Point of view (Literature)
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The concept Point of view (Literature) represents the subject, aboutness, idea or notion of resources found in University of Missouri Libraries.
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Point of view (Literature)
Resource Information
The concept Point of view (Literature) represents the subject, aboutness, idea or notion of resources found in University of Missouri Libraries.
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- Point of view (Literature)
82 Items that share the Concept Point of view (Literature)
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Context of Point of view (Literature)Subject of
- A new species of man : the poetic persona of W.B. Yeats
- A study in point of view
- A study of point of view in the novels of Nathaniel Hawthorne
- American fiction in transition : observer-hero narrative, the 1990s, and postmodernism
- American literature, lynching, and the spectator in the crowd : spectacular violence
- Authorial divinity in the twentieth century : omniscient narration in Woolf, Hemingway, and others
- Barbarous dissonance and images of voice in Milton's epics
- D.H. Lawrence and narrative viewpoint
- Das lyrische Ich : Erscheinungsformen gattungseigentüml. Autor-Subjektivität in der engl. Lyrik
- Dear reader : the conscripted audience in nineteenth-century British fiction
- Elements of Fiction Writing - Characters & Viewpoint : Proven advice and timeless techniques for creating compelling characters by an award-winning author
- Emmanuel Carrère : le point de vue de l'adversaire
- Essai de typologie narrative le "point de vue" : théorie et analyse
- Eurydice reclaimed : language, gender, and voice in Henry James
- Everyday magic : child languages in Canadian literature
- Fictional points of view
- Fools of fiction : reading William Trevor's stories
- Gendered interventions : narrative discourse in the Victorian novel
- He do the police in different voices : The waste land and its protagonist
- Henry James and the darkest abyss of romance
- Inflections of the pen : dash and voice in Emily Dickinson
- J.M. Coetzee : countervoices
- Jamesian centers of consciousness as readers and tellers of stories
- La dynamique des points de vue dans le texte de théâtre : analyses de points de vue, Le misanthrope, Le mariage de Figaro, Lorenzaccio, En attendant Godot
- Le roman à éditeur : la fiction de l'éditeur dans La religieuse, La Nouvelle Héloïse et Les liaisons dangereuses
- Lies, slander, and obscenity in Medieval English literature : pastoral rhetoric and the deviant speaker
- Male novelists and their female voices : literary masquerades
- Marketing the author : authorial personae, narrative selves and self-fashioning, 1880-1930
- Master narratives : tellers and telling in the English novel
- Men writing the feminine : literature, theory, and the question of genders
- Modes of viewing in Hellenistic poetry and art
- Multivalence : the moral quality of form in the modern novel
- Narrative and the nature of worldview in the Clare Savage novels of Michelle Cliff
- Narrative, from Malory to motion pictures
- Narrators and focalizers : the presentation of the story in the Iliad
- Narrators and focalizers : the presentation of the story in the Iliad
- Persona and humor in Mark Twain's early writings
- Plot and point of view in the Iliad
- Poetry's touch : on lyric address
- Point of view : a linguistic analysis of literary style
- Point of view : examining the magazine industry standard
- Point of view im Erzähltext : eine angewandte Typologie am Beispiel der frühen amerikanischen short story, insbesondere Poes und Hawthornes
- Point of view in fiction and film : focus on John Fowles
- Point of view in the cinema : a theory of narration and subjectivity in classical film
- Racial asymmetries : Asian American fictional worlds
- Realist fiction and the strolling spectator
- Representation and the text : re-framing the narrative voice
- Revolution and the form of the British novel, 1790-1825 : intercepted letters, interrupted seductions
- Romantic poems, poets, and narrators
- Seeing and being : the plight of the participant observer in Emerson, James, Adams, and Faulkner
- Shakespeare's perjured eye : the invention of poetic subjectivity in the sonnets
- Shakespeare's political pageant : essays in literature and politics
- Subjectivity : filmic representation and the spectator's experience
- Subversive voices : eroticizing the other in William Faulkner and Toni Morrison
- Telling glances : voyeurism in the French novel
- The Homeric narrator
- The Multiple Perspective : Wilhelm Raabe's Third-Person Narratives of the Braunschweig Period
- The Spanish picaresque novel and the point of view
- The Voice of the narrator in children's literature : insights from writers and critics
- The art of perspective : who tells the story
- The autobiographical novel of co-consciousness : Goncharov, Woolf, and Joyce
- The autobiographical novel of co-consciousness : Goncharov, Woolf, and Joyce
- The disenchanted self : representing the subject in the Canterbury tales
- The disenchanted self : representing the subject in the Canterbury tales
- The female narrator in the British novel : hidden agendas
- The medieval poet as voyeur : looking and listening in medieval love-narratives
- The mobile spectacle : variable perspective in Manzoni's I promessi sposi
- The narrative act : point of view in prose fiction
- The narrative secret of Flannery O'Connor : the trickster as interpreter
- The politics of reflexivity : narrative and the constitutive poetics of culture
- The power of point of view : make your story come to life
- The voices of African American women : the use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker
- Vanishing points : Dickens, narrative, and the subject of omniscience
- Vanishing points : Dickens, narrative, and the subject of omniscience
- Ventriloquized voices : feminist theory and English Renaissance texts
- Vers une littérature de l'épuisement
- Vision and rhetoric in Shakespeare : looking through language
- Voicing ourselves : whose words we use when we talk about books
- Voicing ourselves : whose words we use when we talk about books
- Where the rubber meets the road : immersion adventures with women in car sales
- Who's writing this? : fifty-five writers on humor, courage, self-loathing, and the creative process
- Women, the novel, and natural philosophy, 1660-1727
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.missouri.edu/resource/PpE8Ad9tTOg/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.missouri.edu/resource/PpE8Ad9tTOg/">Point of view (Literature)</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.missouri.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.missouri.edu/">University of Missouri Libraries</a></span></span></span></span></div>
