Shakespeare, William, 1564-1616 -- Dramatic production
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Shakespeare, William, 1564-1616 -- Dramatic production
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The concept Shakespeare, William, 1564-1616 -- Dramatic production represents the subject, aboutness, idea or notion of resources found in University of Missouri Libraries.
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- Shakespeare, William, 1564-1616 -- Dramatic production
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- 1564-1616
255 Items that share the Concept Shakespeare, William, 1564-1616 -- Dramatic production
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- A Macbeth production
- A Midsummer night's dream : text and performance
- A Shakespeare workbook
- A Shakespearean actor prepares
- A book for Shakespeare plays and pageants : a treasury of Elizabethan and Shakespearean detail for producers, stage managers, actors, artists, and students
- A life in a wooden O : memoirs of the theatre
- A midsummer night's dream
- A midsummer night's dream : a user's guide
- Acting Shakespeare
- Acting Shakespeare
- Acting Shakespeare & his contemporaries
- Acting Shakespeare is outrageous! : playing the bard for beginners
- Acting and action in Shakespearean tragedy
- Acting with Shakespeare : three comedies
- Action is eloquence : Shakespeare's language of gesture
- Actors talk about Shakespeare
- Acts of criticism : performance matters in Shakespeare and his contemporaries : essays in honor of James P. Lusardi
- Acts of dramaturgy : the Shakespeare trilogy
- Antony and Cleopatra
- As you like it
- Author's pen and actor's voice : playing and writing in Shakespeare's theatre
- Avant-garde Hamlet : text, stage, screen
- Brawl ridiculous : swordfighting in Shakespeare's plays
- Charles Kean : a study in nineteenth century production of Shakespearean tragedy
- Childhood in contemporary performance of Shakespeare
- City/stage/globe : performance and space in Shakespeare's London
- Cognition in the Globe : attention and memory in Shakespeare's theatre
- Colorblind Shakespeare : new perspectives on race and performance
- Colours to the chameleon : Canadian actors on Shakespeare
- Contemporary Shakespeare production
- Coriolanus at the National : "Th' interpretation of the time"
- Costume in the drama of Shakespeare and his contemporaries
- Costume in the drama of Shakespeare and his contemporaries
- Costumes and settings for Shakespeare's plays
- Directing Shakespeare : a scholar onstage
- Directing Shakespeare in America : historical perspectives
- Directing Shakespeare in the contemporary theatre
- Discovering Shakespeare : a new guide to the plays
- Double Shakespeares : emotional-realist acting and contemporary performance
- Drama and religion in English provincial society, 1485-1660
- Drama, stage, and audience
- Dramaturgy of Shakespeare's romances
- Elizabethan drama and the viewer's eye
- Elizabethan stage conventions and modern interpreters
- Evoking Shakespeare
- Exit, pursued by a badger : an actor's journey through history with Shakespeare
- Experiencing Shakespeare : essays on text, classroom, and performance
- Foreign and native on the English stage, 1588-1611 : metaphor and national identity
- Free Shakespeare
- Freeing Shakespeare's voice : the actor's guide to talking the text
- From performance to print in Shakespeare's England
- Gender in play on the Shakespearean stage : boy heroines and female pages
- Going to Shakespeare
- Hamlet
- Hamlet, text and performance
- Hamlet--the Shakespearean director
- How to do Shakespeare
- How to enjoy Shakespeare
- Imaginary audition : Shakespeare on stage and page
- Impersonations : the performance of gender in Shakespeare's England
- In love with Shakespeare : a literary memoir
- Intermedial Shakespeares on European stages
- John Bell, Shakespeare and the quest for a new Australian theatre
- King Lear : a critical guide
- King Lear : text and performance
- Laughter, pain, and wonder : Shakespeare's comedies and the audience in the theater
- Love's fool : Shakespeare's Venus and the English Petrarchans
- Macbeth onstage : an annotated facsimile of Glen Byam Shaw's 1955 promptbook
- Moving Shakespeare indoors : performance and repertoire in the Jacobean playhouse
- Much ado about nothing
- Murdering ministers : a close look at Shakespeare's Macbeth in text, context and performance
- Negotiating Shakespeare's language in Romeo and Juliet : reading strategies from criticism, editing and the theatre
