Byrd, William, 1539 or 1540-1623
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The person Byrd, William, 1539 or 1540-1623 represents an individual (alive, dead, undead, or fictional) associated with resources found in University of Missouri Libraries.
The Resource
Byrd, William, 1539 or 1540-1623
Resource Information
The person Byrd, William, 1539 or 1540-1623 represents an individual (alive, dead, undead, or fictional) associated with resources found in University of Missouri Libraries.
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- Byrd, William, 1539 or 1540-1623
- Date
- 1539 or 1540-1623
244 Items by the Person Byrd, William, 1539 or 1540-1623
17 Items that are about the Person Byrd, William, 1539 or 1540-1623
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Context of Byrd, William, 1539 or 1540-1623Creator of
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- Mass for three voices : with the Propers for the Nativity
- --in chains of gold--
- 2 In nomines for 4 instruments
- A gratification vnto Master Iohn Case, for his learned booke, lately made in the praise of musicke. William Byrd
- A mass for five voices
- Ave verum corpus : motets and anthems
- Ave verum corpus : motets and anthems
- Book 1 of Cantiones sacrae for five voices : originally published A.D. 1589 and now first printed in score
- Byrd song
- Cantiones sacrae
- Collected vocal works
- Complete fantasias for harpsichord
- Consort songs
- English church music, Part I
- Fantazia for string sextet or small string orchestra
- Fantazia, no. 2, for string sextet or small string orchestra
- Fifteen pieces
- Gradualia : (1607)
- Gradualia : books I and II
- Gradualia, ac cantiones sacræ : quinis, quaternis, trinisque vocibus concinnatæ. Lib. primus. Authore Gulielmo Byrde, organista Regio, Anglo
- Gradualia: seu Cantionum sacrarum quarum aliæ ad quatuor : verò ad quinque et sex voces editæ sunt. Liber secundus. Authore Gulielmo Byrde, organista Regio, Anglo. ..
- Harpsichord music
- Harpsichord music
- Keyboard music
- Keyboard music
- Liber primus sacrarum cantionum quinque vocum. Autore Guilielmo Byrd organista regio, Anglo
- Liber secundus sacrarum cantionum : quarum aliæ ad quinque, aliæ verò ad sex voces æditæ sunt. Autore Guilielmo Byrd, organista regio, Anglo
- Mass for 5 voices : Motets
- Mass for five voices
- Mass for five voices : Magnificat and Nunc dimittis, from the Great service ; Motet: Ave verum corpus
- Mass for five voices : Mass for four voices
- Mass for five voices : Mass for four voices ; Mass for three voices ; Ave verum corpus
- Mass for five voices : and, Mass propers for All Saints
- Mass for four voices
- Mass for four voices
- Mass for four voices : Infelix ego ; Mass for five voices
- Mass for four voices : Mass for five voices
- Mass for four voices : Mass for five voices
- Mass for four voices and Propers for Corpus Christi
- Mass for three voices : with the Propers for the nativity
- Mass in three parts : Mass in four parts
- Masses, antiphons, motet
- Masses, cantiones, and motets
- Messen zu 3, 4, & 5 Stimmen : Ave verum corpus
- Missa tres vocum
- Music for the virginals
- Music for voice and viols
- Music of William Byrd
- My Ladye Nevells booke
- My Ladye Nevells booke
- My ladye Nevells booke
- Parthenia or The maydenhead of the first musicke that [eue]r was printed for the virginalls. Composed by three famous masters: William Byrd, Dr: Iohn Bull, & Orlando Gibbons, gentilmen of his [M]a:ties most illustrious Chappell. Dedicated to all th[e mai]sters and louers of musick. Ingrauen by William Hole. For Dorethie Euans. Cum priuilegio
- Parthenia, or, The first musick ever printed for the virginals
- Parthenia, or, The maydenhead of the first musicke that euer was printed for the virginalls
- Parthenia, or, The maydenhead of the first musicke that euer was printed for the virginalls
- Pavan & galliard : for 5 instruments
- Pavan & galliard for 6 instruments
- Pescodd time
- Playing Elizabeth's tune : the Tallis Scholars sing William Byrd
