The radical faces of Godard and Bertolucci
Resource Information
The work The radical faces of Godard and Bertolucci represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
The radical faces of Godard and Bertolucci
Resource Information
The work The radical faces of Godard and Bertolucci represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- The radical faces of Godard and Bertolucci
- Statement of responsibility
- Yosefa Loshitzky
- Language
- eng
- Summary
-
- "From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism."--Publisher description
- "From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism." -- Publisher description
- Cataloging source
- DLC
- Dewey number
- 791.43/0233/0922
- Government publication
- government publication of a state province territory dependency etc
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1998.3.G63
- LC item number
- L67 1995
- Literary form
- non fiction
- Nature of contents
-
- bibliography
- filmographies
- Series statement
- Contemporary film and television series
Context
Context of The radical faces of Godard and BertolucciWork of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/resource/Al87plymfsg/" typeof="CreativeWork http://bibfra.me/vocab/lite/Work"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/resource/Al87plymfsg/">The radical faces of Godard and Bertolucci</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>