Eudora Welty, Whiteness, and race, edited by Harriet Pollack

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The Resource Eudora Welty, Whiteness, and race, edited by Harriet Pollack

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Contents: Reading Welty on whiteness and race / Harriet Pollack -- Welty, race, and the patterns of a life / Suzanne Marrs -- Parting the veil: Eudora Welty, Richard Wright, and the crying wounds of Jim Crow / Susan V. Donaldson -- Eudora Welty's Making a Date, Grenada, Mississippi: one photograph, five performances / Keri Watson -- "The Little Store" in the segregated South: race and consumer culture in Eudora Welty's writing and photography / Mae Miller Claxton -- Secret agents: Welty's African Americans / David McWhirter -- Laughing in the dark: race and humor in Delta Wedding / Sarah Ford -- "I Knowed Him Then Like I Know Me Now": whiteness, violence, and interracial male intimacy in Delta Wedding and "Where Is the Voice Coming From?" / Jean C. Griffith -- Bodies on the brink: vision, violence, and self-destruction in Delta Wedding / Donnie McMahand -- "Black Men Dressed in Gold": racial violence in Eudora Welty's "The Burning" / Patricia Yaeger -- Ice picks, guinea pigs, and dead birds: dramatuc Weltian possibilities in "The Demonstrators" / Rebecca Mark -- Rethinking the unthinkable: tracing Welty's changing view of the color line in her letters, essays, and The Optimist's Daughter / Julia Eichelberger

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