Mr. Smith goes to Tokyo : Japanese cinema under the American occupation, 1945-1952

Resource Information

The work Mr. Smith goes to Tokyo : Japanese cinema under the American occupation, 1945-1952 represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.

Label

Mr. Smith goes to Tokyo : Japanese cinema under the American occupation, 1945-1952

Title remainder

Japanese cinema under the American occupation, 1945-1952

Statement of responsibility

Kyoko Hirano

Creator

• Hirano, Kyōko

Subject

• Filmkeuring
• Government publications -- United States
• History
• Motion picture industry -- Japan -- History -- 20th century
• Bezettingsmachten
• Motion pictures -- Japan -- History -- 20th century
• Motion pictures -- Censorship -- Japan

Genre

• History
• Government publications

Language

eng

Summary

"In Mr. Smith Goes to Tokyo, Kyoko Hirano examines American censorship of Japanese cinema during the occupation of 1945-1952, exposing how the occupation government effectively used the Japanese film industry to serve its own ends: to inculcate "democratic" principles, to guard against a return to militarism, and, ultimately, to create a trustworthy ally in the Pacific." "The first history of Japanese cinema under the American occupation, Mr. Smith Goes to Tokyo makes extensive use of declassified occupation-government documents from Washington and Tokyo, censored screenplays, several hundred films, and interviews with Japanese directors, producers, and writers. Through an analysis of such classics as Akira Kurosawa's No Regrets for Our Youth (1946), long considered a standard in the "democratization film" genre, Hirano reveals that American authorities approved of films that featured baseball, American-style comedy, gunfights, kissing scenes, and Japanese men and women resisting fascism. She addresses prohibited topics - ritual suicide, gambling, depictions of Mt. Fuji, and, above all, criticism of the United States - in discussions of such censored films as The Japanese Tragedy (1946) and Desertion at Dawn (1950)." "Hirano traces the history of occupation censorship from its beginnings, when the United States became the almost sole Allied occupying force under General Douglas MacArthur (who wished to make Japan the "Switzerland of Asia"), to its conclusion, with the signing of a bilateral defense treaty. The author distinguishes between an early, more liberal period of occupation, in which many of Japan's own repressive restrictions on political expression were lifted, and a longer regressive period, in which growing antilabor policies of the Cold War era sparked labor unrest in the Japanese film industry."

Cataloging source

DLC

Dewey number

791.43/0952/09044

Government publication

federal national government publication

Illustrations

illustrations

Index

index present

LC call number

PN1993.5.J3

LC item number

H57 1992

Literary form

non fiction

Nature of contents

bibliography