Part songs, English
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The concept Part songs, English represents the subject, aboutness, idea or notion of resources found in University of Missouri Libraries.
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Part songs, English
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The concept Part songs, English represents the subject, aboutness, idea or notion of resources found in University of Missouri Libraries.
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- Part songs, English
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- Welcome sweet pleasure : music of England's golden age
- 300 years of English partsongs : glees, rounds, catches, partsongs, 1600-1900
- 5 English medieval carols : for 3 voices or instruments
- 5 English songs of the 15th century : for 3 voices or instruments
- 5 canzonets a 3 (1593) : for 3 voices or instruments
- 7 airs or fantastic spirits (1608) : for 3 voices or instruments
- A Collection of anthems : for voices and instruments by composers of the madrigalian era : scored from a set of ancient m.s. part boks formerly in the Evelyn collection
- A Treasury of music of the Renaissance
- A book of four-part madrigals (S.A.T.B.)
- A cappella
- A pilgrimes solace : VVherein is contained musicall harmonie of 3. 4. and 5. parts, to be sung and plaid with the lute and viols. By Iohn Douland, Batchelor of Musicke in both the vniuersities: and lutenist to the Right Honourable the Lord Walden
- Airs or fantastic spirits to three voices : (published in 1608) A madrigal by Thomas Weelkes (included by Morley in the "Triumph of Oriana," published in 1601)
- Airs or fantastic spirits, 1608
- All goodly sports : the complete music of Henry VIII
- American Victorian choral music
- An English ladymass : medieval chant and polyphony
- An English medieval and Renaissance song book : part songs and sacred music for one to six voices
- An English songbook : part songs and sacred music of the Middle Ages and Renaissance for one to six voices
- An Evening of Elizabethan verse and its music
- An hour's recreation in music : (published in 1606)
- An howres recreation in musicke : apt for instrumentes and voyces. Framed for the delight of gentlemen and others which are wel affected to that qualitie, all for the most part with two trebles, necessary for such as teach in priuate families, with a prayer for the long preseruation of the King and his posteritie, and a thankesgiuing for the deliuerance of the whole estate from the late conspiracie. By Richard Alison Gentleman and practitioner in this arte
- Anthems & songs of praise : church music of Jacobean England, Volume II
- Awake, sweet love : the music of John Dowland
- Ayres and dialogues, for one, two, and three voyces
- Ayres for four voices
- Ayres for four voices, Vol. 1
- Ayres for four voices, Vol. 2
- Ayres for four voices, Vol. 3
- Ayres for four voices, Vol. 4
- Ayres for four voices. : Transcribed by Edmund H. Fellowes, edited by Thurston Dart and Nigel Fortune
- Ayres, or, Fa la's : for three voyces (1627)
- Ballets and madrigals to five voices : (published in 1598; reprinted in 1608)
- Brussels 5557
- Canzonets and keyboard music
- Canzonets or little short airs to five and six voices : (published in 1597) Two madrigals (included by Morley in the Triumphs of Oriana; published in 1601)
- Canzonets to four voices : (published in 1598)
- Canzonets to three voices : (published in 1608)
- Catch that catch can, or, A choice collection of catches, rounds & canons for 3 or 4 voyces
- Catch that catch can, or, The musical companion : containing catches and rounds for three and four voyces : to which is now added a second book containing dialogues, glees, ayres, & ballads, &c., some for two, three, foure voyces
- Cheerfull ayres or ballads : first composed for one single voice, and since set for three voices
- Children's songs of Shakespeare's time
- Choice songs and ayres for one voyce : to sing to a theorbo-lute or bass-viol : being most of the newest songs sung at court, and at the publick theatres
- Choral songs in honour of Her Majesty Queen Victoria
- Choral works
- Collected English lutenist partsongs
- Collected vocal music
- Complete works
- Consort songs
- Darkness into light ; : The bridegroom & other works
- Delius and Elgar partsongs
- Early Anglican church music in America : scarce imprints of hymns, chants, anthems, psalms, liturgical tunes and choral pieces used in the Episcopal Church before and immediately following the revolution: 1763-1830
- Early Bodleian music ; : introduction to the study of some of the oldest Latin musical manuscripts in the Bodleian Library
- Early Tudor songs and carols
- Eight ballets and madrigals, 1598
- English songs, 1625-1660
- First book of ballets to five voices. (Published in 1595 and re-printed in 1600)
