The frontier club : popular westerns and cultural power, 1880-1924
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The work The frontier club : popular westerns and cultural power, 1880-1924 represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
The frontier club : popular westerns and cultural power, 1880-1924
Resource Information
The work The frontier club : popular westerns and cultural power, 1880-1924 represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- The frontier club : popular westerns and cultural power, 1880-1924
- Title remainder
- popular westerns and cultural power, 1880-1924
- Statement of responsibility
- Christine Bold
- Language
- eng
- Summary
- "From Hollywood films to novels by Louis L'Amour and television series like Gunsmoke and Deadwood, the Wild West has exerted a powerful hold on the cultural imagination of the United States. Beginning with Theodore Roosevelt's founding of the Boone and Crockett Club in 1887, Christine Bold traces the origins and evolution of the western genre, revealing how a group of prominent eastern aristocrats -- a cadre she terms "the frontier club"--Created and propagated the myth of the Wild West to advance their own self-interest as well as larger systems of privilege and exclusion. Mining institutional archives, personal papers, novels, and films, The Frontier Club excavates the hidden social, political, and financial interests behind the making of the modern western. It re-reads frontier-club fiction, most notably Owen Wister's bestseller The Virginian, in relation to federal policies and cultural spaces (from exclusive gentlemen's clubs to national parks to zoos); it casts new light on key clubmen, both the famous and the forgotten -- figures such as Roosevelt, George Bird Grinnell, Silas Weir Mitchell, Henry Cabot Lodge, and Frederic Remington -- while recovering the women on whom these men depended and without whom this version of the popular West would not exist; and it considers the costs of the frontier-club formula, in terms of its impact on Indigenous peoples and its marginalization of other popular voices, including western writings by African Americans, women, and working-class white men. An engaging cultural history that covers print culture, big-game hunting, politics, immigration, Jim Crow segregation, and environmental conservation at the turn of the twentieth century, The Frontier Club provides a welcome new perspective on the enduring American myth of the Wild West." --Publisher's website
- Cataloging source
- DLC
- Dewey number
- 810.9/3278
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PS271
- LC item number
- .B65 2013
- Literary form
- non fiction
- Nature of contents
- bibliography
Context
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