- Psalmes, sonets, & songs of sadnes and pietie : made into musicke of fiue parts: whereof, some of them going abroad among diuers, in vntrue coppies, are heere truely corrected, and th'other being songs very rare and newly composed, are heere published, for the recreation of all such as delight in musicke: by William Byrd one of the Gent: of the Queenes Maiesties royall chappell
- Psalmes, sonets, & songs of sadnes and pietie, made into musicke of fiue parts : whereof, some of them going abroad among diuers, in vntrue coppies, are heere truely corrected, and th [sic] other being songs very rare & newly composed, are heere published, for the recreation of all such as delight in musick
- Psalmes, sonets, & songs of sadnes and pietie, made into musicke of fiue parts : whereof, some of them going abroad among diuers, in vntrue coppies, are heere truely corrected, and th'other being songs very rare and newly composed, are heere published, for the recreation of all such as delight in musicke
- Psalmes, songs and sonnets : some solemne, others ioyfull, framed to the life of the vvords : fit for voyces or viols of 3.4.5. and 6. parts
- Psalms, songs, and sonnets, some solemn, others joyful, to 3, 4, 5, and 6 parts : published in 1611. A madrigal included by Thomas Watson in First set of Italian madrigals Englished, published in 1590
- Psalms, sonnets, and songs of sadness and piety, to five parts : (published in 1588) Two madrigals, included by Nicholas Yonge in his first set of "Music and Transalpina," published in 1588)
- Songs of sundrie natures : some of grauitie, and others of myrth, fit for all companies and voyces. Lately made and composed into musick of 3.4.5. and 6. parts: and published for the delight of all such as take pleasure in the exercise of that art. By VVilliam Byrd, one of the Gentlemen of the Queenes Maiesties honorable chappell
- Songs of sundrie natures : some of grauitie, and others of myrth, fit for all companies and voyces. Lately made and composed into musicke of 3.4.5. and 6. parts: and published for the delight of all such as take pleasure in the exercise of that art. By VVilliam Byrd, one of the Gentlemen of the Queenes Maiesties honorable chappell
- Songs of sundry natures : some of grauitie, and others of mirth fit for all companies and voyces. Lately made and composed into musicke of 3. 4. 5. and 6. parts: and published for the delight of all such as take pleasure in the exercise of that art. By William Byrd, one of the gentlemen of the Kings Maiesties honorable chapell
- Songs of sundry natures, 1589
- Songs of sundry natures, to 3, 4, 5, and 6 parts : (published in 1589; reprinted in 1610)
- The caged Byrd : music for voices, viols & harpsichord, from a time of persecution, Vol. 2
- The complete consort music
- The complete keyboard music
- The consort music for 3 instruments
- The early Byrd : early works for voices, viols and virginals, Vol. 1
- The great service
- The great service
- The masses
- The three masses
- The three masses for five, four, and three voices
- [G]radualia: ac cantiones sacrae, quinis, quaternis, trinisque vocibus concinnatae, Superius
- [Mass for five voices]
- [Mass for four voices]
- [Mass for three voices]
- [Mass for three voices]
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- Songs of the earth
- Harpsichord music
- Sounds of light
- Hear my words
- Heavenly harmonies : Thomas Tallis, William Byrd
- Heavenly noyse
- Illumina
- Images pour le clavecin
- Instrumental music and songs
- Instrumental music from the courts of Queen Elizabeth and King James
- Instruments from the Rodger Mirrey Collection
- Instruments from the Russell Collection
- Jubilate : music for the kings and queens of England
- Spem in alium
- Stabat Mater
- Keyboard music from Fitzwilliam manuscripts
- Keyboard music of 16th century England
- Leopold Stokowski : Decca recordings 1965-1972
- Star of the Magi
- Symphonic transcriptions
- Lighten our darkness : music for the close of day
- Live in Oxford
- Love of my soul
- Madrigal masterpieces : the Renaissance in France, Italy and England
- Madrigalian motets from Jacobean England
- Madrigals and motets : 13th to 17th century
- Maria, rosa mystica
- Taverner & Tudor music, II, Gloria tibi Trinitas
- Mass for 5 voices : Motets
- The English lute