- New directions in Renaissance drama and performance studies
- New sites for Shakespeare : theatre, the audience, and Asia
- On directing Shakespeare : interviews with contemporary directors
- On playing Shakespeare : advice and commentary from actors and actresses of the past
- On producing Shakespeare
- On the acting of Shakespeare's plays
- Othello : language and writing
- OuterSpeares : Shakespeare, intermedia, and the limits of adaptation
- Pageantry in the Shakespearean theater
- Passing strange : Shakespeare, race, and contemporary America
- Performances of mourning in Shakespearean theatre and early modern culture
- Performing King Lear : Gielgud to Russell Beale
- Performing Shakespeare
- Performing Shakespeare unrehearsed : a practical guide to acting and producing spontaneous Shakespeare
- Performing transversally : reimagining Shakespeare and the critical future
- Perspectives on Shakespeare in performance
- Peter Hall directs Antony and Cleopatra
- Playing Lear
- Playing Shakespeare
- Playing bit parts in Shakespeare
- Popular Shakespeare : simulation and subversion on the modern stage
- Producing Shakespeare
- Prospero's "true preservers" : Peter Brook, Yukio Ninagawa, and Giorgio Strehler--twentieth-century directors approach Shakespeare's The tempest
- Radical Shakespeare : politics and stagecraft in the early career
- Reading Shakespeare in performance : King Lear
- Reading Shakespeare on stage
- Recovering Shakespeare's theatrical vocabulary
- Rehearsing Shakespeare : ways of approaching Shakespeare in practice for actors, directors and trainers
- Reimagining Shakespeare for children and young adults
- Reinventing the Renaissance : Shakespeare and his contemporaries in adaptation and performance
- Remaking Shakespeare : performance across media, genres and cultures
- Reviewing Shakespeare : journalism and performance from the eighteenth century to the present
- Rhythm and meaning in Shakespeare : a guide for readers and actors
- Richard III : a critical reader
- Roar of the canon : Kott and Marowitz on Shakespeare
- Romeo and Juliet
- Romeo and Juliet
- Scenes from Shakespeare : a workbook for actors
- Scenic form in Shakespeare
- Shakespeare : an illustrated stage history
- Shakespeare aloud : a guide to his verse on stage
- Shakespeare and Chekhov in production and reception : theatrical events and their audiences
- Shakespeare and Meisner : a practical guide for actors, directors, students and teachers
- Shakespeare and accentism
- Shakespeare and amateur performance : a cultural history
- Shakespeare and audience in practice
- Shakespeare and costume
- Shakespeare and feminist performance : ideology on stage
- Shakespeare and gender in practice
- Shakespeare and political theatre in practice
- Shakespeare and the 'Live' theatre broadcast experience
- Shakespeare and the Birmingham Repertory Theatre, 1913-1929
- Shakespeare and the actors : the stage business in his plays (1660-1905)
- Shakespeare and the authority of performance
- Shakespeare and the cultures of performance
- Shakespeare and the force of modern performance
- Shakespeare and the idea of late writing : authorship in the proximity of death
- Shakespeare and the imprints of performance
- Shakespeare and the modern theatre
- Shakespeare and the power of performance : stage and page in the Elizabethan theatre
- Shakespeare and the sense of performance : essays in the tradition of performance criticism in honor of Bernard Beckerman
- Shakespeare and the staging of English history
- Shakespeare and the theatrical event
- Shakespeare and the young actor : a guide to production
- Shakespeare and youth culture
- Shakespeare at the Globe, 1599-1609
- Shakespeare at the Old Vic : Hamlet, All's well that ends well, King John, Twelfth night, Coriolanus, The tempest
- Shakespeare at the Old Vic : Macbeth, Love's labour's lost, The taming of the shrew, King Richard II, As you like it, King Henry IV (Parts I and II)
- Shakespeare at the moment : playing the comedies
- Shakespeare behind bars
- Shakespeare beyond English : a global experiment
- Shakespeare dancing : a theatrical study of the plays
- Shakespeare for American actors and directors
- Shakespeare for community players
- Shakespeare for young people : productions, versions and adaptations
- Shakespeare in and out of Africa
- Shakespeare in performance : a collection of essays
- Shakespeare in performance : inside the creative process
- Shakespeare in production : whose history?