- First book of madrigals to four voices (published in 1594, and reprinted in 1600) : Two canzonets to four voices (included by Morley in his Italian collection; published in 1597)
- First set of madrigals : (published in 1604)
- First set of madrigals and motets of five parts : (published in 1612)
- First set of madrigals and pastorals : of 3, 4, and 5 parts (published in 1614)
- First set of madrigals of 3, 4, 5, 6, 7, 8 parts : (published in 1607) A madrigal by Robert Jones included by Morley in his "Triumphs of Oriana" published in 1601. John Mundy: Madrigals included by him in his Songs and Psalms composed into 3.4. and 5. parts (published in 1594) A madrigal by John Mundy included by Morley in his "Triumphs of Oriana" published in 1601
- First set of madrigals of five parts : (published in 1613)
- First set of madrigals to 3, 4, 5, and 6 voices : (published in 1598) Madrigal by John Wilbye (included by Morley in the "Triumphs of Oriana," published in 1601) Two motets by John Wilbye (included by Sir William Leighton in "Tears and lamentations," published in 1614)
- First set of madrigals to 3,4, and 5 parts : published in 1604
- First set of madrigals to four voices : (published in 1599) A madrigal (included by Morley in the "Triumphs of Oriana," published in 1601)
- Folk songs and ballads, Vols 1-2
- Hear my prayer : choral music of the English romantics
- In libros Thomæ Whithorni Octostichon
- Jeremy Summerly, Oxford Camerata
- Liber primus sacrarum cantionum quinque vocum. Autore Guilielmo Byrd organista regio, Anglo
- Lo, country sports
- Lo, the full, final sacrifice : and other choral works
- Madrigals & motets, 1612
- Madrigals and motets for five voices : originally published in parts, A.D. 1612, and now first printed in score
- Madrigals contained in The third set of books : published in 1610 [and] madrigals contained in The fourth set of books, published in 1619
- Madrigals for four voices
- Madrigals of five parts : (published in 1600)
- Madrigals of six parts (published in 1600)
- Madrigals to 3, 4, 5 and 6 voices : (published in 1597)
- Madrigals to 3, 4, and 5 parts : (published in 1606) A madrigal by Michael East (included by Morley in the "Triumphs of Oriana," published in 1601)
- Madrigals to 3. 4. 5. and 6. parts (published in 1613)
- Madrigals to 4, 5, and 6 voices : (published in 1597) A madrigal by George Kirbye (included by Morley in the "Triumphs of Oriana," published in 1601
- Madrigals to five voices
- Madrigals to five voices : (published in 1601)
- Madrigals to four voices : (published in 1599)
- Madrigals. The triumphs of Oriana : to 5. and 6. voices
- Medieval English lyrics
- Metaphysical tobacco : songs and dances
- Modern American madrigals
- Morley's Canzonets for three voices
- Morley's Canzonets for two voices
- Music at the court of Henry VIII
- Music divine
- Music for Tudor kings : songs & music for Henry VII & Henry VIII
- Music from Magdalen
- Music from the Renaissance
- My spirit sang all day
- Nine madrigals to five voices : from Musica Transalpina, 1588
- O lusty May
- On Yoolis night : medieval carols & motets
- Pammelia : Deutromelia. Melismata
- Part songs
- Part-songs
- Part-songs
- Phillis, I fain would die now : for 7 voices or instruments in 2 choirs
- Psalmes, sonets, & songs of sadnes and pietie, made into musicke of fiue parts : whereof, some of them going abroad among diuers, in vntrue coppies, are heere truely corrected, and th [sic] other being songs very rare & newly composed, are heere published, for the recreation of all such as delight in musick
- Psalmes, sonets, & songs of sadnes and pietie, made into musicke of fiue parts : whereof, some of them going abroad among diuers, in vntrue coppies, are heere truely corrected, and th'other being songs very rare and newly composed, are heere published, for the recreation of all such as delight in musicke
- Psalmes, songs and sonnets : some solemne, others ioyfull, framed to the life of the vvords : fit for voyces or viols of 3.4.5. and 6. parts
- Psalms, songs, and sonnets, some solemn, others joyful, to 3, 4, 5, and 6 parts : published in 1611. A madrigal included by Thomas Watson in First set of Italian madrigals Englished, published in 1590
- Psalms, sonnets, and songs of sadness and piety, to five parts : (published in 1588) Two madrigals, included by Nicholas Yonge in his first set of "Music and Transalpina," published in 1588)
- Renaissance vocal music
- Romance du soir
- Rounds, canons and songs from printed sources
- Second set of madrigals : (published in 1618)
- Second set of madrigals and pastorals of 3, 4, 5, and 6 parts (published in 1624)
- Second set of madrigals to 3, 4, 5, and 6 voices (published in 1609)
- Secular vocal music
- Select ayres and dialogues for one, two, and three voyces, to the theorbo-lute or basse-viol