- The Festive pipes : eight centuries of music for recorders, Volume 2
- Mass for five voices : Magnificat and Nunc dimittis, from the Great service ; Motet: Ave verum corpus
- Mass for five voices : Mass for four voices
- The Fitzwilliam Virginal Book ; : transcriptions for a mixed consort
- The Fitzwilliam virginal book
- Mass for five voices : Mass for four voices ; Mass for three voices ; Ave verum corpus
- The Fitzwilliam virginal book
- Mass for five voices : and, Mass propers for All Saints
- The Fitzwilliam virginal book : selections
- The Harmonious blacksmith : a collection of harpsichord encores
- The Mastersingers of the San Antonio Symphony
- Mass for four voices : Infelix ego ; Mass for five voices
- Mass for four voices : Mass for five voices
- The artistry of Hans Fagius : a collection of English, German, and French organ music
- The caged Byrd : music for voices, viols & harpsichord, from a time of persecution, Vol. 2
- Mass for four voices : Mass for five voices
- Mass for four voices and Propers for Corpus Christi
- Twelve lessons from "Musick's handmaid" ; Suite g minor ; Toccata--hornpipe--air
- Mass for three voices : with the Propers for the Nativity
- Mass for three voices : with the Propers for the nativity
- Twenty-one old English compositions of the 16th and 17th centuries originally written for the virginal
- Mass in three parts : Mass in four parts
- Variations from the northern sea
- Vermeer : music of his time
- Masses, antiphons, motet
- The domestication of the animal world : and other consort music from the 16th and 17th century
- Megan Meisenbach, flutist
- Messen zu 3, 4, & 5 Stimmen : Ave verum corpus
- Very British
- The early Byrd : early works for voices, viols and virginals, Vol. 1
- Music for a reformed church : the Dorian service, English anthems, tunes for Archbishop Parker's psalter
- Music for compline
- The first sett, of Italian madrigalls Englished, not to the sense of the originall dittie, but after the affection of the noate. By Thomas Watson Gentleman. There are also heere inserted two excellent madrigalls of Master VVilliam Byrds, composed after the Italian vaine, at the request of the sayd Thomas Watson
- Music for the virginals
- Music for two harpsichords
- The flowering of genius
- Music of Tudor and Jacobean England
- The glory of early music
- Musica Dolce, Drottningholm Baroque Ensemble
- Musica transalpina : Madrigales translated of foure, fiue and sixe partes, chosen out of diuers excellent authors, vvith the first and second part of La verginella, made by Maister Byrd, vpon tvvo stanza's of Ariosto, and brought to speake English vvith the rest. Published by N. Yonge, in fauour of such as take pleasure in musicke of voices, Cantus [-Sextus]
- My Ladye Nevells booke
- The golden age of harpsichord music
- Vox virginalis
- Naked Byrd
- Naked Byrd, Two
- Nine fantasias in four parts by Byrd, Bull, Ferrabosco, Jenkins and Ives
- O blessed light : in praise of the Holy Trinity
- O come let us sing
- O lusty May
- O magnum mysterium
- O magnum mysterium
- O sacrum convivium
- O sweet love
- Oxford church anthems
- Parthenia : [or The maydenhead of the first musicke that ever was printed for the virginalls]
- Parthenia : or, The maydenhead of the first musicke that euer was printed for the virginalls
- Welcome sweet pleasure : music of England's golden age
- The great service
- Parthenia, or, The maydenhead : English Renaissance keyboard music
- The lamentations of Jeremiah
- The leaves be green
- Passiontide : music for solace and reflection
- What pleasure have great princes
- The masses
- Pavana : the virgin harpsichord
- The polyphonic mass from the middle ages to the Renaissance : La messe polyphonique du moyen âge à la renaissance
- Philharmonic Wind Quintet, Los Angeles
- The polyphonic motet from Ars Antiqua to the Renaissance : La grande aventure du motet polyphonique
- Playing Elizabeth's tune : the Tallis Scholars sing William Byrd
- Primavera : un bouquet musical de Susie Napper = musical bouquet by Susie Napper
- The queenes command : masterpieces of Elizabethan keyboard music
- --in chains of gold--
- Wondrous machine : early English keyboard music on the organ of the Ospedaletto in Venice