- Shakespeare in stages : new theatre histories
- Shakespeare in the theater
- Shakespeare in the theatre
- Shakespeare in the theatre, 1701-1800
- Shakespeare observed : studies in performance on stage and screen
- Shakespeare on the stage. 2d series
- Shakespeare on the university stage
- Shakespeare performed : essays in honor of R.A. Foakes
- Shakespeare today
- Shakespeare without tears
- Shakespeare without tears
- Shakespeare without tears
- Shakespeare's Globe : a theatrical experiment
- Shakespeare's Shakespeare : how the plays were made
- Shakespeare's Troilus and Cressida : textual problems and performance solutions
- Shakespeare's advice to the players
- Shakespeare's art of orchestration : stage technique and audience response
- Shakespeare's audiences
- Shakespeare's culture in modern performance
- Shakespeare's dramatic challenge : on the rise of Shakespeare's tragic heroes
- Shakespeare's dramatic persons
- Shakespeare's dramatic transactions
- Shakespeare's early history plays : from chronicle to stage
- Shakespeare's histories at Stratford, 1951
- Shakespeare's history plays : performance, translation and adaptation in Britain and abroad
- Shakespeare's memory theatre : recollection, properties, and character
- Shakespeare's more than words can witness : essays on visual and nonverbal enactment in the plays
- Shakespeare's possible worlds
- Shakespeare's speaking pictures : studies in iconic imagery
- Shakespeare's speaking properties
- Shakespeare's stagecraft
- Shakespeare's staged spaces and playgoers' perception
- Shakespeare's theater of presence : language, spectacle, and the audience
- Shakespeare's theatres and the effects of performance
- Shakespeare's visual theatre : staging the personified characters
- Shakespeare's word-scenery : with some remarks on stage-history and the interpretation of his plays
- Shakespeare, performance and the archive
- Shakespeare, spectatorship and the technologies of performance
- Shakespeare, the director
- Shakespeare, theatre, and time
- Shakespeare, theory, and performance
- Shakespeare, theory, and performance
- Shakespeare; eine Einführung in seine Dramen
- Shakespearean design
- Shakespearean entrances
- Shakespearean rhetoric : a practical guide for actors, directors, students and teachers
- Shakespearean stage production : then & now : a manual for the scholar-player
- Shakespearean tragedy and its double : the rhythms of audience response
- Shakespearean verse speaking : text and theatre practice
- Shakespearian costume for stage and screen
- Shakespearian players and performances
- Some necessary questions of the play : a stage-centered analysis of Shakespeare's Hamlet
- South Africa's Shakespeare and the drama of language and identity
- Speak the speech! : Shakespeare's monologues illuminated
- Speaking the speech : an actor's guide to Shakespeare
- Speechless dialect : Shakespeare's open silences
- Stage, stake, and scaffold : humans and animals in Shakespeare's Theatre
- Stages of play : Shakespeare's theatrical energies in Elizabethan performance
- Staging Shakespeare : essays in honor of Alan C. Dessen
- Staging Shakespeare at the new Globe
- Staging the Merchant of Venice in the 21st Century : a dramaturgical case study
- Studying Shakespeare in performance
- Symbol of man : on body-soul for stage and studio
- Sympathielenkung in den Dramen Shakespeares : Studien zur publikumsbezogenen Dramaturgie
- Talking to the audience : Shakespeare, performance, self
- Teaching Shakespeare through performance
- Textual and theatrical Shakespeare : questions of evidence
- The Arden research handbook of Shakespeare and contemporary performance
- The Cambridge Shakespeare Library
- The Cambridge companion to Shakespeare and race
- The Lear diaries : the story of the Royal National Theatre's productions of Shakespeare's Richard III and King Lear
- The Routledge companion to actors' Shakespeare
- The Routledge companion to directors' Shakespeare
- The Shakespeare masterclasses
- The Shakespeare wars : clashing scholars, public fiascoes, palace coups
- The Shakespearean dramaturg : a theoretical and practical guide
- The Shakespearean ideal : Shakespeare production and the modern theatre in Britain
- The Shakespearean scene ; : dramatic criticisms
- The Tempest
- The Triple bond : plays, mainly Shakespearean, in performance
- The Working Shakespeare library
- The actor and his text
- The actor and the text
- The development of Shakespeare as a dramatist
- The merchant of Venice
- The practical Shakespeare : the plays in practice and on the page
- The quality of mercy : reflections on Shakespeare
- The reported scenes in Shakespeare's plays
- The stage business in Shakespeare's plays : a postscript
- The taming of the shrew
- The tempest, text and performance
- The trick of singularity : Twelfth night and the performance editions
- Theatre of the people : Donald Wolfit's Shakespearean productions, 1937-1953
- Theatre, culture and society : essays, addresses and lectures
- To Play or Not to Play : 50 Games for Acting Shakespeare
- To analyze delight : a hedonist criticism of Shakespeare
- Toward a dramaturgical sensibility : landscape and journey
- Twelfth night
- Twelfth night : a critical reader
- Watching Shakespeare : a playgoers' guide
- Weathering Shakespeare : audiences and open-air performance
- Weyward Macbeth : intersections of race and performance
- Who hears in Shakespeare? : auditory worlds on stage and screen
- Women as Hamlet : performance and interpretation in theatre, film and fiction
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