Postmodernism and film : rethinking Hollywood's aesthetics
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The work Postmodernism and film : rethinking Hollywood's aesthetics represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Postmodernism and film : rethinking Hollywood's aesthetics
Resource Information
The work Postmodernism and film : rethinking Hollywood's aesthetics represents a distinct intellectual or artistic creation found in University of Missouri Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Postmodernism and film : rethinking Hollywood's aesthetics
- Title remainder
- rethinking Hollywood's aesthetics
- Statement of responsibility
- Catherine Constable
- Language
- eng
- Summary
- "This volume focuses on postmodern film aesthetics, and contemporary challenges to the aesthetic paradigms dominating analyses of Hollywood cinema. It explores conceptions of the classical, modernist, post-classical/new Hollywood, and their construction as linear history of style in which postmodernism forms a debatable final act. This history is challenged by using Jean-François Lyotard's non-linear conception of postmodernism in order to view postmodern aesthetics as a paradigm that can occur across the history of Hollywood. This study also explores 'nihilistic' theorists of the postmodern. Jean Baudrillard and Frederic Jameson, and 'affirmative' theories, notably Linda Hutcheon, charting the ways in which the latter provide the means to conceptualise nuanced and positive variants of postmodern aesthetics and deploying them in the analysis of Hollywood films, including Bombshell, Sherlock Junior and Kill Bill."-- From back cover
- Cataloging source
- BTCTA
- Dewey number
- 791.4301
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1995
- LC item number
- .C632 2015
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
- Short cuts: introductions to film studies
- Series volume
- 60
Context
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