Primitivist modernism : Black culture and the origins of transatlantic modernism
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The work Primitivist modernism : Black culture and the origins of transatlantic modernism represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Primitivist modernism : Black culture and the origins of transatlantic modernism
Resource Information
The work Primitivist modernism : Black culture and the origins of transatlantic modernism represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Primitivist modernism : Black culture and the origins of transatlantic modernism
- Title remainder
- Black culture and the origins of transatlantic modernism
- Statement of responsibility
- Sieglinde Lemke
- Subject
-
- Art noir américain -- États-Unis
- Arts américains
- Arts européens
- Arts noirs -- Influence
- Arts noirs américains -- Influence
- Arts, American
- Arts, Black -- Influence
- Arts, European
- Beïnvloeding
- Kunst
- Kunst
- Moderne
- Modernism (Art) -- Europe
- Modernism (Art) -- United States
- Modernisme (Art) -- Europe
- Modernisme (Art) -- États-Unis
- Modernisme (art) -- Europe
- Modernisme (art) -- États-Unis
- Modernisme (cultuur)
- Negers
- Picasso, Pablo, 1881-1973
- Primitivisme
- Primitivismus
- Schwarze
- USA
- African American arts -- Influence
- Language
- eng
- Summary
- Insisting on modernism's two-way cultural flow, Lemke demonstrates not only that white modernism owes much of its symbolic capital to the black Other, but that black modernism built itself in part on white Euro-American models. Through readings of individual texts and images (fifteen examples of which are reproduced in this volume), Lemke reforms our understanding of modernism. She shows us that transatlantic modernism in both its high and popular modes was significantly more diverse than commonly supposed. Students and scholars of modernism, African American studies, and cultural studies, and those with interests in twentieth-century art, dance, music, or literature, will find this book rewarding
- Cataloging source
- DLC
- Dewey number
- 700/.4112/08996
- Illustrations
- illustrations
- Index
- index present
- LC call number
- NX542
- LC item number
- .L46 1998
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
- W.E.B. DuBois Institute
Context
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