- 15 Fantasien für Gamben-Consort
- 1605 : Treason & dischord : William Byrd and the Gunpowder plot
- 16th century English harpsichord and virginals music
- 16th century music for viols
- 2 In nomines for 4 instruments
- A Harpsichord recital
- A century of domestic keyboards, 1727-1832
- A consort of musicke bye William Byrde and Orlando Gibbons
- The three masses
- A history of Baroque music : Une histoire de la musique Baroque
- Psalms, songs, and sonnets, some solemn, others joyful, to 3, 4, 5, and 6 parts : published in 1611. A madrigal included by Thomas Watson in First set of Italian madrigals Englished, published in 1590
- Abdelazar suite
- Agnus Dei
- All at once well met : English madrigals
- All the Queen's men : music for Elizabeth I
- An introduction to early music : Hildegard of Bingen, Ockeghem, Francesco da Milano, Josquin, Byrd, Arcadelt, Palestrina, Jenkins
- Ascensiontide service
- The three masses for five, four, and three voices
- Psalms, sonnets, and songs of sadness and piety, to five parts : (published in 1588) Two madrigals, included by Nicholas Yonge in his first set of "Music and Transalpina," published in 1588)
- Ave verum corpus : motets and anthems
- Ave verum corpus : motets and anthems
- Bach, Bull, Byrd--
- Bara Faustus' dreame : Mr Francis Tregian his choice
- Barokmusik für Posaune[n] und Gesang
- Beyond chant : mysteries of the Renaissance
- Beyond chant : mysteries of the renaissance
- Blessed spirit
- Woods, women and wine
- British and American band classics
- Byrd song
- Rejoice : sacred choral music through the ages
- Byrd studies
- Cantata : Come, let us sing you a song in canon : from the Shires suite (S.A.T.B. and piano reduction)
- Cantiones sacrae
- Renaissance brass : [music from 1400-1600]
- Cantiones sacrae 1575
- Cantiones sacrae : 1575
- Cantiones, quae ab argumento sacrae vocantur : quinque et sex partium, autoribus Thoma Tallisio & Guilielmo Birdo Anglis, serenissimæ Regineæ Maiestati à priuato sacello generosis, & organistis· Cum priuilegio
- Cantiones, quae ab argumento sacrae vocantur, : quinque et sex partium, autoribus Thoma Tallisio & Guilielmo Birdo Anglis, serenissimae Regineae Maiestati á priuato sacello generosis, & organistis
- Cembalo (Harpsichord) great works
- Ceremonial Tudor church music
- Ceremony and devotion : music for the Tudors
- Choral music
- Christmas carols and motets
- Christmas with the Choral Scholars of King's College, Cambridge
- Christus natus est : an early English Christmas
- Classical harmonies for contemplation, Vol. 1, Sacred music
- Classical harmonies for contemplation, Vol. 2, Sacred music
- Renaissance masterpieces
- Commemoration folio : music for Victory Day, Armistice Day, Memorial Day, Thanksgiving Day
- Renaissance masterpieces
- Consort music
- Consort songs
- Robin Hood : Elizabethan ballad settings
- Discover choral music
- Dished up for piano : the complete piano music
- Diversions from the Fairer Sax : music for saxophone quartet
- Early music
- Edward Harper, Lyell Cresswell
- Elisa is the fayrest Quene
- Elegeia
- Elizabethan Christmas anthems
- Elizabethan songs and consort music
- Elizabethan virginals music
- Sacred music of the Renaissance
- English keyboard music
- English madrigals
- English madrigals from The Oxford book of English madrigals : "Sing we at pleasure"
- English virginal music
- English, French and Italian madrigals
- Englist consort music
- Europäische chormusik aus fünf Jahrhunderten
- Silence & music
- Sing joyfully : [a recital of anthems from Tallis to Britten]
- Farewell concert
- The world of early music : from the Middle Ages to the dawn of enlightenment
- Fitzwilliam virginal book
- Flora gave me fairest flowers : Elizabethan madrigals
- Flora gave me fairest flowers : English madrigals
- Fredensborg fantasier
- From Byrd to birds
- From chant to Renaissance
- Gloria
- Gradualia : (1607)
- Themes & variations
- TimeSpan : Bengt Tribukait : live at Örgryte
- Treasures of Christ Church
- Tudor city
- Gypsy's round
- Hail! Queen of heaven : music in honour of the Virgin Mary
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