media Theory of Animation "In this landmark study, Aaron Gerow richly demonstrates the vibrancy of Japanese film culture as no book has done befor
- Cataloging source
- EBLCP
- http://library.link/vocab/creatorName
- Gerow, Aaron Andrew
- Dewey number
- 791.430952
- Index
- index present
- LC call number
- PN1993.5.J3
- LC item number
- G45 2010
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Motion pictures
- Motion pictures
- ART
- PERFORMING ARTS
- PERFORMING ARTS
- Motion pictures
- Japan
- Label
- Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index
- Control code
- 646788639
- Dimensions
- unknown
- Extent
- 1 online resource (339 pages)
- Form of item
- online
- Isbn
- 9780520945593
- Lccn
- 2009030995
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other control number
- 9786612772771
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/cttt0vvr
- Specific material designation
- remote
- System control number
- (OCoLC)646788639
- Label
- Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index
- Control code
- 646788639
- Dimensions
- unknown
- Extent
- 1 online resource (339 pages)
- Form of item
- online
- Isbn
- 9780520945593
- Lccn
- 2009030995
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other control number
- 9786612772771
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/cttt0vvr
- Specific material designation
- remote
- System control number
- (OCoLC)646788639
Subject
- 1800-1999
- ART -- Film & Video
- Electronic book
- Electronic books
- History
- Japan
- Motion pictures
- Motion pictures -- Japan -- History -- 19th century
- Motion pictures -- Japan -- History -- 20th century
- PERFORMING ARTS -- Film & Video | General
- PERFORMING ARTS -- Film & Video | Reference
- Pure Film Movement
Genre
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/portal/Visions-of-Japanese-Modernity--Articulations-of/ib6KvAn6BEU/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/portal/Visions-of-Japanese-Modernity--Articulations-of/ib6KvAn6BEU/">Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/portal/Visions-of-Japanese-Modernity--Articulations-of/ib6KvAn6BEU/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/portal/Visions-of-Japanese-Modernity--Articulations-of/ib6KvAn6BEU/">Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>