- Selections from seventeenth-century songbooks
- Shakespeare songs and lute solos
- Sing we at pleasure
- Singing youth
- Six madrigals to six voices, 1597
- Six songs : selected from the Amphion anglicus, 1700
- Songs of 3. 4. 5. and 6. parts (published in 1622) A madrigal Thomas Tomkins (included by Morley in the "Triumphs of Oriana," published in 1601)
- Songs of 3.4.5. and 6. parts
- Songs of 4, 5 & 6 parts
- Songs of divers airs and natures : (published in 1619)
- Songs of springtime : partsongs for unaccompanied chorus
- Songs of sundrie natures : some of grauitie, and others of myrth, fit for all companies and voyces. Lately made and composed into musicke of 3.4.5. and 6. parts: and published for the delight of all such as take pleasure in the exercise of that art. By VVilliam Byrd, one of the Gentlemen of the Queenes Maiesties honorable chappell
- Songs of sundry natures : some of grauitie, and others of mirth fit for all companies and voyces. Lately made and composed into musicke of 3. 4. 5. and 6. parts: and published for the delight of all such as take pleasure in the exercise of that art. By William Byrd, one of the gentlemen of the Kings Maiesties honorable chapell
- Songs of sundry natures, 1589
- Songs of sundry natures, to 3, 4, 5, and 6 parts : (published in 1589; reprinted in 1610)
- Songs, ballads and instrumental pieces
- Sweet muses ..
- The English madrigal school, vol. 3 : Thomas Morley
- The Golden Age of England
- The Melvill book of roundels
- The Musical companion. : A collection of the newest and best songs sung at the theatres, gardens, and publick places of diversion; among which are several originals, and many songs, that are either very scarce, or celebrated for their humour, or oddity
- The Penguin book of English madrigals : for 4 voices
- The Second booke of ayres containing pastorall dialogues for two voyces, to sing either to the theorbo, harpsicon, or basse violl : also short ayres for three voyces, with a thorow basse
- The Whole booke of psalmes : with the hymnes euangelicall, and songs spirituall
- The collected works
- The cries of London : Music in honor of Queen Elizabeth I
- The first book of ayres
- The first book of canzonets to two voices : (published in 1595) Canzonets or little short songs to three voices (published in 1593; reprinted in 1606 and 1631)
- The first book of songs or airs of four parts
- The first booke of songes or ayres of fowre partes with tableture for the lute : so made that all the partes together, or either of them seuerally may be song to the lute, orpherian or viol de gambo. Composed by Iohn Dowland lutenist and Batcheler of musicke in both the vniversities. Also an inuention by the sayd author for two to playe vpon one lute
- The first set : beeing songs of diuers ayres and natures, of [f]iue and sixe parts, apt for vyols and voyces
- The first set of ballets for five voices
- The first set of madrigals for three, four, five and six voices
- The first set of psalms of III voyces : fitt for private chappells or other private meetings with a continuall base either for the organ or theorbo newly composed after the Italian way
- The flower of all virginity : Eton choirbook, vol. IV
- The madrigal in the Romantic era
- The pillars of eternity : Eton choirbook, volume III
- The sylviad, or, Minstrelsy of nature in the wilds of North America : opus 3 (Boston, 1823, 1825-26)
- The third and last booke of songs or aires : Newly composed to sing to the lute, orpharion, or viols, and a dialogue for a base and meane lute with fiue voices to sing thereto. By Iohn Dowland, Bacheler in Musicke, and lutenist to the most high and mightie Christian the fourth by the grace of God king of Denmark and Norwey, &c
- The third set of bookes : vvherein are pastorals, anthemes, neopolitanes, fancies, and madrigales, to 5. and 6. parts: apt both for viols and voyces. Newly composed by Michaell Easte, Batchelar of Musicke. 1610
- The treasury of musick
- The triumphs of Oriana : [music to entertain Elizabeth I
- The two souls of Solomon
- There is sweet music : English choral songs 1890-1950
- Thomas Morley editions of Italian canzonets and madrigals, 1597-1598
- To the Right Worshipfull Sir Thomas Gerard, Knight
- Triplex, of songes, for three, fower, and fiue voyces ; Medius, of songes, for three, fower, and fiue voyces ; Tenor, of songes, for fiue voyces; Bassus, of songes, for three, fower, and fiue voyces ; [Contratenor for fower [fiue] voyces]
- Tvvo bookes of ayres : The first contayning diuine and morall songs: the second, light conceites of louers. To be sung to the lute and viols, in two, three, and foure parts: or by one voyce to an instrument. Composed by Thomas Campian
- Twelve madrigals to five voices, 1597
- Two mid-fifteenth-century English songs
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