Coverart for item
The Resource Writing through music : essay on music, culture, and politics, Jann Pasler ; with a foreword by George Lewis

Writing through music : essay on music, culture, and politics, Jann Pasler ; with a foreword by George Lewis

Label
Writing through music : essay on music, culture, and politics
Title
Writing through music
Title remainder
essay on music, culture, and politics
Statement of responsibility
Jann Pasler ; with a foreword by George Lewis
Creator
Subject
Genre
Language
eng
Summary
List of Illustrations. List of Musical Examples. Introduction. I. Time, Narrative, and Memory. 1. Narrative and Narrativity in Music. 2. Postmodernism, Narrativity, and the Art of Memory. 3. Resituating the Spectral Revolution: French Antecedents. II. Self-Fashioning. 4. Deconstructing d'Indy, or the Problem of a Composer's Reputation. 5. New Music as Confrontation: the Musical Sources of Cocteau's Identity. 6. Inventing a tradition: John Cage's Composition in Retrospect. III. Identity and Nation. 7. Pelleas and Power: Forces behind the Reception of Debussy's Opera. 8. The Ironies of Gender, o
Member of
Cataloging source
N$T
http://library.link/vocab/creatorName
Pasler, Jann
Dewey number
780.9
Illustrations
  • illustrations
  • music
Index
index present
LC call number
ML3916
LC item number
.P37 2008eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Music
  • Music
  • Debussy, Claude
  • Debussy, Claude
  • MUSIC
  • Music
  • Music
  • Musik
  • Musiksoziologie
  • Musik
  • Musik
  • Musiksoziologie
Label
Writing through music : essay on music, culture, and politics, Jann Pasler ; with a foreword by George Lewis
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Time, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music
Control code
191027909
Dimensions
unknown
Extent
1 online resource (xiv, 513 pages)
File format
unknown
Form of item
online
Isbn
9781281165374
Lccn
2006037220
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations, music
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)191027909
Label
Writing through music : essay on music, culture, and politics, Jann Pasler ; with a foreword by George Lewis
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Time, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music
Control code
191027909
Dimensions
unknown
Extent
1 online resource (xiv, 513 pages)
File format
unknown
Form of item
online
Isbn
9781281165374
Lccn
2006037220
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations, music
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)191027909

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